Sini Kaipainen
Datos Biográficos
| ID | 6814008 |
|---|---|
| NOMBRE | Sini Kaipainen |
| NOMBRES | Sini |
| APELLIDO | Kaipainen |
| FIRMA | KAIPAINEN S |
| AFILIACIONES | Aalto University |
| ORCID | 0000-0003-2950-7238 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2022 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 0 |
“A tyranny of technology”
Authenticity in photojournalism as documentary evidence differs from Instagram-created authenticity as “sincere” self-presentation that equates self-branding with self-expression. Self-branding tactics can consolidate or compromise authenticity standards in photojournalism rooted in factuality, reality, and truth value. Yet, the rise of self-branding through performed authenticity by and of photojournalists on Instagram has not attracted scholarl…
‘It’s What I Do’
This close reading of the public persona outlines how high-profile war photojournalist Lynsey Addario articulated ‘it’s what I do’ in her public Instagram account construed as an ongoing digital memoir. Addario’s Instagram profile and her formal journalistic memoir, It’s What I Do: A Photographer’s Life of Love and War (2015), are fluid continuums of different forms and features that support, authenticate, and promote her public work persona, usi…
A critically methodological approach
The present study addresses one possible template for exploring the meanings of photojournalistic self-presentation on Instagram. I employ automedial close reading for the data collected from one Instagram user and his profile in the cases of two professional photojournalists: Ed Kashi and Sebastian Rich. I test and develop the process of close reading in the context of Instagram and professional photojournalism. I am founding this practice on an…
Sin obras prominentes en esta página.
‘It’s What I Do’
This close reading of the public persona outlines how high-profile war photojournalist Lynsey Addario articulated ‘it’s what I do’ in her public Instagram account construed as an ongoing digital memoir. Addario’s Instagram profile and her formal journalistic memoir, It’s What I Do: A Photographer’s Life of Love and War (2015), are fluid continuums of different forms and features that support, authenticate, and promote her public work persona, usi…
A critically methodological approach
The present study addresses one possible template for exploring the meanings of photojournalistic self-presentation on Instagram. I employ automedial close reading for the data collected from one Instagram user and his profile in the cases of two professional photojournalists: Ed Kashi and Sebastian Rich. I test and develop the process of close reading in the context of Instagram and professional photojournalism. I am founding this practice on an…
“A tyranny of technology”
Authenticity in photojournalism as documentary evidence differs from Instagram-created authenticity as “sincere” self-presentation that equates self-branding with self-expression. Self-branding tactics can consolidate or compromise authenticity standards in photojournalism rooted in factuality, reality, and truth value. Yet, the rise of self-branding through performed authenticity by and of photojournalists on Instagram has not attracted scholarl…
Aesthetics (3 obras) · Art (3 obras) · Media Studies and Communication (3 obras) · Photojournalism (3 obras) · Sociology (3 obras) · Visual arts (3 obras) · Gender, Feminism, and Media (2 obras) · Humanities (2 obras) · Law (2 obras) · Literature (2 obras)