Katy Deepwell
Datos Biográficos
| ID | 687569 |
|---|---|
| NOMBRE | Katy Deepwell |
| NOMBRES | Katy |
| APELLIDO | Deepwell |
| FIRMA | DEEPWELL K |
| AFILIACIONES | Middlesex University |
| ORCID | 0000-0001-8188-0895 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAS | 1 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1995 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2023 |
| ÍNDICE H | 1 |
The Politics and Aesthetic Choices of Feminist Art Criticism
This article explores feminist art criticism from the point of view of aesthetics/politics in global contemporary art. It is based on the author’s experience as an art critic and founding editor of n.paradoxa: international feminist art journal (1998–2017). Reading articles published in the previous two decades both for the journal and outside it, it became possible to identify how subjects produce specific objects in art criticism that demonstra…
Identity/Alterity Re‐De‐Constructed in Repetition and Difference
This essay offers a close reading of Verdi Yahooda's work Photo Booth Classic (1974–present), its presentation as artists’ pages in n.paradoxa: international feminist art journal , 17, January 2006, and in the exhibitions Said (London: Camberwell Space, 2008) and Now! Now! In more than one place (London: Cookhouse and Triangle Space, Chelsea College of Art and Design, 2016) organized by the Black Arts and Modernism project. The differences in for…
Postdigital Education, Feminism, Women
Art Criticism and the State of Feminist Art Criticism
This essay is in four parts. The first offers a critique of James Elkins and Michael Newman’s book The State of Art Criticism (Routledge, 2008) for what it tells us about art criticism in academia and journalism and feminism; the second considers how a gendered analysis measures the “state” of art and art criticism as a feminist intervention; and the third, how neo-liberal mis-readings of Linda Nochlin and Laura Mulvey in the art world represent …
Feminist Interpretations of Witches and the Witch Craze in Contemporary Art by Women
This article considers feminist interpretations of the witch in contemporary art in relation to the witch craze: examples are by Georgia Horgan, Ann-Sofi Sidén, Mathilde ter Heijne, Monica Sjöö, Tania Antoshina, Helen Chadwick, Jesse Jones, and Carolee Schneemann. The argument explores the ways that the figure of the witch is analyzed in three different feminist critiques of patriarchy, and subsequently pursues how these ideas have been taken up …
Women Artists and Modernism
A collection of essays on the theme of women in 20th century art history, with particular reference to their position in relation to modernism. Each of the following essays is abstracted in this issue of ABM: `Women artists, modernity and suffrage cultures in Britain and Germany 1890-1920' by Rosemary Betterton; `Modern women, modern spaces: women, metropolitan culture and Vorticism' by Jane Beckett and Deborah Cherry; `Black awakening: gender an…
Aesthetics in Feminist Perspective
Philosophical aesthetics and theories of art are among the last areas in which feminist critiques of traditional disciplinary assumptions are being explored. Aesthetics in Feminist Perspective examines the intellectual traditions of the philosophy of art and aesthetics. Containing essays by scholars and by the writer Marilyn French, the collection ranges from the history of aesthetic theory to a philosophical reflection on fashion. The contributi…
Negotiating Models of Feminist Research
R. Betterton (ed.), An Intimate Distance: Women Artists and the Body J. A. Isaak (ed.), Feminism and Contemporary Art: The Revolutionary Power of Women’s Laughter Griselda Pollock (ed.), Generations and Geographies in the Visual Arts: Feminist Readings Dinah Dysart and Hannah Fink (eds.), Asian Women Artists Gayatri Sinha (ed.), Expressions & Evocations: Contemporary Women Artists of India Anna Voigt (ed.), New Visions, New Perspectives: Voice of…
Reading in Detail
Research Article| November 01 1996 READING IN DETAIL: KATY DEEPWELL ON THE WORK OF NDIDI DIKE Katy Deepwell Katy Deepwell Katy Deepwell is a senior lecturer in the Department of Fine Arts at Oxford-Brookes University, Oxford, England. She is the editor of New Feminist Art Criticism, MUP, 1995 Search for other works by this author on: This Site Google Nka (1996) 1996 (5): 40–43. https://doi.org/10.1215/10757163-5-1-40 Cite Icon Cite Share Icon Sha…
"Art Criticism and Africa" Conference
The Power of Feminism
The Power of Feminism KATY DEEPWELL KATY DEEPWELL Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 18, Issue 2, 1995, Pages 119–122, https://doi.org/10.1093/oxartj/18.2.119 Published: 01 December 1995
The Power of Feminism
The Power of Feminism KATY DEEPWELL KATY DEEPWELL Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 18, Issue 2, 1995, Pages 119–122, https://doi.org/10.1093/oxartj/18.2.119 Published: 01 December 1995
Reading in Detail
Research Article| November 01 1996 READING IN DETAIL: KATY DEEPWELL ON THE WORK OF NDIDI DIKE Katy Deepwell Katy Deepwell Katy Deepwell is a senior lecturer in the Department of Fine Arts at Oxford-Brookes University, Oxford, England. She is the editor of New Feminist Art Criticism, MUP, 1995 Search for other works by this author on: This Site Google Nka (1996) 1996 (5): 40–43. https://doi.org/10.1215/10757163-5-1-40 Cite Icon Cite Share Icon Sha…
"Art Criticism and Africa" Conference
Negotiating Models of Feminist Research
R. Betterton (ed.), An Intimate Distance: Women Artists and the Body J. A. Isaak (ed.), Feminism and Contemporary Art: The Revolutionary Power of Women’s Laughter Griselda Pollock (ed.), Generations and Geographies in the Visual Arts: Feminist Readings Dinah Dysart and Hannah Fink (eds.), Asian Women Artists Gayatri Sinha (ed.), Expressions & Evocations: Contemporary Women Artists of India Anna Voigt (ed.), New Visions, New Perspectives: Voice of…
Aesthetics in Feminist Perspective
Philosophical aesthetics and theories of art are among the last areas in which feminist critiques of traditional disciplinary assumptions are being explored. Aesthetics in Feminist Perspective examines the intellectual traditions of the philosophy of art and aesthetics. Containing essays by scholars and by the writer Marilyn French, the collection ranges from the history of aesthetic theory to a philosophical reflection on fashion. The contributi…
Women Artists and Modernism
A collection of essays on the theme of women in 20th century art history, with particular reference to their position in relation to modernism. Each of the following essays is abstracted in this issue of ABM: `Women artists, modernity and suffrage cultures in Britain and Germany 1890-1920' by Rosemary Betterton; `Modern women, modern spaces: women, metropolitan culture and Vorticism' by Jane Beckett and Deborah Cherry; `Black awakening: gender an…
Postdigital Education, Feminism, Women
Art Criticism and the State of Feminist Art Criticism
This essay is in four parts. The first offers a critique of James Elkins and Michael Newman’s book The State of Art Criticism (Routledge, 2008) for what it tells us about art criticism in academia and journalism and feminism; the second considers how a gendered analysis measures the “state” of art and art criticism as a feminist intervention; and the third, how neo-liberal mis-readings of Linda Nochlin and Laura Mulvey in the art world represent …
Feminist Interpretations of Witches and the Witch Craze in Contemporary Art by Women
This article considers feminist interpretations of the witch in contemporary art in relation to the witch craze: examples are by Georgia Horgan, Ann-Sofi Sidén, Mathilde ter Heijne, Monica Sjöö, Tania Antoshina, Helen Chadwick, Jesse Jones, and Carolee Schneemann. The argument explores the ways that the figure of the witch is analyzed in three different feminist critiques of patriarchy, and subsequently pursues how these ideas have been taken up …
Identity/Alterity Re‐De‐Constructed in Repetition and Difference
This essay offers a close reading of Verdi Yahooda's work Photo Booth Classic (1974–present), its presentation as artists’ pages in n.paradoxa: international feminist art journal , 17, January 2006, and in the exhibitions Said (London: Camberwell Space, 2008) and Now! Now! In more than one place (London: Cookhouse and Triangle Space, Chelsea College of Art and Design, 2016) organized by the Black Arts and Modernism project. The differences in for…
The Politics and Aesthetic Choices of Feminist Art Criticism
This article explores feminist art criticism from the point of view of aesthetics/politics in global contemporary art. It is based on the author’s experience as an art critic and founding editor of n.paradoxa: international feminist art journal (1998–2017). Reading articles published in the previous two decades both for the journal and outside it, it became possible to identify how subjects produce specific objects in art criticism that demonstra…
Art (10 obras) · Art history (8 obras) · Gender Studies (8 obras) · Sociology (8 obras) · Feminism (6 obras) · Aesthetics (5 obras) · Art, Politics, and Modernism (5 obras) · Literature (5 obras) · Visual arts (4 obras) · Criticism (3 obras)