Patrick Boyde
Datos Biográficos
| ID | 688343 |
|---|---|
| NOMBRE | Patrick Boyde |
| NOMBRES | Patrick |
| APELLIDO | Boyde |
| FIRMA | BOYDE P |
| VERIFICADO | No |
| TOTAL DE OBRAS | 14 |
| TOTAL DE CITAS | 0 |
| OBRAS COMO AUTOR | 14 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1965 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2009 |
| ÍNDICE H | 0 |
Perception and Passion in Dante's Comedy
Dante Alighieri
Human Vices and Human Worth in Dante's Comedy
Letture classensi
Uberto Limentani
When Uberto Limentani came to England just before the outbreak of the Second World War, he was already twenty-six years old and in possession of no less than two degrees from the University of Milan, where he had been born on 15 December 1913. Few, if any, of the readers of this memoir will know much about his formative years and so, in the belief that 'the child is father of the man' I should like to begin by quoting at some length from a person…
Dante, Philomythes and Philosopher. Man in the Cosmos
Preface Introduction: Dante and Lucretius Part I. The Cosmos: 1. Wonder and knowledge 2. The elements 3. Meteorology 4. Land and sea 5. The natural world and the Scale of Being 6. Concerning the heavens 7. The angels Part 2. Coming into Being: 8. Images of God as maker 9. Creation (Paradiso XXIX, 1-57) 10. Generation and universal nature 11. The makings of a man Part III. Texts, References and Notes: Introductory notes to part III Abbreviations N…
Cambridge Readings in Dante's Comedy
Contributors Preface 1. Inferno XIII Patrick Boyde 2. Inferno XXV Robin Kirkpatrick 3. Inferno XXVII Judith Davies 4. Inferno XXXIII Oiero Boitani 5. Purgatorio III Philip McNair 6. Purgatorio XXIX Peter Dronke 7. Purgatorio XXXII Kenelm Foster 8. Paradiso XVII Uberto Limentani 9. Paradiso XXVI Joseph Cremona 10. Paradiso XXX Prudence Shaw
Dante Philomythes and Philosopher
This book is devoted to a full and lucid exposition of Boyde's ideas. In the first two parts, the author presents a systematic account of the universe as Dante accepted it, and explains the processes of 'creation' and 'generation' as they operate in the non-human parts of the cosmos. Dr Boyde then shows how the two processes combine in Dante's theory of human embryology, and how this combination affects the issues of love, choice and freedom. The…
Dante, philomythes and philosopher
Perception and the Percipient in Convivio , Iii, 9 and the Purgatorio
Students at Oxford can now read for a combined honours course known as PPP: Philosophy, Psychology and Physiology. It seemed an odd mixture to me when I first discovered its existence, butI soon reflected that it would not have seemed at all odd to Dante, and that he would cheerfully have added to the group the fourth P of Poetry. Writing as he did in the period after the Sicilians and in the wake of Cavalcanti, his early love poems are full of p…
Dante's Style in His Lyric Poetry
Preface List of abbreviations Introduction 1. Conversiones 2. Aspects of vocabulary 3. Tropes 4. Aspects of sentence structure 5. The hendecasyllable 6. Repetition and antithesis 7. The rhetorical situation and its figures 8. Descriptio, simile, sententia 9. Style and structure in Doglia mi reca Select bibliography Pullout chart: synoptic view of the poems chosen for exhaustive analysis Name and subject index Index of poems cited
Illuminated Manuscripts of the Divine Comedy
Peter Brieger, Millard Meiss, Charles S. Singleton. Illuminated Manuscripts of the Divine Comedy. (Bollingen Series LXXXI.) Princeton: Princeton University Press, 1969. Vol 1, xx+378 pp., 130 pls.; vol. II, xxii pp., 539 pls. $45 the set. - Volume 24 Issue 3
Dante's Lyric Poetry
Style and Structure in Dante's Canzone ‘Doglia Mi Reca’
It is not known exactly when Dante wrote his longest canzone, Doglia mi reca ne lo core ardire, but it seems highly probable that it was between 1302 and 1304. It is mentioned in the De Vulgari Eloquentia, which has a likely terminus ad quem in 1305. The congedo indicates (lines 148–9) that the poem was written while Dante was absent from Florence, and everything suggests that this absence was due to his banishment from the city early in 1302. It…
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Style and Structure in Dante's Canzone ‘Doglia Mi Reca’
It is not known exactly when Dante wrote his longest canzone, Doglia mi reca ne lo core ardire, but it seems highly probable that it was between 1302 and 1304. It is mentioned in the De Vulgari Eloquentia, which has a likely terminus ad quem in 1305. The congedo indicates (lines 148–9) that the poem was written while Dante was absent from Florence, and everything suggests that this absence was due to his banishment from the city early in 1302. It…
Dante's Lyric Poetry
Illuminated Manuscripts of the Divine Comedy
Peter Brieger, Millard Meiss, Charles S. Singleton. Illuminated Manuscripts of the Divine Comedy. (Bollingen Series LXXXI.) Princeton: Princeton University Press, 1969. Vol 1, xx+378 pp., 130 pls.; vol. II, xxii pp., 539 pls. $45 the set. - Volume 24 Issue 3
Dante's Style in His Lyric Poetry
Preface List of abbreviations Introduction 1. Conversiones 2. Aspects of vocabulary 3. Tropes 4. Aspects of sentence structure 5. The hendecasyllable 6. Repetition and antithesis 7. The rhetorical situation and its figures 8. Descriptio, simile, sententia 9. Style and structure in Doglia mi reca Select bibliography Pullout chart: synoptic view of the poems chosen for exhaustive analysis Name and subject index Index of poems cited
Perception and the Percipient in Convivio , Iii, 9 and the Purgatorio
Students at Oxford can now read for a combined honours course known as PPP: Philosophy, Psychology and Physiology. It seemed an odd mixture to me when I first discovered its existence, butI soon reflected that it would not have seemed at all odd to Dante, and that he would cheerfully have added to the group the fourth P of Poetry. Writing as he did in the period after the Sicilians and in the wake of Cavalcanti, his early love poems are full of p…
Dante Philomythes and Philosopher
This book is devoted to a full and lucid exposition of Boyde's ideas. In the first two parts, the author presents a systematic account of the universe as Dante accepted it, and explains the processes of 'creation' and 'generation' as they operate in the non-human parts of the cosmos. Dr Boyde then shows how the two processes combine in Dante's theory of human embryology, and how this combination affects the issues of love, choice and freedom. The…
Dante, philomythes and philosopher
Cambridge Readings in Dante's Comedy
Contributors Preface 1. Inferno XIII Patrick Boyde 2. Inferno XXV Robin Kirkpatrick 3. Inferno XXVII Judith Davies 4. Inferno XXXIII Oiero Boitani 5. Purgatorio III Philip McNair 6. Purgatorio XXIX Peter Dronke 7. Purgatorio XXXII Kenelm Foster 8. Paradiso XVII Uberto Limentani 9. Paradiso XXVI Joseph Cremona 10. Paradiso XXX Prudence Shaw
Dante, Philomythes and Philosopher. Man in the Cosmos
Preface Introduction: Dante and Lucretius Part I. The Cosmos: 1. Wonder and knowledge 2. The elements 3. Meteorology 4. Land and sea 5. The natural world and the Scale of Being 6. Concerning the heavens 7. The angels Part 2. Coming into Being: 8. Images of God as maker 9. Creation (Paradiso XXIX, 1-57) 10. Generation and universal nature 11. The makings of a man Part III. Texts, References and Notes: Introductory notes to part III Abbreviations N…
Uberto Limentani
When Uberto Limentani came to England just before the outbreak of the Second World War, he was already twenty-six years old and in possession of no less than two degrees from the University of Milan, where he had been born on 15 December 1913. Few, if any, of the readers of this memoir will know much about his formative years and so, in the belief that 'the child is father of the man' I should like to begin by quoting at some length from a person…
Letture classensi
Dante Alighieri
Human Vices and Human Worth in Dante's Comedy
Perception and Passion in Dante's Comedy
Art (12 obras) · Philosophy (11 obras) · Literature (10 obras) · Renaissance and Early Modern Studies (8 obras) · Poetry (6 obras) · Art history (5 obras) · Comedy (4 obras) · Philosophy (4 obras) · 1265-1321 (3 obras) · Classics (3 obras)