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Samantha Baskind

Datos Biográficos

ID695661
NOMBRESamantha Baskind
NOMBRESSamantha
APELLIDOBaskind
FIRMABASKIND S
AFILIACIONESCleveland State University
VERIFICADONo
TOTAL DE OBRAS12
TOTAL DE CITAS1
TOTAL COMO AUTOR12
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2007
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H1
  • “Superman embodies what all of us wish we could do to make the world a better place”

    Samantha Baskind•ARTICLE•Journal of Graphic Novels & Comics•2025

    In October 2023, as part of the Superman’s Cleveland series of events celebrating 85 years of Jerry Siegel and Joe Shuster’s creations, I sat down at the Rock & Roll Hall of Fame with Laura Siegel Larson, the daughter of Jerry and Joanne Siegel. Siegel Larson shared stories about the birth of Superman and Lois Lane, and reflected on their legacy today. She offered insights into the early days of Siegel and Shuster’s working process and efforts to…

  • Moses Jacob Ezekiel, Eve Hearing the Voice

    Open Access•Samantha Baskind•ARTICLE•MAVCOR Journal•2021

    In 1876, Moses Jacob Ezekiel, the first Jewish American artist of international stature, sculpted the world’s first woman, to which he gave the title, Eve Hearing the Voice. Ezekiel fashioned Eve, the only female nude he ever produced, without a navel. No critic has commented on Eve’s nonexistent navel nor the sculpture’s inventive title. Doing so sheds light on an unexpected variation of a popular theme in the history of western art, precipitate…

  • Behold the Man

    Samantha Baskind•ARTICLE•Material Religion•2019

  • Judging a Book by its Cover

    Samantha Baskind•ARTICLE•Journal of Modern Jewish Studies•2015•Referencias: 4

    Most interpretations of Bernard Picart's encyclopedic Cérémonies et coutumes religieuses de tous les peuples du monde, published originally in Amsterdam in seven oversized volumes (1723–1737), have stressed the artist's objective portrayal of diverse religions. The opening volume has been the subject of much scholarship, particularly focusing on Picart's even-handed treatment of Judaism, a notable distinction considering the denigration of Jews i…

  • Allegory versus Authenticity

    Samantha Baskind•ARTICLE•Winterthur Portfolio•2012

    Over a four-year period during the Great Depression, Howard Chandler Christy painted three diverse versions of the signing of the Constitution. The last—an enormous canvas 20 by 30 feet—was the most expensive painting commissioned by the federal government to date and took three years to research and complete. This essay examines how and why politics intervened in the commission and creation of Christy’s painting and contextualizes the canvas vis…

  • Jack Levine (1915–2010)

    Samantha Baskind•ARTICLE•American Art•2011

    An obituary for U.S. artist Jack Levine is presented

  • Looking Jewish

    Larry Silver, Samantha Baskind•ARTICLE•The Jewish Quarterly Review•2011

    Looking Jewish:The State of Research on Modern Jewish Art Larry Silver and Samantha Baskind Being a Jew is like walking in the wind or swimming: you are touched at all points and conscious everywhere. Lionel Trilling, notebook entry, 1928 I know of no writer in English who has added a micromillimeter to his status by "realizing his Jewishness," although I know of some who have curtailed their promise by trying to heighten their Jewish consciousne…

  • Weegee's Jewishness

    Samantha Baskind•ARTICLE•History of Photography•2010

    A New York photojournalist who specialised in scenes of crime and disaster, Weegee also made photographs reflecting his Jewish heritage, among them being pictures focusing upon assimilation, social justice and anti-Semitism. By discussing a number of such photographs, many of them published in Weegee's first books, Naked City (1945) and Weegee's People (1946), this article describes how the photographer's religiocultural inheritance influenced hi…

  • Everybody thought I was Catholic”

    Samantha Baskind•ARTICLE•American Art•2009

  • Marc Chagall on Art and Culture , and

    Samantha Baskind•ARTICLE•The Jewish Quarterly Review•2008

    Reviewed by Samantha Baskind Cleveland State University Benjamin Harshav, ed. Marc Chagall on Art and Culture. Stanford: Stanford University Press, 2003. Pp. xiv + 225. Benjamin Harshav. Marc Chagall and His Times: A Documentary Narrative. Stanford: Stanford University Press, 2004. Pp. xx + 1026. Almost all discussions of modern Jewish art begin with Marc Chagall. Chagall's whimsical paintings of Russian shtetl life—complete with an iconic fiddle…

  • Encyclopedia of Jewish American Artists

    Samantha Baskind•BOOK•Encyclopedia of Jewish American…•2007

    Encyclopedia of Jewish American Artists presents over 80 19th- and 20-century Jewish American artists, ranging from the critically neglected Theresa Bernstein, Ruth Gikow, and Jennings Tofel, to the well-known Eva Hesse, Roy Lichtenstein, and Larry Rivers. The subject matter of some of these artists may surprise readers. Adolph Gottlieb designed and supervised the fabrication of a 35-foot wide, four-story high stained glass facade for a synagogue…

  • Bernard Picart's Etchings of Amsterdam's Jews

    Samantha Baskind•ARTICLE•Jewish Social Studies•2007•Citada por: 1•Referencias: 2

    This article examines the Frenchman Bernard Picart's etchings of Amsterdam's Jewish community, published in 1723 in the initial volume of Cérémonies et coutumes religieuses de tous les peuples du monde. It is here, for one of the first times, that "the Jew" was not understood as a singular type, nor was the Jew acquired by the colonizer. We can only understand why Picart was so interested in portraying the Jew as two separate types by considering…

  • Bernard Picart's Etchings of Amsterdam's Jews

    Samantha Baskind•ARTICLE•Jewish Social Studies•2007•Citada por: 1•Referencias: 2

    This article examines the Frenchman Bernard Picart's etchings of Amsterdam's Jewish community, published in 1723 in the initial volume of Cérémonies et coutumes religieuses de tous les peuples du monde. It is here, for one of the first times, that "the Jew" was not understood as a singular type, nor was the Jew acquired by the colonizer. We can only understand why Picart was so interested in portraying the Jew as two separate types by considering…

  • Encyclopedia of Jewish American Artists

    Samantha Baskind•BOOK•Encyclopedia of Jewish American…•2007

    Encyclopedia of Jewish American Artists presents over 80 19th- and 20-century Jewish American artists, ranging from the critically neglected Theresa Bernstein, Ruth Gikow, and Jennings Tofel, to the well-known Eva Hesse, Roy Lichtenstein, and Larry Rivers. The subject matter of some of these artists may surprise readers. Adolph Gottlieb designed and supervised the fabrication of a 35-foot wide, four-story high stained glass facade for a synagogue…

  • Bernard Picart's Etchings of Amsterdam's Jews

    Samantha Baskind•ARTICLE•Jewish Social Studies•2007•Citada por: 1•Referencias: 2

    This article examines the Frenchman Bernard Picart's etchings of Amsterdam's Jewish community, published in 1723 in the initial volume of Cérémonies et coutumes religieuses de tous les peuples du monde. It is here, for one of the first times, that "the Jew" was not understood as a singular type, nor was the Jew acquired by the colonizer. We can only understand why Picart was so interested in portraying the Jew as two separate types by considering…

  • Marc Chagall on Art and Culture , and

    Samantha Baskind•ARTICLE•The Jewish Quarterly Review•2008

    Reviewed by Samantha Baskind Cleveland State University Benjamin Harshav, ed. Marc Chagall on Art and Culture. Stanford: Stanford University Press, 2003. Pp. xiv + 225. Benjamin Harshav. Marc Chagall and His Times: A Documentary Narrative. Stanford: Stanford University Press, 2004. Pp. xx + 1026. Almost all discussions of modern Jewish art begin with Marc Chagall. Chagall's whimsical paintings of Russian shtetl life—complete with an iconic fiddle…

  • Everybody thought I was Catholic”

    Samantha Baskind•ARTICLE•American Art•2009

  • Weegee's Jewishness

    Samantha Baskind•ARTICLE•History of Photography•2010

    A New York photojournalist who specialised in scenes of crime and disaster, Weegee also made photographs reflecting his Jewish heritage, among them being pictures focusing upon assimilation, social justice and anti-Semitism. By discussing a number of such photographs, many of them published in Weegee's first books, Naked City (1945) and Weegee's People (1946), this article describes how the photographer's religiocultural inheritance influenced hi…

  • Jack Levine (1915–2010)

    Samantha Baskind•ARTICLE•American Art•2011

    An obituary for U.S. artist Jack Levine is presented

  • Looking Jewish

    Larry Silver, Samantha Baskind•ARTICLE•The Jewish Quarterly Review•2011

    Looking Jewish:The State of Research on Modern Jewish Art Larry Silver and Samantha Baskind Being a Jew is like walking in the wind or swimming: you are touched at all points and conscious everywhere. Lionel Trilling, notebook entry, 1928 I know of no writer in English who has added a micromillimeter to his status by "realizing his Jewishness," although I know of some who have curtailed their promise by trying to heighten their Jewish consciousne…

  • Allegory versus Authenticity

    Samantha Baskind•ARTICLE•Winterthur Portfolio•2012

    Over a four-year period during the Great Depression, Howard Chandler Christy painted three diverse versions of the signing of the Constitution. The last—an enormous canvas 20 by 30 feet—was the most expensive painting commissioned by the federal government to date and took three years to research and complete. This essay examines how and why politics intervened in the commission and creation of Christy’s painting and contextualizes the canvas vis…

  • Judging a Book by its Cover

    Samantha Baskind•ARTICLE•Journal of Modern Jewish Studies•2015•Referencias: 4

    Most interpretations of Bernard Picart's encyclopedic Cérémonies et coutumes religieuses de tous les peuples du monde, published originally in Amsterdam in seven oversized volumes (1723–1737), have stressed the artist's objective portrayal of diverse religions. The opening volume has been the subject of much scholarship, particularly focusing on Picart's even-handed treatment of Judaism, a notable distinction considering the denigration of Jews i…

  • Behold the Man

    Samantha Baskind•ARTICLE•Material Religion•2019

  • Moses Jacob Ezekiel, Eve Hearing the Voice

    Open Access•Samantha Baskind•ARTICLE•MAVCOR Journal•2021

    In 1876, Moses Jacob Ezekiel, the first Jewish American artist of international stature, sculpted the world’s first woman, to which he gave the title, Eve Hearing the Voice. Ezekiel fashioned Eve, the only female nude he ever produced, without a navel. No critic has commented on Eve’s nonexistent navel nor the sculpture’s inventive title. Doing so sheds light on an unexpected variation of a popular theme in the history of western art, precipitate…

  • “Superman embodies what all of us wish we could do to make the world a better place”

    Samantha Baskind•ARTICLE•Journal of Graphic Novels & Comics•2025

    In October 2023, as part of the Superman’s Cleveland series of events celebrating 85 years of Jerry Siegel and Joe Shuster’s creations, I sat down at the Rock & Roll Hall of Fame with Laura Siegel Larson, the daughter of Jerry and Joanne Siegel. Siegel Larson shared stories about the birth of Superman and Lois Lane, and reflected on their legacy today. She offered insights into the early days of Siegel and Shuster’s working process and efforts to…

Art (11 obras) · Art history (9 obras) · History (9 obras) · Judaism (6 obras) · Archaeology (5 obras) · Visual arts (4 obras) · Art, Politics, and Modernism (3 obras) · Computer Science (3 obras) · Jewish and Middle Eastern Studies (3 obras) · Literature (3 obras)

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