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Julia K Murray

Datos Biográficos

ID700779
NOMBREJulia K Murray
NOMBRESJulia K
APELLIDOMurray
FIRMAMURRAY J K
AFILIACIONESArizona State University
ORCID0000-0002-8413-350X
VERIFICADOSí
TOTAL DE OBRAS32
TOTAL DE CITAS21
TOTAL COMO AUTOR32
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1981
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H3
  • Flake it ‘til you Make it

    Open Access•Cindy Hsin-Yee Huang, Julia K Murray et al.•ARTICLE•Lithic Technology•2026

  • How do macroscopic thermal alterations relate to lithic artifact size and raw material type? A controlled heat-fracture experiment

    Open Access•Aylar Abdolahzadeh, Julia K Murray et al.•ARTICLE•Journal of Archaeological Science•2026

  • A microanalytical source discrimination study of South African silcrete using LA-ICP-MS

    Open Access•Jayde Hirniak, Julia K Murray et al.•ARTICLE•Journal of Archaeological Science…•2025•Referencias: 8

  • How Do Pictorial Biographies of Confucius Portray His Mother and Father

    Julia K Murray•ARTICLE•NAN Nü•2023

    Virtually all illustrations of the life of Confucius/Kongzi include a scene in which one of his parents performs a sacrifice on a hillside, and many versions also depict paranormal events associated with his birth. In most examples, the protagonist is the future sage’s young mother, Yan Zhengzai, but in a few cases she is joined or even replaced by his elderly father, Shuliang He. The variations among depictions of the events sometimes reflect di…

  • Julia Murray Interviewed by Kathleen Ryor

    Kathleen Ryor, Julia K Murray•ARTICLE•Ming Studies•2023•Referencias: 12

    Disclosure StatementNo potential conflict of interest was reported by the authors.Notes1 "Representations of Hāritī, the Mother of Demons, and the Theme of 'Raising the Alms-bowl' in Chinese Painting," Artibus Asiae 43 (1981/82): 253–84. https://doi.org/10.2307/3249844.2 "Sung Kao-tsung, Ma Ho-chih, and the Mao Shih Scrolls" (1981), later expanded into a book, Ma Hezhi and the Illustration of the Book of Odes (Cambridge: Cambridge University Pres…

  • Were prehistoric coastal sites more intensively occupied than inland sites? Using an agent-based model to understand the intensity of prehistoric coastal occupation, and what it means for studies on t…

    Open Access•Claudine Gravel-Miguel, Jan C De Vynck et al.•ARTICLE•Quaternary International•2022•Citada por: 2•Referencias: 21

  • The Aura of Confucius

    Open Access•Julia K Murray•BOOK•Aura of Confucius•2021

    The Aura of Confucius is a ground-breaking study that reconstructs the remarkable history of Kongzhai, a shrine founded on the belief that Confucius' descendants buried the sage's robe and cap a millennium after his death and far from his home in Qufu, Shandong. Improbably located on the outskirts of modern Shanghai, Kongzhai featured architecture, visual images, and physical artifacts that created a 'Little Queli,' a surrogate for the temple, ce…

  • Becoming Guanyin

    Julia K Murray•ARTICLE•NAN Nü•2021

    Yuhang Li. Becoming Guanyin: Artistic Devotion of Buddhist Women in Late Imperial China. New York: Columbia University Press, 2020. 312 pages, 78 color + b/w illus. US$65.00/£54.00. ISBN 9780231190121Becoming Guanyin offers a penetrating analysis of the variety of material forms through which Ming women venerated the bodhisattva Guanyin 觀音 and connected viscerally with female manifestations of this deity. Combining purposeful reading of scholarsh…

  • The extended evolutionary synthesis and human origins

    Open Access•Julia K Murray, Robert Acio Benitez et al.•ARTICLE•Evolutionary Anthropology Issues…•2021

    Recent developments in evolutionary biology have led to a call for an extension of standard evolutionary theory, with its emphasis on processes such as selection and drift, into a much larger theoretical framework that includes processes such as niche construction, developmental plasticity, inclusive inheritance, and developmental bias. Skeptics argue that these processes are already subsumed within the standard theory and thus an extension is no…

  • Exploring variability in lithic armature discard in the archaeological record

    Open Access•Claudine Gravel-Miguel, Julia K Murray et al.•ARTICLE•Journal of Human Evolution•2021•Citada por: 11•Referencias: 73

  • A new approach to identify heat treated silcrete near Pinnacle Point, South Africa using 3D microscopy and Bayesian modeling

    Open Access•Julia K Murray, Jacob A Harris et al.•ARTICLE•Journal of Archaeological Science…•2020•Citada por: 2•Referencias: 35

  • A Note on Early Relics of Confucius

    Julia K Murray•ARTICLE•Material Religion•2015•Referencias: 5

    In contemporary mainland China, Confucius (551–479 bce) is often called China's great ancient thinker, educator, and statesman, a characterization generally accepted throughout Greater China and

  • A heavenly aura

    Open Access•Julia K Murray•ARTICLE•Journal of the British Academy•2014

  • Heirloom and Exemplar

    Julia K Murray•ARTICLE•Journal of Sung-Yuan studies•2011

    The Song-Yuan period was a crucial time in the formation and circulation of several kinds of visual representation of Confucius. Sculptural images in temples where Confucius received official sacrifices displayed imperial garb and paraphernalia related to the posthumous honors bestowed on him by successive Tang, Song and Jin emperors, which remained standard until 1530. In addition to temple icons, whose attributes did not reflect Confucius's soc…

  • "Idols" in the Temple

    Julia K Murray•ARTICLE•The Journal of Asian Studies•2009•Citada por: 3•Referencias: 31

    Until 1530, sculptural images of Confucius and varying numbers of disciples and later followers received semiannual sacrifices in state-supported temples all over China. The icons' visual features were greatly influenced by the posthumous titles and ranks that emperors conferred on Confucius and his followers, the same as for deities in the Daoist and Buddhist pantheons. This convergence led to visual conflation and aroused objections from Neo-Co…

  • Gaozong [Kao-tsung], Emperor of the Song dynasty

    Julia K Murray, Di Luo•CHAPTER•2003

  • Wang Tingyun

    Julia K Murray, Di Luo•CHAPTER•2003

  • Shanghai school

    Julia K Murray•CHAPTER•2003

  • Cai Jing

    Julia K Murray, Di Luo•CHAPTER•2003

  • Ma Hezhi

    Julia K Murray, Yun-chen Lu•CHAPTER•2003

  • Confucianism

    Arthur Pontynen, Julia K Murray•CHAPTER•2003

  • Cai Xiang

    Julia K Murray, Di Luo•CHAPTER•2003

  • Children in Chinese Art

    Ellen B Avril, Catherine Barnhart et al.•BOOK•Children in Chinese Art•2002

  • On sacred grounds

    Thomas A Wilson, Abigail Lamberton et al.•BOOK•On sacred grounds•2002

    The sacred landscape of imperial China was dotted with Buddhist monasteries, Daoist temples, shrines to local deities, and the altars of the mandarinate. Prominent among the official shrines were the temples in every capital throughout the empire devotd to the veneration of Confucius. Twice a year members of the educated elite and officials in each area gathered to offer sacrifices to Confucius, his disciples and the major scholars of the Confuci…

  • The Sage and the People

    Julia K Murray, Joël Thoraval

Siguiente
  • Exploring variability in lithic armature discard in the archaeological record

    Open Access•Claudine Gravel-Miguel, Julia K Murray et al.•ARTICLE•Journal of Human Evolution•2021•Citada por: 11•Referencias: 73

  • "Idols" in the Temple

    Julia K Murray•ARTICLE•The Journal of Asian Studies•2009•Citada por: 3•Referencias: 31

    Until 1530, sculptural images of Confucius and varying numbers of disciples and later followers received semiannual sacrifices in state-supported temples all over China. The icons' visual features were greatly influenced by the posthumous titles and ranks that emperors conferred on Confucius and his followers, the same as for deities in the Daoist and Buddhist pantheons. This convergence led to visual conflation and aroused objections from Neo-Co…

  • The Temple of Confucius and Pictorial Biographies of the Sage

    Open Access•Julia K Murray•ARTICLE•The Journal of Asian Studies•1996•Citada por: 3•Referencias: 15

    Sets of narrative pictures portraying the life of Confucius (Fig. 1; all figures appear at the end of the text) first appeared in considerable numbers in the late Ming period, typically under the titleSheng-chi t'u(Pictures of the Sage's Traces; hereafter SCT) or some close variant. Produced at varying levels of expense, these illustrated biographies or hagiographies were made in a variety of media, such as woodblock prints, paintings on silk, an…

  • Were prehistoric coastal sites more intensively occupied than inland sites? Using an agent-based model to understand the intensity of prehistoric coastal occupation, and what it means for studies on t…

    Open Access•Claudine Gravel-Miguel, Jan C De Vynck et al.•ARTICLE•Quaternary International•2022•Citada por: 2•Referencias: 21

  • A new approach to identify heat treated silcrete near Pinnacle Point, South Africa using 3D microscopy and Bayesian modeling

    Open Access•Julia K Murray, Jacob A Harris et al.•ARTICLE•Journal of Archaeological Science…•2020•Citada por: 2•Referencias: 35

  • Representations of Hariti, the Mother of Demons, and the Theme of "Raising the Alms-Bowl" in Chinese Painting

    Julia K Murray•ARTICLE•Artibus Asiae•1981

    Des portraits peints ou sculptes de Hariti, la mere de mille demons ravisseuse d'enfants, sont attestes en plusieurs lieux et a plusieurs epoques du bouddhisme. Ils refletent divers aspects de la deesse. La Chine compte de tres nombreux rouleaux inedits (Metropolitan Museum etc.) qui depeignent l'histoire de Hariti et sa rencontre avec le Bouddha (detail narratif de l'Attaque du Bol a Aumones). L'A. les decrit, en dresse la typologie et l'evoluti…

  • Some Problems Concerning China's Early Copper and Bronze Artifacts

    Open Access•Julia K Murray, An Zhimin•ARTICLE•Early China•1982

    (Translator's Note: This article originally appeared in Kaogu Xuebao 1981.3: 269-284, and is translated with the author's permission.) I. The appearance of metal is a very important event in human history, marking the start of an age. From the patriarchal clan communes of the late Neolithic period to the slave society of the Bronze Age, there was a great change in the relationship between social development and production. As a result, the origin…

  • “A Preliminary Study of Early Chinese Copper and Bronze Artifacts”

    Open Access•Sun Shuyun, Sun Shu-yun et al.•ARTICLE•Early China•1985

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Ma Hezhi and the Illustration of the Book of Odes

    Lothar Ledderose, Julia K Murray•ARTICLE•Artibus Asiae•1996

    This book is the first comprehensive study of an important monument of twelfth-century Chinese art, the imperially sponsored set of handscrolls transcribing and illustrating the poems in the ancient anthology known as the Book of Odes (Shijing), long canonized as a classic. The project is reconstructed and analyzed as the centerpiece of Southern Song emperor Gaozong's efforts to bring about a dynastic revival and to persuade the Confucian officia…

  • The Temple of Confucius and Pictorial Biographies of the Sage

    Open Access•Julia K Murray•ARTICLE•The Journal of Asian Studies•1996•Citada por: 3•Referencias: 15

    Sets of narrative pictures portraying the life of Confucius (Fig. 1; all figures appear at the end of the text) first appeared in considerable numbers in the late Ming period, typically under the titleSheng-chi t'u(Pictures of the Sage's Traces; hereafter SCT) or some close variant. Produced at varying levels of expense, these illustrated biographies or hagiographies were made in a variety of media, such as woodblock prints, paintings on silk, an…

  • Illustrations of the Life of Confucius

    Julia K Murray•ARTICLE•Artibus Asiae•1997

    Dans cet article, l'auteur examine les origines et l'iconographie des comptes-rendus biographiques illustres de la vie de Confucius de la fin de la dynastie Ming et recherche les relations entre les differents groupes d'images. Elle etudie egalement les influences d'autres types d'images (telles les figurations de heros) sur la conceptualisation de la biographie picturale de Confucius. Elle tente enfin de reconstituer les phases les plus importan…

  • The Evolution of Pictorial Hagiography in Chinese Art

    Julia K Murray•ARTICLE•Arts asiatiques•2000

    This article discusses the way that the earthly lives of Chinese gods and sages are represented in literary and artistic media. It focuses on the development of pictorial conventions for representing key hagiographical features, such as an unusual conception, birth, and childhood feats. The origins of the iconography are traced to two different but complementary sources : indigenous accounts of gods' lives in ancient Chinese literature, and impor…

  • Children in Chinese Art

    Ellen B Avril, Catherine Barnhart et al.•BOOK•Children in Chinese Art•2002

  • On sacred grounds

    Thomas A Wilson, Abigail Lamberton et al.•BOOK•On sacred grounds•2002

    The sacred landscape of imperial China was dotted with Buddhist monasteries, Daoist temples, shrines to local deities, and the altars of the mandarinate. Prominent among the official shrines were the temples in every capital throughout the empire devotd to the veneration of Confucius. Twice a year members of the educated elite and officials in each area gathered to offer sacrifices to Confucius, his disciples and the major scholars of the Confuci…

  • Gaozong [Kao-tsung], Emperor of the Song dynasty

    Julia K Murray, Di Luo•CHAPTER•2003

  • Wang Tingyun

    Julia K Murray, Di Luo•CHAPTER•2003

  • Shanghai school

    Julia K Murray•CHAPTER•2003

  • Cai Jing

    Julia K Murray, Di Luo•CHAPTER•2003

  • Ma Hezhi

    Julia K Murray, Yun-chen Lu•CHAPTER•2003

  • Confucianism

    Arthur Pontynen, Julia K Murray•CHAPTER•2003

  • Cai Xiang

    Julia K Murray, Di Luo•CHAPTER•2003

  • "Idols" in the Temple

    Julia K Murray•ARTICLE•The Journal of Asian Studies•2009•Citada por: 3•Referencias: 31

    Until 1530, sculptural images of Confucius and varying numbers of disciples and later followers received semiannual sacrifices in state-supported temples all over China. The icons' visual features were greatly influenced by the posthumous titles and ranks that emperors conferred on Confucius and his followers, the same as for deities in the Daoist and Buddhist pantheons. This convergence led to visual conflation and aroused objections from Neo-Co…

  • Heirloom and Exemplar

    Julia K Murray•ARTICLE•Journal of Sung-Yuan studies•2011

    The Song-Yuan period was a crucial time in the formation and circulation of several kinds of visual representation of Confucius. Sculptural images in temples where Confucius received official sacrifices displayed imperial garb and paraphernalia related to the posthumous honors bestowed on him by successive Tang, Song and Jin emperors, which remained standard until 1530. In addition to temple icons, whose attributes did not reflect Confucius's soc…

  • A heavenly aura

    Open Access•Julia K Murray•ARTICLE•Journal of the British Academy•2014

  • A Note on Early Relics of Confucius

    Julia K Murray•ARTICLE•Material Religion•2015•Referencias: 5

    In contemporary mainland China, Confucius (551–479 bce) is often called China's great ancient thinker, educator, and statesman, a characterization generally accepted throughout Greater China and

  • A new approach to identify heat treated silcrete near Pinnacle Point, South Africa using 3D microscopy and Bayesian modeling

    Open Access•Julia K Murray, Jacob A Harris et al.•ARTICLE•Journal of Archaeological Science…•2020•Citada por: 2•Referencias: 35

  • The Aura of Confucius

    Open Access•Julia K Murray•BOOK•Aura of Confucius•2021

    The Aura of Confucius is a ground-breaking study that reconstructs the remarkable history of Kongzhai, a shrine founded on the belief that Confucius' descendants buried the sage's robe and cap a millennium after his death and far from his home in Qufu, Shandong. Improbably located on the outskirts of modern Shanghai, Kongzhai featured architecture, visual images, and physical artifacts that created a 'Little Queli,' a surrogate for the temple, ce…

  • Becoming Guanyin

    Julia K Murray•ARTICLE•NAN Nü•2021

    Yuhang Li. Becoming Guanyin: Artistic Devotion of Buddhist Women in Late Imperial China. New York: Columbia University Press, 2020. 312 pages, 78 color + b/w illus. US$65.00/£54.00. ISBN 9780231190121Becoming Guanyin offers a penetrating analysis of the variety of material forms through which Ming women venerated the bodhisattva Guanyin 觀音 and connected viscerally with female manifestations of this deity. Combining purposeful reading of scholarsh…

  • The extended evolutionary synthesis and human origins

    Open Access•Julia K Murray, Robert Acio Benitez et al.•ARTICLE•Evolutionary Anthropology Issues…•2021

    Recent developments in evolutionary biology have led to a call for an extension of standard evolutionary theory, with its emphasis on processes such as selection and drift, into a much larger theoretical framework that includes processes such as niche construction, developmental plasticity, inclusive inheritance, and developmental bias. Skeptics argue that these processes are already subsumed within the standard theory and thus an extension is no…

  • Exploring variability in lithic armature discard in the archaeological record

    Open Access•Claudine Gravel-Miguel, Julia K Murray et al.•ARTICLE•Journal of Human Evolution•2021•Citada por: 11•Referencias: 73

Chinese history and philosophy (20 obras) · History (17 obras) · Art (14 obras) · Archaeology (13 obras) · Computer Science (10 obras) · Ancient history (9 obras) · Japanese History and Culture (9 obras) · Literature (9 obras) · Philosophy (9 obras) · China (8 obras)

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