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John Brockington

Datos Biográficos

ID703129
NOMBREJohn Brockington
NOMBRESJohn
APELLIDOBrockington
FIRMABROCKINGTON J
AFILIACIONESUniversity of Oxford
ORCID0009-0007-4843-5336
VERIFICADOSí
TOTAL DE OBRAS11
TOTAL DE CITAS2
TOTAL COMO AUTOR11
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1996
AÑO MÁS RECIENTE DE PUBLICACIÓN2024
ÍNDICE H1
  • Illustrations and text in Bðr Singh's Rāmāyaṇa

    Open Access•John Brockington•ARTICLE•Contributions to Indian Sociology•2024

    This note focuses on the value of looking into the visual culture embodied in India's epic manuscripts during the medieval period-which combined Persian, Mughal and Rājput styles-for a sociology of India. It demonstrates how illustrations and text were blended in the case of the Vālmīki Rāmāyaṇa, commissioned by the ruler of Orchā and Datia, Bīr Singh Bundela, borrowing from the earliest extant illustrated manuscripts of the Persian translation o…

  • Verbal and Visual Texts of the Rāma Narrative

    Open Access•John Brockington•ARTICLE•Cracow Indological Studies•2022•Referencias: 1

    This article examines what we mean by a text: is it verbal (whether written or oral), mental, visual, or a combination? All of these forms are found within the various types of artistic expression centred on the Rāmāyaṇa tradition. I start with the relief sculptures, some of which are centuries early than any extant manuscripts. After a brief comment on the evolution of the Vālmīki Rāmāyaṇa text, I then survey in turn some prestige illustrated Vā…

  • Paṇḍit Seu to Mānaku

    Open Access•John Brockington•ARTICLE•Journal of the Royal Asiatic…•2021•Citada por: 1

    This article examines the linked sets of paintings commonly known as the “small Guler” Rāmāyaṇa by Paṇḍit Seu, the “Mankot” Rāmāyaṇa and the “Siege of Laṅkā” by Mānaku in the light of the text from the Vālmīki Rāmayaṇa on the versos of the paintings. This allows significant conclusions about the intentions behind their production and the original extent of each set

  • Other Ramayana Women

    John Brockington, Mandakranta Bose et al.•BOOK•Other Ramayana Women•2016

  • Mānaku’s “Siege of Laṅkā” Series

    Mary Brockington, J L Brockington et al.•ARTICLE•Artibus Asiae•2013

  • The Concept of Dharmain the R?m?yana

    Open Access•J L Brockington, John Brockington•ARTICLE•Journal of Indian Philosophy•2004•Citada por: 1

  • A Catalogue of the Sanskrit and Other Indian Manuscripts of the Chandra Shum Shere Collection in the Bodleian Library, Part II

    Ludo Rocher, J L Brockington et al.•ARTICLE•Journal of the American Oriental…•2001

  • Wood, Ananda. 1997 . From the Upanishads and Interpreting the Upanishads . New Delhi

    J L Brockington, John Brockington•ARTICLE•Studies in World Christianity•1999

  • Gavin Flood, An Introduction to Hinduism

    J L Brockington, John Brockington et al.•ARTICLE•Indo-Iranian Journal•1998

    No Abstract

  • Gaṇeśapurāṇa Part I

    Open Access•J L Brockington, John Brockington•ARTICLE•Journal of the Royal Asiatic…•1997

    Gaṇeśapurāṇa Part I: Upāsanākhaṇḍa. Introduction, translation, notes and index by Greg Bailey. (Purāṇa Research Publications Tübingen, Vol. 4, Part 1.) pp. xv, 639. Wiesbaden, Harrassowitz Verlag, 1995. DM 148. - Volume 7 Issue 2

  • India's Agony over Religion

    J L Brockington, John Brockington et al.•ARTICLE•Journal of the American Oriental…•1996

  • Paṇḍit Seu to Mānaku

    Open Access•John Brockington•ARTICLE•Journal of the Royal Asiatic…•2021•Citada por: 1

    This article examines the linked sets of paintings commonly known as the “small Guler” Rāmāyaṇa by Paṇḍit Seu, the “Mankot” Rāmāyaṇa and the “Siege of Laṅkā” by Mānaku in the light of the text from the Vālmīki Rāmayaṇa on the versos of the paintings. This allows significant conclusions about the intentions behind their production and the original extent of each set

  • The Concept of Dharmain the R?m?yana

    Open Access•J L Brockington, John Brockington•ARTICLE•Journal of Indian Philosophy•2004•Citada por: 1

  • India's Agony over Religion

    J L Brockington, John Brockington et al.•ARTICLE•Journal of the American Oriental…•1996

  • Gaṇeśapurāṇa Part I

    Open Access•J L Brockington, John Brockington•ARTICLE•Journal of the Royal Asiatic…•1997

    Gaṇeśapurāṇa Part I: Upāsanākhaṇḍa. Introduction, translation, notes and index by Greg Bailey. (Purāṇa Research Publications Tübingen, Vol. 4, Part 1.) pp. xv, 639. Wiesbaden, Harrassowitz Verlag, 1995. DM 148. - Volume 7 Issue 2

  • Gavin Flood, An Introduction to Hinduism

    J L Brockington, John Brockington et al.•ARTICLE•Indo-Iranian Journal•1998

    No Abstract

  • Wood, Ananda. 1997 . From the Upanishads and Interpreting the Upanishads . New Delhi

    J L Brockington, John Brockington•ARTICLE•Studies in World Christianity•1999

  • A Catalogue of the Sanskrit and Other Indian Manuscripts of the Chandra Shum Shere Collection in the Bodleian Library, Part II

    Ludo Rocher, J L Brockington et al.•ARTICLE•Journal of the American Oriental…•2001

  • The Concept of Dharmain the R?m?yana

    Open Access•J L Brockington, John Brockington•ARTICLE•Journal of Indian Philosophy•2004•Citada por: 1

  • Mānaku’s “Siege of Laṅkā” Series

    Mary Brockington, J L Brockington et al.•ARTICLE•Artibus Asiae•2013

  • Other Ramayana Women

    John Brockington, Mandakranta Bose et al.•BOOK•Other Ramayana Women•2016

  • Paṇḍit Seu to Mānaku

    Open Access•John Brockington•ARTICLE•Journal of the Royal Asiatic…•2021•Citada por: 1

    This article examines the linked sets of paintings commonly known as the “small Guler” Rāmāyaṇa by Paṇḍit Seu, the “Mankot” Rāmāyaṇa and the “Siege of Laṅkā” by Mānaku in the light of the text from the Vālmīki Rāmayaṇa on the versos of the paintings. This allows significant conclusions about the intentions behind their production and the original extent of each set

  • Verbal and Visual Texts of the Rāma Narrative

    Open Access•John Brockington•ARTICLE•Cracow Indological Studies•2022•Referencias: 1

    This article examines what we mean by a text: is it verbal (whether written or oral), mental, visual, or a combination? All of these forms are found within the various types of artistic expression centred on the Rāmāyaṇa tradition. I start with the relief sculptures, some of which are centuries early than any extant manuscripts. After a brief comment on the evolution of the Vālmīki Rāmāyaṇa text, I then survey in turn some prestige illustrated Vā…

  • Illustrations and text in Bðr Singh's Rāmāyaṇa

    Open Access•John Brockington•ARTICLE•Contributions to Indian Sociology•2024

    This note focuses on the value of looking into the visual culture embodied in India's epic manuscripts during the medieval period-which combined Persian, Mughal and Rājput styles-for a sociology of India. It demonstrates how illustrations and text were blended in the case of the Vālmīki Rāmāyaṇa, commissioned by the ruler of Orchā and Datia, Bīr Singh Bundela, borrowing from the earliest extant illustrated manuscripts of the Persian translation o…

Indian and Buddhist Studies (8 obras) · Philosophy (8 obras) · History (6 obras) · Philosophy (6 obras) · Art (5 obras) · Ancient history (4 obras) · Eurasian Exchange Networks (3 obras) · History (3 obras) · Humanities (3 obras) · Indian History and Philosophy (3 obras)

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