Ananda Cohen-Aponte
Datos Biográficos
| ID | 704639 |
|---|---|
| NOMBRE | Ananda Cohen-Aponte |
| NOMBRES | Ananda |
| APELLIDO | Cohen-Aponte |
| FIRMA | COHEN-APONTE A |
| AFILIACIONES | Cornell University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2017 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 0 |
In memoriam
Eloise Quiones Keber is the author of over fifty articles and book chapters, spanning a breathtaking array of subject matter, from representations of divination and ritual in the Florentine codex to Alexander von Humboldt's drawings of Mexica monumental sculpture.As I pore over Eloise's CV in search of synthetic threads across a fourdecade career that defies simple summation, I am struck by her deep recognition of the scholars who paved the way f…
Teaching the “Long” Eighteenth Century – A Conversation & Resources
Painting Prophecy
This article examines the work of the Chicana artist Sandy Rodriguez, who created the Codex Rodriguez-Mondragón, an ongoing project begun in 2017 that consists of botanical illustrations and large-scale maps of California and northern Mexico. Rodriguez’s Codex draws on pre-Hispanic, colonial, and Chicana/o/x antecedents, most notably the Florentine Codex (sixteenth century) and the Chicana/o/x codices of the early 1990s, produced in the context o…
Dialogues
The inauguration of Latin American and Latinx Visual Culture, the first art history journal of its kind, stands as a testament to the great strides made by the indefatigable work of both long-standing and emerging members of this scholarly community to promote the field and fight for its inclusion within mainstream art historical discourse. With unprecedented growth and expansion, however, comes the need for reflection. This Dialogue addresses th…
Forging a popular art history
In 1931, Sabogal established the Instituto de Arte Peruano (IAP) in Lima and appointed Blas as head technical illustrator (dibujante técnico). The IAP served as the primary institutional vehicle through which artists traveled, researched, and visually documented Peru’s colonial and contemporary artistic patrimony.40 As noted in their mission statement, the IAP was dedicated to “artistic development through the diverse cultural manifestations of a…
Birdman of Assisi
Jaime Lara's beautifully illustrated Birdman of Assisi: Art and the Apocalyptic in the Colonial Andes offers a sweeping account of the special role that painted and sculptural imagery of Saint Francis of Assisi played in Andean religiosity during the period of Spanish colonial rule. Lara deftly highlights the iconographic transformations that occurred when Saint Francis traveled to the Andes as an agent of religious conversion. Countless processi…
Sin obras prominentes en esta página.
Forging a popular art history
In 1931, Sabogal established the Instituto de Arte Peruano (IAP) in Lima and appointed Blas as head technical illustrator (dibujante técnico). The IAP served as the primary institutional vehicle through which artists traveled, researched, and visually documented Peru’s colonial and contemporary artistic patrimony.40 As noted in their mission statement, the IAP was dedicated to “artistic development through the diverse cultural manifestations of a…
Birdman of Assisi
Jaime Lara's beautifully illustrated Birdman of Assisi: Art and the Apocalyptic in the Colonial Andes offers a sweeping account of the special role that painted and sculptural imagery of Saint Francis of Assisi played in Andean religiosity during the period of Spanish colonial rule. Lara deftly highlights the iconographic transformations that occurred when Saint Francis traveled to the Andes as an agent of religious conversion. Countless processi…
Painting Prophecy
This article examines the work of the Chicana artist Sandy Rodriguez, who created the Codex Rodriguez-Mondragón, an ongoing project begun in 2017 that consists of botanical illustrations and large-scale maps of California and northern Mexico. Rodriguez’s Codex draws on pre-Hispanic, colonial, and Chicana/o/x antecedents, most notably the Florentine Codex (sixteenth century) and the Chicana/o/x codices of the early 1990s, produced in the context o…
Dialogues
The inauguration of Latin American and Latinx Visual Culture, the first art history journal of its kind, stands as a testament to the great strides made by the indefatigable work of both long-standing and emerging members of this scholarly community to promote the field and fight for its inclusion within mainstream art historical discourse. With unprecedented growth and expansion, however, comes the need for reflection. This Dialogue addresses th…
Teaching the “Long” Eighteenth Century – A Conversation & Resources
In memoriam
Eloise Quiones Keber is the author of over fifty articles and book chapters, spanning a breathtaking array of subject matter, from representations of divination and ritual in the Florentine codex to Alexander von Humboldt's drawings of Mexica monumental sculpture.As I pore over Eloise's CV in search of synthetic threads across a fourdecade career that defies simple summation, I am struck by her deep recognition of the scholars who paved the way f…
History (5 obras) · Art (4 obras) · Art history (4 obras) · Latin American history and culture (4 obras) · Archaeology (3 obras) · Colonialism (3 obras) · Law (3 obras) · Political science (3 obras) · Humanities (2 obras) · Painting (2 obras)