L E R Picken
Datos Biográficos
| ID | 705476 |
|---|---|
| NOMBRE | L E R Picken |
| NOMBRES | L E R |
| APELLIDO | Picken |
| FIRMA | PICKEN L E R |
| VERIFICADO | No |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 5 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1962 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 1971 |
| ÍNDICE H | 0 |
Some Chinese terms for musical repeats, sections, and forms, common to T'ang, Yüan, andTōgakuscores
Hayashi Kenzōhas presented evidence of close links between the notation-signs of the Tun-huang musical MS, Pelliot No. 3808 (henceforth P), and those forbiwaandshōin currentTōgakupart-books. In addition to this relationship, however, there are also extensive parallels in technical terms, not hitherto examined. In many instances, these same terms appear in the brief musical text preserved in early Yüan printings of theShih-lin kuang-chi(henceforth…
T'Ang Music and Musical Instruments
T'ANG MUSIC AND MUSICAL INSTRUMENTS BY L. E. R. PICKEN To say that Professor Shigeo Kishibe's surveys of the history of musical institutions in the T'ang period had set the stage for this ample study of the Yiieh-fu tsa-lu (henceforth Yftl) is in no way to belittle Dr Gimm's personal contribution. He has used a text of some fifteen folios as a point of departure for detailed and critical studies of the history of music, spectacle and dance; and h…
The Musical Implications of Line-Sharing in the Book of Songs (Shih Ching)
Music and Musical Sources of the Sonq Dynasty
Ancient Egyptian Music
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Ancient Egyptian Music
T'Ang Music and Musical Instruments
T'ANG MUSIC AND MUSICAL INSTRUMENTS BY L. E. R. PICKEN To say that Professor Shigeo Kishibe's surveys of the history of musical institutions in the T'ang period had set the stage for this ample study of the Yiieh-fu tsa-lu (henceforth Yftl) is in no way to belittle Dr Gimm's personal contribution. He has used a text of some fifteen folios as a point of departure for detailed and critical studies of the history of music, spectacle and dance; and h…
The Musical Implications of Line-Sharing in the Book of Songs (Shih Ching)
Music and Musical Sources of the Sonq Dynasty
Some Chinese terms for musical repeats, sections, and forms, common to T'ang, Yüan, andTōgakuscores
Hayashi Kenzōhas presented evidence of close links between the notation-signs of the Tun-huang musical MS, Pelliot No. 3808 (henceforth P), and those forbiwaandshōin currentTōgakupart-books. In addition to this relationship, however, there are also extensive parallels in technical terms, not hitherto examined. In many instances, these same terms appear in the brief musical text preserved in early Yüan printings of theShih-lin kuang-chi(henceforth…
Art (5 obras) · History (5 obras) · Literature (4 obras) · Musical (4 obras) · Aesthetics (3 obras) · Asian Culture and Media Studies (2 obras) · Visual arts (2 obras) · Ancient Egypt and Archaeology (1 obras) · Ancient Mediterranean Archaeology and History (1 obras) · Asian Geopolitics and Ethnography (1 obras)