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Dwight Conquergood

Datos Biográficos

ID709886
NOMBREDwight Conquergood
NOMBRESDwight
APELLIDOConquergood
FIRMACONQUERGOOD D
AFILIACIONESNorthwestern University
VERIFICADONo
TOTAL DE OBRAS11
TOTAL DE CITAS771
TOTAL COMO AUTOR12
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1981
AÑO MÁS RECIENTE DE PUBLICACIÓN2013
ÍNDICE H4
  • Cultural Struggles

    Dwight Conquergood, E Johnson•BOOK•Cultural Struggles: Performance,…•2013

    The late Dwight Conquergood's research has inspired an entire generation of scholars invested in performance as a meaningful paradigm to understand human interaction, especially between structures of power and the disenfranchised. Conquergood's research laid the groundwork for others to engage issues of ethics in ethnographic research, performance as a meaningful paradigm for ethnography, and case studies that demonstrated the dissolution of theo…

  • Critical Theory and Performance

    Ann Pellegrini, Bert Olen States et al.•BOOK•Critical Theory and Performance•2007

  • Performance Studies

    Dwight Conquergood•ARTICLE•TDR/The Drama Review•2002•Citada por: 223•Referencias: 13

    Only middle-class academics could blithely assume that all the world is a text," writes one of performance studies' leading figures. Conquergood argues for a hybrid discipline that celebrates experience and commingles the analytic and the artistic

  • Rethinking elocution

    Dwight Conquergood•ARTICLE•Text and Performance Quarterly•2000•Citada por: 4•Referencias: 26

    This essay reexamines the eighteenth and nineteenth century elocutionary movement from the perspective of those “others” against whom it erected its protocols of taste, civility, gentility. Elocution, “the just and graceful management of the voice, countenance, and gesture,” is redefined as the performativity of whiteness naturalized. Moving from a history of ideas approach in which the major theorists and exemplary practitioners are overwhelming…

  • Of Caravans and Carnivals

    Dwight Conquergood•ARTICLE•TDR/The Drama Review•1995

    Peggy Phelan has presented us with a challenging exercise: to identify a key issue, a pressing point of intersection between our local institution and the more expansive future of the field-and, she has enjoined us to be brief. I offer the following principle more as a catalyst for opening conversation than a proposition for closing down controversy. The starting point for discussion that I affirm is this: Performance is an contested concept. I b…

  • Ethnography, rhetoric, and performance

    Dwight Conquergood•ARTICLE•Quarterly Journal of Speech•1992•Citada por: 31•Referencias: 5

    Books reviewed DOMINATION AND THE ARTS OF RESISTANCE: HIDDEN TRANSCRIPTS. By James C. Scott. New Haven, CT: Yale University Press, 1990; pp. 251. $29.95. THE POETICS OF MILITARY OCCUPATION: MZEINA ALLEGORIES OF IDENTITY UNDER ISRAELI AND EGYPTIAN RULE. By Smadar Lavie. Berkeley, CA: University of California Press, 1990; pp. 398. $30.00. POWER AND PERFORMANCE: ETHNOGRAPHIC EXPLORATIONS THROUGH PROVERBIAL WISDOM AND THEATER IN SHABA, ZAIRE. By Joha…

  • Rethinking ethnography

    Dwight Conquergood•ARTICLE•Communication Monographs•1991•Citada por: 321•Referencias: 22

    1991). Rethinking ethnography: Towards a critical cultural politics. Communication Monographs: Vol. 58, No. 2, pp. 179-194

  • Issues

    Ted A Wendt, Dwight Conquergood et al.•ARTICLE•Text and Performance Quarterly•1990•Citada por: 4•Referencias: 3

  • Health Theatre in a Hmong Refugee Camp

    Dwight Conquergood•ARTICLE•TDR/The Drama Review•1988

    A Hmong widow walks to a crossroad in Camp Ban Vinai, surveys the scene, and then settles herself on a bench outside the corner hut. Bracing her back against the split-bamboo wall, she begins to sing. At first softly, as if to herself, she sings a Hmong khy txhiaj (folksong). Aware of a gathering audience, she raises her voice to fill the space around her. She sings a lamentation, carving her personal anguish into a traditional expressive form. W…

  • Performing as a moral act

    Dwight Conquergood•ARTICLE•Literature and Performance•1985•Citada por: 184•Referencias: 5

    1985). Performing as a moral act: Ethical dimensions of the ethnography of performance. Literature in Performance: Vol. 5, No. 2, pp. 1-13

  • Feud in the Icelandic Saga

    Dwight Conquergood, Jesse L Byock et al.•ARTICLE•Journal of American Folklore•1984

  • Boasting in Anglo‐Saxon England

    Dwight Conquergood•ARTICLE•Literature and Performance•1981•Citada por: 4•Referencias: 2

    1981). Boasting in Anglo‐Saxon England: Performance and the heroic ethos. Literature in Performance: Vol. 1, No. 2, pp. 24-35

  • Rethinking ethnography

    Dwight Conquergood•ARTICLE•Communication Monographs•1991•Citada por: 321•Referencias: 22

    1991). Rethinking ethnography: Towards a critical cultural politics. Communication Monographs: Vol. 58, No. 2, pp. 179-194

  • Performance Studies

    Dwight Conquergood•ARTICLE•TDR/The Drama Review•2002•Citada por: 223•Referencias: 13

    Only middle-class academics could blithely assume that all the world is a text," writes one of performance studies' leading figures. Conquergood argues for a hybrid discipline that celebrates experience and commingles the analytic and the artistic

  • Performing as a moral act

    Dwight Conquergood•ARTICLE•Literature and Performance•1985•Citada por: 184•Referencias: 5

    1985). Performing as a moral act: Ethical dimensions of the ethnography of performance. Literature in Performance: Vol. 5, No. 2, pp. 1-13

  • Ethnography, rhetoric, and performance

    Dwight Conquergood•ARTICLE•Quarterly Journal of Speech•1992•Citada por: 31•Referencias: 5

    Books reviewed DOMINATION AND THE ARTS OF RESISTANCE: HIDDEN TRANSCRIPTS. By James C. Scott. New Haven, CT: Yale University Press, 1990; pp. 251. $29.95. THE POETICS OF MILITARY OCCUPATION: MZEINA ALLEGORIES OF IDENTITY UNDER ISRAELI AND EGYPTIAN RULE. By Smadar Lavie. Berkeley, CA: University of California Press, 1990; pp. 398. $30.00. POWER AND PERFORMANCE: ETHNOGRAPHIC EXPLORATIONS THROUGH PROVERBIAL WISDOM AND THEATER IN SHABA, ZAIRE. By Joha…

  • Rethinking elocution

    Dwight Conquergood•ARTICLE•Text and Performance Quarterly•2000•Citada por: 4•Referencias: 26

    This essay reexamines the eighteenth and nineteenth century elocutionary movement from the perspective of those “others” against whom it erected its protocols of taste, civility, gentility. Elocution, “the just and graceful management of the voice, countenance, and gesture,” is redefined as the performativity of whiteness naturalized. Moving from a history of ideas approach in which the major theorists and exemplary practitioners are overwhelming…

  • Issues

    Ted A Wendt, Dwight Conquergood et al.•ARTICLE•Text and Performance Quarterly•1990•Citada por: 4•Referencias: 3

  • Boasting in Anglo‐Saxon England

    Dwight Conquergood•ARTICLE•Literature and Performance•1981•Citada por: 4•Referencias: 2

    1981). Boasting in Anglo‐Saxon England: Performance and the heroic ethos. Literature in Performance: Vol. 1, No. 2, pp. 24-35

  • Boasting in Anglo‐Saxon England

    Dwight Conquergood•ARTICLE•Literature and Performance•1981•Citada por: 4•Referencias: 2

    1981). Boasting in Anglo‐Saxon England: Performance and the heroic ethos. Literature in Performance: Vol. 1, No. 2, pp. 24-35

  • Feud in the Icelandic Saga

    Dwight Conquergood, Jesse L Byock et al.•ARTICLE•Journal of American Folklore•1984

  • Performing as a moral act

    Dwight Conquergood•ARTICLE•Literature and Performance•1985•Citada por: 184•Referencias: 5

    1985). Performing as a moral act: Ethical dimensions of the ethnography of performance. Literature in Performance: Vol. 5, No. 2, pp. 1-13

  • Health Theatre in a Hmong Refugee Camp

    Dwight Conquergood•ARTICLE•TDR/The Drama Review•1988

    A Hmong widow walks to a crossroad in Camp Ban Vinai, surveys the scene, and then settles herself on a bench outside the corner hut. Bracing her back against the split-bamboo wall, she begins to sing. At first softly, as if to herself, she sings a Hmong khy txhiaj (folksong). Aware of a gathering audience, she raises her voice to fill the space around her. She sings a lamentation, carving her personal anguish into a traditional expressive form. W…

  • Issues

    Ted A Wendt, Dwight Conquergood et al.•ARTICLE•Text and Performance Quarterly•1990•Citada por: 4•Referencias: 3

  • Rethinking ethnography

    Dwight Conquergood•ARTICLE•Communication Monographs•1991•Citada por: 321•Referencias: 22

    1991). Rethinking ethnography: Towards a critical cultural politics. Communication Monographs: Vol. 58, No. 2, pp. 179-194

  • Ethnography, rhetoric, and performance

    Dwight Conquergood•ARTICLE•Quarterly Journal of Speech•1992•Citada por: 31•Referencias: 5

    Books reviewed DOMINATION AND THE ARTS OF RESISTANCE: HIDDEN TRANSCRIPTS. By James C. Scott. New Haven, CT: Yale University Press, 1990; pp. 251. $29.95. THE POETICS OF MILITARY OCCUPATION: MZEINA ALLEGORIES OF IDENTITY UNDER ISRAELI AND EGYPTIAN RULE. By Smadar Lavie. Berkeley, CA: University of California Press, 1990; pp. 398. $30.00. POWER AND PERFORMANCE: ETHNOGRAPHIC EXPLORATIONS THROUGH PROVERBIAL WISDOM AND THEATER IN SHABA, ZAIRE. By Joha…

  • Of Caravans and Carnivals

    Dwight Conquergood•ARTICLE•TDR/The Drama Review•1995

    Peggy Phelan has presented us with a challenging exercise: to identify a key issue, a pressing point of intersection between our local institution and the more expansive future of the field-and, she has enjoined us to be brief. I offer the following principle more as a catalyst for opening conversation than a proposition for closing down controversy. The starting point for discussion that I affirm is this: Performance is an contested concept. I b…

  • Rethinking elocution

    Dwight Conquergood•ARTICLE•Text and Performance Quarterly•2000•Citada por: 4•Referencias: 26

    This essay reexamines the eighteenth and nineteenth century elocutionary movement from the perspective of those “others” against whom it erected its protocols of taste, civility, gentility. Elocution, “the just and graceful management of the voice, countenance, and gesture,” is redefined as the performativity of whiteness naturalized. Moving from a history of ideas approach in which the major theorists and exemplary practitioners are overwhelming…

  • Performance Studies

    Dwight Conquergood•ARTICLE•TDR/The Drama Review•2002•Citada por: 223•Referencias: 13

    Only middle-class academics could blithely assume that all the world is a text," writes one of performance studies' leading figures. Conquergood argues for a hybrid discipline that celebrates experience and commingles the analytic and the artistic

  • Critical Theory and Performance

    Ann Pellegrini, Bert Olen States et al.•BOOK•Critical Theory and Performance•2007

  • Cultural Struggles

    Dwight Conquergood, E Johnson•BOOK•Cultural Struggles: Performance,…•2013

    The late Dwight Conquergood's research has inspired an entire generation of scholars invested in performance as a meaningful paradigm to understand human interaction, especially between structures of power and the disenfranchised. Conquergood's research laid the groundwork for others to engage issues of ethics in ethnographic research, performance as a meaningful paradigm for ethnography, and case studies that demonstrated the dissolution of theo…

Theatre and Performance Studies (7 obras) · Philosophy (4 obras) · Political science (4 obras) · Sociology (4 obras) · Art (3 obras) · Diversity and Impact of Dance (3 obras) · History (3 obras) · History (3 obras) · Aesthetics (2 obras) · Anthropological Studies and Insights (2 obras)

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