Paul Ziff

Datos Biográficos

ID731968
NOMBREPaul Ziff
NOMBRESPaul
APELLIDOZiff
FIRMAZIFF P
AFILIACIONESChapel Hill Center For Philosophic Linguistic Research
VERIFICADONo
TOTAL DE OBRAS19
TOTAL DE CITAS17
TOTAL COMO AUTOR19
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1953
AÑO MÁS RECIENTE DE PUBLICACIÓN1988
ÍNDICE H3

  • Epistemic Analysis

    Gilbert Harman, Paul ZiffARTICLEThe Philosophical Review1988

    I Linguistic Preliminaries.- II Actives and Passives.- III Reference.- IV Coherence.- V Hypostasis.- VI Knowledge.- VII Knowing How.- VIIII Various Uses.- IX Conditions.- X A Position to Know.- XI Analysis.- XII Skepticism.- XIII A Safe Position.- XIV Demons, Angels and Miracles.- XV Risk and Gravity.- Kreb's Epilogue.- Notes

  • Remarks on Mittgenstein's Remarks on the Foundations of Mathematics

    Open AccessPaul ZiffARTICLESynthese1983

  • About Reference

    Paul ZiffARTICLEStudies in Language1979

    Preview this article: About Reference, Page 1 of 1 /docserver/preview/fulltext/sl.3.3.02zif-1.gif

  • Understanding Understanding

    Paul T Sagal, Paul ZiffARTICLEPhilosophy and Phenomenological…1973Citada por: 3

  • A Creative Use of Language

    Paul ZiffARTICLENew Literary History1972

    haps for to say of anyone that his is creative is presumably to, praise. But what is it? A of words any ordinary of words? Is that possible? One expects creative to be somehow special. Or is a creative use like a four legged aoudad? Any ordinary aoudad is four legged aoudad an everyday aoudad not some special kind. Wordsworth wrote and possibly took it upon himself to say right out loud

  • Goodman's Languages of Art

    Paul ZiffARTICLEThe Philosophical Review1971

    It is added that most literal portrait and the most prosaic passage are as much symbols, and as 'highly symbolic,' as the most fanciful and figurative (p. xi). Is every painting and every piece of sculpture, whether representational or abstract or nonobjective, a symbol? Is a toy airplane a symbol? Is a mask? What about a doll, or a chess piece, or a lock of hair? I do not know what the answers these questions are supposed be: the author's usage …

  • "A Response to "Stimulus Meaning

    Paul ZiffARTICLEThe Philosophical Review1970

  • Philosophic Turnings

    Helen Morris Cartwright, Paul ZiffARTICLEThe Philosophical Review1968

  • Philosophical Turnings

    John Woods, Paul ZiffARTICLEPhilosophy and Phenomenological…1968

  • The Nonsynonymy of Active and Passive Sentences

    Paul ZiffARTICLEThe Philosophical Review1966Citada por: 1

  • The Matter of ZEN

    Paul Ziff, Paul WienpahlARTICLEPhilosophy and Phenomenological…1965

  • "On Vendler's Grammar of "Good

    Thomas E Patton, Paul ZiffARTICLEThe Philosophical Review1964

  • Semantic Analysis

    Jerrold J Katz, Paul ZiffARTICLELanguage1962

  • Semantic Analysis

    Virgil C Aldrich, Paul ZiffARTICLEThe Philosophical Review1962

  • On the Sources of Knowledge and of Ignorance

    Paul Ziff, Karl R PopperARTICLEPhilosophy and Phenomenological…1962Citada por: 7

  • Theory of Beauty

    Paul Ziff, H OsborneARTICLEThe Philosophical Review1955

  • The Socratic

    Paul ZiffARTICLEThe Philosophical Review1954

  • The Task of Defining a Work of Art

    Paul ZiffARTICLEThe Philosophical Review1953Citada por: 6

  • Aesthetic Studies

    Paul Ziff, Katherine GilbertARTICLEThe Philosophical Review1953