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Gerald Prince

Datos Biográficos

ID736660
NOMBREGerald Prince
NOMBRESGerald
APELLIDOPrince
FIRMAPRINCE G
AFILIACIONESUniversity of Pennsylvania
VERIFICADONo
TOTAL DE OBRAS57
TOTAL DE CITAS48
TOTAL COMO AUTOR57
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1971
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H4
  • Diegetic Narrators and Narrations in Proust’s Recherche

    Gerald Prince•ARTICLE•Style•2025

    There are many characters in Proust’s Recherche who are explicitly presented as diegetic narrators telling stories, explicitly mentioned as producers of anecdotes or mini-narratives designated as such. Some of them are important characters (Oriane, Odette, Swann), and some are little more than extras (M. de Bréauté, the Dowager Countess d’Argencourt). Some narrate more frequently than others, and some prove to be effective narrators whereas other…

  • “Réparer les vivants” de Maylis de Kerangal

    Open Access•Gerald Prince, Gerald J Prince•ARTICLE•Studi Francesi•2025

    Translated in more than a dozen languages, adapted for the stage, and brought to the screen, Maylis de Kerangal’s Réparer les vivants, which recounts a heart transplant, is under the sign of transferal and translation, beginning with its title taken from Chekhov’s Platonov and its epigraph drawn from Paul Newman’s The Effect of Gamma Rays on Man-in-the-Moon Marigolds. The manifestations and resonances of transplantation in Kerangal’s novel are ex…

  • The Undernarrated and the Overnarrated

    Gerald Prince•ARTICLE•Style•2023

    Narratologists have not paid much systematic attention to the undernarrated and the overnarrated, which have several different acceptations. In particular, undernarrated can mean “not narrated in sufficient detail” and overnarrated can mean “narrated in an overly detailed manner.” The article focuses on the latter acceptations because they are quite pertinent for narratological analysis. Using examples from Marcel Proust, Annie Ernaux, and Kamel …

  • Parcours narratologiques

    Open Access•Gerald Prince•ARTICLE•Topiques études satoriennes•2022

    J'aimerais, dans ce qui suit, parcourir la narratologie, la dlimiter, en faire un lev : non pas seulement parce que je l'ai dj parcourue, revisite, reconsidre, remodele plusieurs reprises 1 et non pas tellement parce que l'examen des lieux peut fournir un tremplin la discussion du temps et de la temporalit mais avant tout parce que faire un lev suppose une inspection des frontires et que, depuis le dbut, la question des frontires a jou un rle sig…

  • Gérard Genette, l’espace et le récit

    Gerald Prince•ARTICLE•Nouvelle revue d’esthétique•2020

    Gérard Genette parle fort peu de questions spatiales dans ses discours sur le récit. Il s’en est justifié en arguant que l’espace narratif constitue une catégorie de contenu plutôt que de forme. Cependant, cet espace s’avère souvent narrativement pertinent pour des raisons qui ne sont pas thématiques et, tout en restant fidèle à Genette, on peut caractériser narratologiquement les potentialités spatiales du récit. Cela suggère que le désintérêt d…

  • Unraveling Beginnings

    Gerald Prince•ARTICLE•Poetics Today•2019•Referencias: 4

    Book Review| December 01 2019 Unraveling Beginnings Leander, Niels Buch, The Sense of a Beginning: Theory of the Literary Opening. Copenhagen: Museum Tusculanum Press, 2018. 195 pp. Gerald Prince Gerald Prince University of Pennsylvania Gerald Prince is professor of Romance languages at the University of Pennsylvania. He is the author of several books, including A Dictionary of Narratology, Guide du roman de langue française: 1901 – 1950, and the…

  • Exploring stories

    Open Access•Gerald Prince•ARTICLE•Semiotica•2016•Referencias: 2

    Aiming to underline the link between storytelling content and ritual structure and to show how the building of community constitutes the meta-theme of storytelling in general and film narrative in particular, L. A. Alexander explores the notion of symbolic community and provides a detailed account of narrative (film) genres in terms of three parameters–their origin in a basic ritual, the cultural need they address, and the cultural function they …

  • Paris Nocturne by Patrick Modiano

    Gerald Prince•ARTICLE•World Literature Today•2016

    white Quebecoise girlfriend. While the café scenes bring Laferrière closer to the fiction he used to write, the majority of the book features short treatises on different aspects of Quebecois society and history such as the Quiet Revolution, the weather, and attitudes toward immigrants. Haiti is not completely absent, as Laferrière often makes comparisons between Quebec and his homeland or more broadly between “the North” and “the South.” All the…

  • Expanding Narratology

    Gerald Prince•ARTICLE•Poetics Today•2016•Referencias: 4

    Book Review| December 01 2016 Expanding Narratology Richardson, Brian. Unnatural Narrative: Theory, History, and Practice. Columbus: Ohio State University Press, 2015. xi + 197 pp. Gerald Prince Gerald Prince Search for other works by this author on: This Site Google Poetics Today (2016) 37 (4): 691–696. https://doi.org/10.1215/03335372-3638220 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Geral…

  • Disturbing Frames

    Gerald Prince•ARTICLE•Poetics Today•2006•Referencias: 1

    Research Article| September 01 2006 Disturbing Frames: Métalepses: Entorses au pacte de la représentation Gerald Prince Gerald Prince Search for other works by this author on: This Site Google Poetics Today (2006) 27 (3): 625–630. https://doi.org/10.1215/03335372-2006-005 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Gerald Prince; Disturbing Frames: Métalepses: Entorses au pacte de la représentation. Poetics Today 1 Se…

  • "Preliminary Discussion of Women in "La vie mode d'emploi

    Gerald Prince•ARTICLE•Yale French Studies•2004

  • La stylistique francaise en mutation? (review)

    Gerald Prince•ARTICLE•Modern Language Notes•1998

    Reviewed by: La Stylistique française en mutation? Gerald Prince (bio) Madeleine Frédéric. La Stylistique française en mutation? Bruxelles: Académie royale de Belgique, 1997. 183 pages. In a 1969 special number of Langue française, Michel Arrivé announced the (imminent) death of stylistics. The discipline had led an agitated life and known many periods of good health. It had also suffered considerably from methodological weakness, impressionism a…

  • Narratology and Narratological Analysis

    Gerald Prince•ARTICLE•Journal of Narrative and Life…•1997

    Preview this article: Narratology and Narratological Analysis, Page 1 of 1 /docserver/preview/fulltext/jnlh.7.1-4.03nar-1.gif

  • Narratology and Narratological Analysis

    Gerald Prince•ARTICLE•Journal of Narrative and Life…•1997

    Preview this article: Narratology and Narratological Analysis, Page 1 of 1 /docserver/preview/fulltext/jnlh.7.1-4.03nar-1.gif

  • Framing Narrative

    Michal Peled Ginsburg, Gerald Prince et al.•ARTICLE•Poetics Today•1997

  • The Art of Rupture

    Gerald Prince, Charles J Stivale•ARTICLE•South Atlantic Review•1995

  • Stylistique de la prose

    Gerald Prince, Anne Herschberg-Pierrot•ARTICLE•Poetics Today•1995

  • Les Idées reçues

    Gerald Prince, Ruth Amossy et al.•ARTICLE•Poetics Today•1993

  • Narrative as Theme

    Carol J Murphy, Carol Murphy et al.•ARTICLE•South Atlantic Review•1992

  • The Orient of Style. Modernist Allegories of Conversion

    Gerald Prince, Beryl Schlossman•ARTICLE•Modern Language Notes•1991

    In this study of modernist aesthetics, Beryl Schlossman reveals how for such writers as Marcel Proust, Gustave Flaubert, and Charles Baudelaire, the Orient came to symbolize the highest aspirations of literary representation. She demonstrates that through allegory, modernism became a style itself, a style that married the ancient and the modern and that emerged as both a cause and an effect, both an ideal construct and an textual materiality, all…

  • Narratology, Narrative, and Meaning

    Gerald Prince, Arlene Noble et al.•ARTICLE•Poetics Today•1991•Citada por: 3

    What I intend to do, in the main, is to retrace a journey, but first I will mention an old joke-that of the madman reading the telephone directory and thinking that it is a rather mediocre novel: too many characters and too little action. If I find it relatively easy to read the directory as a novel (and a set of directories as a saga), I find it more difficult to use a novel as a directory. But not impossible: a code would suffice

  • The Audience

    B Mch, Herbert Blau et al.•ARTICLE•Poetics Today•1991

  • Narrative Courses

    Gerald Prince, Raymonde Debray Genette•ARTICLE•Poetics Today•1990

  • On Narrative Studies and Narrative Genres

    Gerald Prince•ARTICLE•Poetics Today•1990•Citada por: 4

    In the past two or three decades, students of narrative have very much consolidated and developed our knowledge by isolating, (re)characterizing, and (re)classifying a large number of features distinctive of or pertinent to (verbal) narrative (see Adam 1985; Genette 1980, 1988; Mitchell 1981; Prince 1987; Scholes and Kellogg 1966). In the area of narrative discourse (that of the narrating rather than the narrated, the representing and not the rep…

  • A Tale of Two Dictionaries

    Didier Coste, Gerald Prince•ARTICLE•Poetics Today•1990

Siguiente
  • Use-Wear on Later Stone Age Microliths from Laga Oda, Haraghi, Ethiopia and Possible Functional Interpretations

    J Desmond Clark, Gerald Prince et al.•ARTICLE•Azania Archaeological Research in…•1978•Citada por: 30•Referencias: 6

    Excavations in later Stone Age deposits at Laga Oda rock-shelter near Dire Dawa, Ethiopia, yielded a quantity of microliths which retained signs of edge damage. Experiments were conducted in an attempt to replicate the patterns of edge damage observed on the prehistoric material. Several uses are proposed to which the microliths may have been put: some evidently served as knife-blades, suggesting the cutting of grass

  • Narrative pragmatics, message, and point

    Open Access•Gerald Prince•ARTICLE•Poetics•1983•Citada por: 5•Referencias: 8

  • On Narrative Studies and Narrative Genres

    Gerald Prince•ARTICLE•Poetics Today•1990•Citada por: 4

    In the past two or three decades, students of narrative have very much consolidated and developed our knowledge by isolating, (re)characterizing, and (re)classifying a large number of features distinctive of or pertinent to (verbal) narrative (see Adam 1985; Genette 1980, 1988; Mitchell 1981; Prince 1987; Scholes and Kellogg 1966). In the area of narrative discourse (that of the narrating rather than the narrated, the representing and not the rep…

  • Aspects of a Grammar of Narrative

    Gerald Prince•ARTICLE•Poetics Today•1980•Citada por: 4

    for example, Roses are could be said to come in time before Violets are (if I read the poem from the beginning to the end, for instance) and Violets are could be said to come in time before Sugar is However, this temporal dimension has nothing whatever to do with the objects or events represented; rather, it has to do with (the production or reception of) their representation. In the world represented, roses are not red before violets are blue an…

  • Narratology, Narrative, and Meaning

    Gerald Prince, Arlene Noble et al.•ARTICLE•Poetics Today•1991•Citada por: 3

    What I intend to do, in the main, is to retrace a journey, but first I will mention an old joke-that of the madman reading the telephone directory and thinking that it is a rather mediocre novel: too many characters and too little action. If I find it relatively easy to read the directory as a novel (and a set of directories as a saga), I find it more difficult to use a novel as a directory. But not impossible: a code would suffice

  • Le thème du récit

    Gerald Prince•ARTICLE•Communications•1988•Citada por: 1

    Prince Gerald. Le thème du récit. In: Communications, 47, 1988. Variations sur le thème. Pour une thématique, sous la direction de Claude Bremond et Thomas G. Pavel. pp. 199-208

  • Narrative Analysis and Narratology

    Gerald Prince•ARTICLE•New Literary History•1982•Citada por: 1

    W E ALL KNOW how to tell narratives more or less well; we tell them more or less frequently; and we distinguish them from nonnarratives more or less strictly. In other words, we have certain intuitions (or have internalized certain rules) about what constitutes a narrative and what does not. Moreover, we often agree as to whether or not a given set of symbols is a narrative. Thus, Camus's The Stranger, Perrault's Little Red Riding Hood, the passa…

  • Personnages-Romanciers Dans Les Faux-Monnayeurs

    Gerald Prince•ARTICLE•French Studies•1971

    Journal Article PERSONNAGES-ROMANCIERS DANS LES FAUX-MONNAYEURS Get access GERALD PRINCE GERALD PRINCE PENNSYLVANIA Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXV, Issue 1, January 1971, Pages 47–52, https://doi.org/10.1093/fs/XXV.1.47 Published: 01 January 1971

  • Narrative Signs & Tangents

    Gerald Prince, Claude Chabrol•ARTICLE•diacritics•1974

  • Practical Poetics

    Gerald Prince, Robert Scholes•ARTICLE•diacritics•1975

  • Narratives with a Difference

    Gerald Prince, Claude Chabrol•ARTICLE•diacritics•1976

  • The Point of Narrative

    Gerald Prince•ARTICLE•SubStance•1976

    Commentators of Blanchot tend to find his narratives-and, more particularly, his r~cits-at least superficially obscure. Some argue that this obscurity is merely result of a blinding clarity. Others think that if recits are obscure, it is because their subject is obscurity: what recits attempt to make us read is illegible in its illegibility; what they attempt to make us see is invisible in its invisibility; what they attempt to make us hear is si…

  • The Languages of Mary Hartman

    Gerald Prince•ARTICLE•diacritics•1977

  • Recognizing Recognition

    William Ray, Wolfgang Iser et al.•ARTICLE•diacritics•1977

  • Use-Wear on Later Stone Age Microliths from Laga Oda, Haraghi, Ethiopia and Possible Functional Interpretations

    J Desmond Clark, Gerald Prince et al.•ARTICLE•Azania Archaeological Research in…•1978•Citada por: 30•Referencias: 6

    Excavations in later Stone Age deposits at Laga Oda rock-shelter near Dire Dawa, Ethiopia, yielded a quantity of microliths which retained signs of edge damage. Experiments were conducted in an attempt to replicate the patterns of edge damage observed on the prehistoric material. Several uses are proposed to which the microliths may have been put: some evidently served as knife-blades, suggesting the cutting of grass

  • Story and Discourse. Narrative Structure in Fiction and Film

    Gerald Prince, Seymour Chatman et al.•ARTICLE•Modern Language Notes•1979

  • Encyclopedic Dictionary of the Sciences of Language

    Gerald Prince, Oswald Ducrot et al.•ARTICLE•Modern Language Notes•1980

    Encyclopaedic Dictionary of the Sciences of Language is a wide-ranging and thorough study of language and its functions. Eminent French theorists Oswald Ducrot and Tzvetan Todorov cover such major trends in the development of modern linguistics as general grammars and Saussurianism, as well as methodological and descriptive concepts. Combining the breadth of a dictionary (800 terms are listed in an alphabetical index) with the depth of an encyclo…

  • Introduction a l'architexte

    Gerald Prince, Gérard Genette•ARTICLE•Poetics Today•1980

  • Aspects of a Grammar of Narrative

    Gerald Prince•ARTICLE•Poetics Today•1980•Citada por: 4

    for example, Roses are could be said to come in time before Violets are (if I read the poem from the beginning to the end, for instance) and Violets are could be said to come in time before Sugar is However, this temporal dimension has nothing whatever to do with the objects or events represented; rather, it has to do with (the production or reception of) their representation. In the world represented, roses are not red before violets are blue an…

  • Les Jeux de l'allusion litteraire dans Un Beau Tenebreux de Julien Gracq

    Gerald Prince, Ruth Amossy•ARTICLE•Modern Language Notes•1981

  • Narratology

    Gerald Prince•BOOK•Narratology•1982

  • Narrative Analysis and Narratology

    Gerald Prince•ARTICLE•New Literary History•1982•Citada por: 1

    W E ALL KNOW how to tell narratives more or less well; we tell them more or less frequently; and we distinguish them from nonnarratives more or less strictly. In other words, we have certain intuitions (or have internalized certain rules) about what constitutes a narrative and what does not. Moreover, we often agree as to whether or not a given set of symbols is a narrative. Thus, Camus's The Stranger, Perrault's Little Red Riding Hood, the passa…

  • Narrative pragmatics, message, and point

    Open Access•Gerald Prince•ARTICLE•Poetics•1983•Citada por: 5•Referencias: 8

  • Epistolarity. Approaches to a Form

    Gerald Prince, Janet Gurkin Altman•ARTICLE•Poetics Today•1983

    (print) 235 p. ; 24 cm

  • Sartre Resartus

    Gerald Prince, Denis Hollier•ARTICLE•diacritics•1984

  • La Nausee and the Question of Closure

    Gerald Prince•ARTICLE•Yale French Studies•1984

  • Nouveau Discours du recit

    Gerald Prince, Gérard Genette•ARTICLE•Poetics Today•1984

  • Narratology

    Mahadev L Apte, Gerald Prince•ARTICLE•Language•1985

  • Narratology

    John Pier, Gerald Prince•ARTICLE•Poetics Today•1985

  • Re-Membering Modiano, or Something Happened

    Gerald Prince•ARTICLE•SubStance•1986

    Raphael Schlemilovitch, the protagonist of La Place de l'Etoile, has an uncouth name for a Frenchman.' It does not belong to the suave group of Coudreuse, Jacquet, Lebon, Mouraille, Vincent, Gerbault (VT, 23), bears no resemblance to such very French double as SergentDelval or Hattier-Morel (VT, 59), and is oil to the water of Drieu la Rochelle, Peugeot, and Debigorre (cf. PE, VT). It belongs with Bloch, Hirschfeld, and Schlossblau (cf. BC, 160).…

  • L'Arbre et la source

    Gerald Prince, Michel Charles•ARTICLE•Poetics Today•1986

  • The Poetics of Plot. The Case of English Renaissance Drama

    Gerald Prince, Thomas Pavel et al.•ARTICLE•Poetics Today•1986

Art (38 obras) · Literature (25 obras) · Narrative (25 obras) · Philosophy (25 obras) · Narrative Theory and Analysis (22 obras) · History (17 obras) · Linguistics (16 obras) · Computer Science (15 obras) · Narratology (11 obras) · Psychology (11 obras)

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