Koushik Mondal
Datos Biográficos
| ID | 7500194 |
|---|---|
| NOMBRE | Koushik Mondal |
| NOMBRES | Koushik |
| APELLIDO | Mondal |
| FIRMA | MONDAL K |
| AFILIACIONES | Independent Researcher – Ghordourchati, Purba Bardhaman |
| ORCID | 0000-0002-9003-3433 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAS | 0 |
| OBRAS COMO AUTOR | 2 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2020 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 0 |
“ Soch nayi, swad wahi ” (New thinking, same old taste)
This article will critically examine Karan Johar’s film oeuvre to discuss how his film philosophy changes over two and a half decades (1998–2023), as he appropriates the Bollywood genre of “family films for neoliberal audiences while simultaneously capitalizing on this populist model. It argues that Johar’s cinematic narratives dismantle traditional gender roles and destabilize the heteronormative family space – the iconic metaphor of nation in H…
Postcolonial Queer Dimension of Travel in the Goopi-Bagha Trilogy of Films
Sin obras prominentes en esta página.
Postcolonial Queer Dimension of Travel in the Goopi-Bagha Trilogy of Films
“ Soch nayi, swad wahi ” (New thinking, same old taste)
This article will critically examine Karan Johar’s film oeuvre to discuss how his film philosophy changes over two and a half decades (1998–2023), as he appropriates the Bollywood genre of “family films for neoliberal audiences while simultaneously capitalizing on this populist model. It argues that Johar’s cinematic narratives dismantle traditional gender roles and destabilize the heteronormative family space – the iconic metaphor of nation in H…
South Asian Cinema and Culture (2 obras) · Art (1 obra) · Art history (1 obra) · Bollywood (1 obra) · Cinema and Media Studies (1 obra) · Cinema History and Criticism (1 obra) · Combinatorics (1 obra) · Decolonization (1 obra) · Deleuze and Guattari (1 obra) · Deterritorialization (1 obra)