Annelies Van Assche

Datos Biográficos

ID7523868
NOMBREAnnelies Van Assche
NOMBRESAnnelies
APELLIDOVan Assche
FIRMAVAN ASSCHE A
AFILIACIONESDepartment of Art History, Musicology and Theatre Studies, Ghent University (Belgium)
VERIFICADONo
TOTAL DE OBRAS5
TOTAL DE CITAS0
OBRAS COMO AUTOR5
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2019
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H0

  • What’s the cost of mastery? Flemish Primitives and the labour behind the myth of Flemish dance

    Open AccessAri Van Assche, Annelies Van AsscheARTICLETheatre Research International2026

    This article examines how Flemish Primitives (2022), by Chokri Ben Chikha and his company Action Zoo Humain, interrogates artistic mastery in contemporary dance from Flanders. Framed as a satirical talent show in which six dancers with migrant and diasporic backgrounds compete to become the next Flemish Master, the performance revisits the legacy of the ‘Flemish (Dance) Wave’ while exposing the labour structures that sustain its myth. Beyond its …

  • (Un)Teaching the Canon. An Approach to Teaching Dance History in Western Europe

    Open AccessAri Van Assche, Annelies Van AsscheARTICLEDance Research2025

    This article examines the challenges and possibilities of teaching dance history in Western Europe through a pedagogical approach that both teaches and unteaches the canon. Drawing on my experiences as a dance history lecturer, I explore how such engagement with the canon enables students to develop essential skills in performance analysis. Through discussion of historiographical critiques, contemporary performances, and pedagogical strategies, I…

  • Flexible Performativity

    Open AccessAri Van Assche, Annelies Van Assche et al.ARTICLETDR/The Drama Review2023

    Scholarly work rarely examines the labor of the contemporary dance artist as a performer. Flexible performativity describes the discrete skill set dancers today must be able to deploy in performance. Flexible performativity and its characteristics of negotiating proximity, autodramaturgy, hyperindividualism, and hyperreferentialism mold the dancer prototypical of the movement logics of the early 21st century

  • Cruel Optimism, Ironic Pessimism, Poetic Terrorism

    Open AccessAri Van Assche, Annelies Van AsscheARTICLETDR/The Drama Review2021

    Meyoucycle (2016) was the eagerly awaited result of a collaboration between choreographer Eleanor Bauer and composer Chris Peck. The characters of this dance and song–cycle have developed tactics to withstand the exploitative demands of neoliberal semiocapitalism; the creative team deployed performative and dramaturgical tactics for the same purpose

  • Mayday, Mayday, Mayday! Moving from European Discourses on the Precarious and Art to the Realities of Contemporary Dance

    Open AccessAri Van Assche, Annelies Van Assche et al.ARTICLEDance Research2019

    In this article, we encapsulate several key debates in sociology, cultural and arts politics and the media industry on precarious work since its emergence at the turn of the twenty-first century. After setting out the fundamental discourses on precarity, we concentrate on contemporary dance artists as precarious workers and investigate the extent to which different levels of precarity affect them, distinguishing relevant aspects related to socio-…