Nadia Lie
Datos Biográficos
| ID | 76388 |
|---|---|
| NOMBRE | Nadia Lie |
| NOMBRES | Nadia |
| APELLIDO | Lie |
| FIRMA | LIE N |
| AFILIACIONES | KU Leuven |
| ORCID | 0000-0001-7131-8938 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAS | 1 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2005 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2022 |
| ÍNDICE H | 1 |
The Politics of Detachment and Disruptive Tourism in Las cosas como son (Fernando Lavanderos, 2012)
Detachment has become a key notion for the study of contemporary Latin American cinema. This article examines how detachment is related to tourism and how it refigures the political in Las cosas como son (2012), a film by Fernando Lavanderos, who is considered representative of a new generation of Chilean directors. By drawing on recent insights from tourism studies, the close reading highlights tourism’s disruptive potential with respect to disa…
Geopatía en la counter-road movie Personal Belongings de Alejandro Brugués
Como género que tiende a aparecer en períodos de transformación y de crisis, la road movie conoció un éxito llamativo en Cuba después del derrumbe del bloque soviético. Los análisis existentes se han centrado en películas aparecidas durante el llamado Período Especial, cuando la isla se enfrentó con una situación de extrema austeridad en todos los niveles de la vida. Al examinar una película posterior a este período – Personal Belongings –, este …
Cómo entender al Otro? Multilingüismo y Translingüismo en la Road Movie latinoamericana
This article examines language as an understudied aspect of the road movie idiom. After a brief sketch of the specific features of the Latin American road movie, it explains why language occupies a central place in many of its stories. First, attention is paid to cases in which this centrality is expressed a contrario by depicting characters who hardly express themselves (a strategy referred to as ‘mutism’). Subsequently, the article distinguishe…
Abigail McEwan, Revolutionary Horizons
Ce livre, très bien documenté et richement illustré, retrace l’histoire de l’émergence de l’art abstrait à Cuba dans les années 1950. Ce courant s’épanouit d’abord sous la dictature de Fulgencio Batista, qui à un moment donné coopta l’art abstrait pour son projet de modernisation ; il fut marginalisé après la Révolution, en raison de son manque supposé de préoccupations sociales et de « cubanité ». Cependant, Abigail McEwan montre que l’art abstr…
The Latin American (Counter-) Road Movie and Ambivalent Modernity
(Re)Writing With the Feet
This article approaches Chilean filmmaker Alicia Scherson’s first feature-length film, Play (2005), from the perspectives of mobility and social cartography in relation to the spatial practices of the main characters. Through the paradigmatic figure of the flâneur, the article explores the representative function of both the characters’ and the camera’s drifting itineraries across the city, as they subtly perform a peripatetic cartography of pres…
Two Forms of Multidirectional Memory
This article confronts two films about the request for a European passport by a Latin American citizen: Um Passaporte Húngaro ( A Hungarian Passport , 2001) and El abrazo partido ( Lost Embrace , 2003). Both films deal with memory of the Jewish-Latin American migration that took place within the context of the Holocaust, and both gear this problematic towards other, more contemporary, stories of displacement. It is argued that this multidirection…
Postcolonialism and Latin American literature
Postcolonialism is briefly presented as an academic approach in contemporary literary studies, with two opposite currents as far as the study of Latin American literature is concerned. The first constructs the relationship between Latin American and European literature as oppositional, whereas the second focuses in a more harmonious way on their interrelationship. It is argued that both currents cluster around a divergent reading of the ‘cannibal…
Two Forms of Multidirectional Memory
This article confronts two films about the request for a European passport by a Latin American citizen: Um Passaporte Húngaro ( A Hungarian Passport , 2001) and El abrazo partido ( Lost Embrace , 2003). Both films deal with memory of the Jewish-Latin American migration that took place within the context of the Holocaust, and both gear this problematic towards other, more contemporary, stories of displacement. It is argued that this multidirection…
Postcolonialism and Latin American literature
Postcolonialism is briefly presented as an academic approach in contemporary literary studies, with two opposite currents as far as the study of Latin American literature is concerned. The first constructs the relationship between Latin American and European literature as oppositional, whereas the second focuses in a more harmonious way on their interrelationship. It is argued that both currents cluster around a divergent reading of the ‘cannibal…
Two Forms of Multidirectional Memory
This article confronts two films about the request for a European passport by a Latin American citizen: Um Passaporte Húngaro ( A Hungarian Passport , 2001) and El abrazo partido ( Lost Embrace , 2003). Both films deal with memory of the Jewish-Latin American migration that took place within the context of the Holocaust, and both gear this problematic towards other, more contemporary, stories of displacement. It is argued that this multidirection…
(Re)Writing With the Feet
This article approaches Chilean filmmaker Alicia Scherson’s first feature-length film, Play (2005), from the perspectives of mobility and social cartography in relation to the spatial practices of the main characters. Through the paradigmatic figure of the flâneur, the article explores the representative function of both the characters’ and the camera’s drifting itineraries across the city, as they subtly perform a peripatetic cartography of pres…
The Latin American (Counter-) Road Movie and Ambivalent Modernity
Abigail McEwan, Revolutionary Horizons
Ce livre, très bien documenté et richement illustré, retrace l’histoire de l’émergence de l’art abstrait à Cuba dans les années 1950. Ce courant s’épanouit d’abord sous la dictature de Fulgencio Batista, qui à un moment donné coopta l’art abstrait pour son projet de modernisation ; il fut marginalisé après la Révolution, en raison de son manque supposé de préoccupations sociales et de « cubanité ». Cependant, Abigail McEwan montre que l’art abstr…
Cómo entender al Otro? Multilingüismo y Translingüismo en la Road Movie latinoamericana
This article examines language as an understudied aspect of the road movie idiom. After a brief sketch of the specific features of the Latin American road movie, it explains why language occupies a central place in many of its stories. First, attention is paid to cases in which this centrality is expressed a contrario by depicting characters who hardly express themselves (a strategy referred to as ‘mutism’). Subsequently, the article distinguishe…
Geopatía en la counter-road movie Personal Belongings de Alejandro Brugués
Como género que tiende a aparecer en períodos de transformación y de crisis, la road movie conoció un éxito llamativo en Cuba después del derrumbe del bloque soviético. Los análisis existentes se han centrado en películas aparecidas durante el llamado Período Especial, cuando la isla se enfrentó con una situación de extrema austeridad en todos los niveles de la vida. Al examinar una película posterior a este período – Personal Belongings –, este …
The Politics of Detachment and Disruptive Tourism in Las cosas como son (Fernando Lavanderos, 2012)
Detachment has become a key notion for the study of contemporary Latin American cinema. This article examines how detachment is related to tourism and how it refigures the political in Las cosas como son (2012), a film by Fernando Lavanderos, who is considered representative of a new generation of Chilean directors. By drawing on recent insights from tourism studies, the close reading highlights tourism’s disruptive potential with respect to disa…
Art (7 obras) · Sociology (5 obras) · Latin American Literature Studies (4 obras) · Latin Americans (4 obras) · Art history (3 obras) · History (3 obras) · History (3 obras) · Humanities (3 obras) · Law (3 obras) · Philosophy (3 obras)