Dhanveer Singh Brar
Datos Biográficos
| ID | 767431 |
|---|---|
| NOMBRE | Dhanveer Singh Brar |
| NOMBRES | Dhanveer Singh |
| APELLIDO | Brar |
| FIRMA | BRAR D S |
| AFILIACIONES | University of Pennsylvania |
| VERIFICADO | No |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAS | 8 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2014 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 2 |
Who Is He, Who Am I, and What Is He to Me
The following is a piece of writing that takes as its starting point a performance Gil Scott-Heron gave at Gwynn Oak Park, Baltimore County, Maryland, in summer 2010. The piece stands as a provisional introduction to a book Dhanveer Singh Brar is currently working on, titled Small Talk: On the Corner with Gil Scott-Heron
Performance, Possession, and Automation
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
What is This 'Black 'in Black Studies? From Black British Cultural Studies to Black Critical Thought in UK Arts and Higher Education
The aim of this article is two-fold. Firstly, it identifies and maps out a new presence in race discourse in the UK arts and higher education, under the heading of 'US Black Critical Thought'. Secondly, it seeks to situate 'US Black Critical Thought' and its growing impact upon intellectual and aesthetic discourses on race in the UK through the lens of the longer-term project of 'Black British Cultural Studies'. The article traces the formation a…
Architekture and Teklife in the Hyperghetto
Analyzing "Footwork," a form of electronic dance music local to South and West Chicago, and now also a major genre within the wider networks of dance music culture, this article presents an argument regarding the constitution of Footwork as black music. Focusing on the organizational, social, geographic, and aesthetic dynamics that reflect its status as "ghetto" music, the author makes the case that the question of its blackness needs to be under…
James Brown', 'Jamesbrown', James Brown
The following article addresses the question of the blackness and radicalism of James Brown's musical performances during what was arguably the peak of his career, between 1964 and 1971. Using analytical frameworks from the fields of black studies, performance studies and cultural theory, this article presents an argument for listening to Brown's music in terms of the modalities of rupture. The activity of rupture is tracked through the preface t…
Hieroglyphics of the Flesh
Alexander G. Weheliye, Habeas Viscus: Racializing Assemblages, Biopolitics and Black Feminist Theories of the Human, Durham and London, Duke University Press, 2014, 224ppAlexander Weheliye's Habeas Viscus is the latest iteration in the current reinvigoration of black diasporic thought. Perhaps best read in tandem with this year's publication of Nahum Chandler's X: The Problem of the Negro as a Problem for Thought, Weheliye can also be situated al…
What is This 'Black 'in Black Studies? From Black British Cultural Studies to Black Critical Thought in UK Arts and Higher Education
The aim of this article is two-fold. Firstly, it identifies and maps out a new presence in race discourse in the UK arts and higher education, under the heading of 'US Black Critical Thought'. Secondly, it seeks to situate 'US Black Critical Thought' and its growing impact upon intellectual and aesthetic discourses on race in the UK through the lens of the longer-term project of 'Black British Cultural Studies'. The article traces the formation a…
Architekture and Teklife in the Hyperghetto
Analyzing "Footwork," a form of electronic dance music local to South and West Chicago, and now also a major genre within the wider networks of dance music culture, this article presents an argument regarding the constitution of Footwork as black music. Focusing on the organizational, social, geographic, and aesthetic dynamics that reflect its status as "ghetto" music, the author makes the case that the question of its blackness needs to be under…
Hieroglyphics of the Flesh
Alexander G. Weheliye, Habeas Viscus: Racializing Assemblages, Biopolitics and Black Feminist Theories of the Human, Durham and London, Duke University Press, 2014, 224ppAlexander Weheliye's Habeas Viscus is the latest iteration in the current reinvigoration of black diasporic thought. Perhaps best read in tandem with this year's publication of Nahum Chandler's X: The Problem of the Negro as a Problem for Thought, Weheliye can also be situated al…
James Brown', 'Jamesbrown', James Brown
The following article addresses the question of the blackness and radicalism of James Brown's musical performances during what was arguably the peak of his career, between 1964 and 1971. Using analytical frameworks from the fields of black studies, performance studies and cultural theory, this article presents an argument for listening to Brown's music in terms of the modalities of rupture. The activity of rupture is tracked through the preface t…
Architekture and Teklife in the Hyperghetto
Analyzing "Footwork," a form of electronic dance music local to South and West Chicago, and now also a major genre within the wider networks of dance music culture, this article presents an argument regarding the constitution of Footwork as black music. Focusing on the organizational, social, geographic, and aesthetic dynamics that reflect its status as "ghetto" music, the author makes the case that the question of its blackness needs to be under…
What is This 'Black 'in Black Studies? From Black British Cultural Studies to Black Critical Thought in UK Arts and Higher Education
The aim of this article is two-fold. Firstly, it identifies and maps out a new presence in race discourse in the UK arts and higher education, under the heading of 'US Black Critical Thought'. Secondly, it seeks to situate 'US Black Critical Thought' and its growing impact upon intellectual and aesthetic discourses on race in the UK through the lens of the longer-term project of 'Black British Cultural Studies'. The article traces the formation a…
Performance, Possession, and Automation
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Who Is He, Who Am I, and What Is He to Me
The following is a piece of writing that takes as its starting point a performance Gil Scott-Heron gave at Gwynn Oak Park, Baltimore County, Maryland, in summer 2010. The piece stands as a provisional introduction to a book Dhanveer Singh Brar is currently working on, titled Small Talk: On the Corner with Gil Scott-Heron
Art (4 obras) · Law (3 obras) · Music History and Culture (3 obras) · Race, History, and American Society (3 obras) · Sociology (3 obras) · Gender Studies (2 obras) · Political science (2 obras) · Theater, Performance, and Music History (2 obras) · Theatre and Performance Studies (2 obras) · Visual arts (2 obras)