Fred R Myers
Datos Biográficos
| ID | 77212 |
|---|---|
| NOMBRE | Fred R Myers |
| NOMBRES | Fred R |
| APELLIDO | Myers |
| FIRMA | MYERS F R |
| AFILIACIONES | New York University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 56 |
| TOTAL DE CITAS | 1144 |
| TOTAL COMO AUTOR | 55 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 1979 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 13 |
Six Paintings from Papunya
Emotions and the Self A Theory of Personhood and Political Order Among Pintupi Aborigines
Between 1973 and 1975 I did field work with the Pintupi at a settlement called Yayayi, 180 miles west of Alice Springs. 1 At this time, the Pintupi were no longer living a traditional hunting-gathering life in the desert; for the past 40 years, the Pintupi have been drifting eastward from the Gibson Desert homeland, although the majority “came in” the 200–400 miles to European missions or settlements between 1954 and 1966. They were living, then,…
Growing Up in Central Australia
Surprisingly little research has been carried out about how Australian Aboriginal children and teenagers experience life, shape their social world and imagine the future. This volume presents recent and original studies of life experiences outside the institutional settings of childcare and education, of those growing up in contemporary Central Australia or with strong links to the region. Focusing on the remote communities – roughly 1,200 across…
Pintupi Country, Pintupi Self
Refiguring Art and Anthropology, For Whom? A conversation with George E. Marcus and Fred R. Myers
Chapter 4. Fathers and Sons, Trajectories of Self
Always Ask
This chapter addresses the relationship between boundaries, band organization, and territoriality through an individual oriented, processual approach to mobility, land use, and land ownership among Pintupi Aborigines of the Gibson Desert in Australia. Here territorial organization is not the division of people into discrete, mobile, permanent "bands." Rather, "bands" are fluctuating, on-the-ground residential groups that differ from "bands" as la…
The Anthropology of Art, After the End of Art
We focus on the anthropology of art from the mid-1980s to the present, a period of disturbance and significant transformation in the field of anthropology. The field can be understood to be responding to the destabilization of the category of "art" itself. Inaugural moments lie in the reaction to the Museum of Modern Art's 1984 exhibition "Primitivism" in 20th Century Art, the increasing crisis of representation, the influence of "postmodernism,"…
The Cultural Basis of Politics in Pintupi Life
A Broken Code
Materiality
Collecting Aboriginal Art in the Australian Nation
How Aboriginal acrylic painting came to be reframed as “high art” is an interesting ethnohistorical question. Scholars have traced the increasing frequency of the exhibition of Aboriginal Australian acrylic painting and the increasing emphasis on the framework of fine art and contemporary fine art in these exhibitions. Individual artists come prominently into attention, both in the press and also—eventually—with one‐person exhibitions. In this ar…
Unsettled Business
Acrylic painting in Australian Indigenous communities is one of the sites in which the conundrum of "tradition" is faced. While this painting has particularly challenged the conception of cultural traditions as bounded, its status has also been challenged in terms of authenticity; but I argue that a framework emphasizing culture-making is more productive. This article explores the scandals and rumors that have accompanied the movement of acrylic …
Materializing Culture and the New Internationalism
After the Fall
Performing Aboriginality at the Asia Society Gallery
Making a Market
Postprimitivism
Practices of Painting
Truth or Beauty
The “Industry”
Unsettled Business
Recontextualizations
The Aesthetic Function and the Practice of Pintupi Painting
Index
Pintupi Country, Pintupi Self
Painting Culture
Charley Tjaruru Tjungurrayi is to his side.Photo by Fred Myers.moves that were highly publicized (Lockwood 1964; Long 1964a Long , 1964b;; Thomson 1975) and equally controversial (Nathan and Leichleitner 1983; Long 1993).They were settled on government reserves, principally at Papunya in the Northern Territory, where approximately one thousand Aboriginal people of different language groups had come to live in a project of directed assimilation or…
The empire of things
Dangerous words
Emotions and the Self
Culture-Making
This article presents and analyzes the construction and performance of Australian Aboriginal cultural practice, a sandpainting, at a major art exhibition at the Asia Society in New York. Drawing on an ethnography for which anthropological knowledge is part of the event itself, I examine the multiple constructions of Aboriginal identity in the performance. Such intercultural performances represent an important form of cultural production and const…
Reflections on a Meeting
Careful attention to the importance of language shows it to be a constitutive part of Pintupi social life. Accounting for the value and form of this activity leads to reconceptualizing the nature of politics and the polity in an Australian Aboriginal society. Implications of these structural features for the practical experience of a cultural subject are explored through comparison with other societies. The existence of systematic variation argue…
Locating Ethnographic Practice
This paper explores the contest over the meaning of the appearance of previously uncontacted Pintupi Aborigines in late 1984, arguing that an important site of Pintupi social action is transaction with the outside and their struggle to define their own framework of understanding. The event was interpreted by varying "audiences" in terms of their differing motivations and favored conventions for representing the Aborigine. I analyze my role as eth…
The Politics of Representation
The Logic and Meaning of Anger Among Pintupi Aborigines
The Cultural Basis of Politics in Pintupi Life
A Broken Code
Uncertain regard
This paper is a study of one component of the recent and contemporary circulation of cultural objects, the exhibition of Australian Aboriginal acrylic paintings in a French museum. The author argues that the recent emphases on 'appropriation ' and the primitivizing gaze ' are not sufficient to understand what happens when such objects circulate. To ask what does happen in circulation, at the sites of exhibition, is to ask how they are produced, i…
Traffic in Culture
The essays in this collection signal a new relationship between anthropology and the study of art. The authors explore the boundaries and affinities between art, anthropology, representation, and culture, casting a critical, ethnographic light on the art worlds of the contemporary West and their "traffic" in non-Western objects. Starting from the premise that the traditional anthropology of art has been developed within categories and practices o…
Truth, beauty, and pintupi painting
This paper is concerned with the historical development of acrylic painting on canvas for commercial sale by Western Desert Aboriginal people. It is argued that Pintupi paintings should be understood within a special interplay between producer and consumer as one point (among many) of accommodation and/or interpretive struggle between an Aboriginal people and broader Western society. I begin by showing how Pintupi evaluate their productions in a …
Pintupi Country, Pintupi Self
From Ethnography to Metaphor
Unsettled Business
Acrylic painting in Australian Indigenous communities is one of the sites in which the conundrum of "tradition" is faced. While this painting has particularly challenged the conception of cultural traditions as bounded, its status has also been challenged in terms of authenticity; but I argue that a framework emphasizing culture-making is more productive. This article explores the scandals and rumors that have accompanied the movement of acrylic …
Ways of Place-Making
The Anthropology of Art, After the End of Art
We focus on the anthropology of art from the mid-1980s to the present, a period of disturbance and significant transformation in the field of anthropology. The field can be understood to be responding to the destabilization of the category of "art" itself. Inaugural moments lie in the reaction to the Museum of Modern Art's 1984 exhibition "Primitivism" in 20th Century Art, the increasing crisis of representation, the influence of "postmodernism,"…
Question de regard
Depuis les années 1970, les aborigènes australiens produisent des peintures acryliques sur toile, objets culturels hybrides issus d'une tradition graphique et religieuse, mais utilisant des matériaux modernes. La réception de ces œuvres d'art, tel qu'est ici analysée à travers les expositions auxquelles elles ont donné lieu en France, est l'enjeu d'un conflit entre le regard ethnographique et le regard esthétique, entre la contextualisation et l'…
Collecting Aboriginal Art in the Australian Nation
How Aboriginal acrylic painting came to be reframed as “high art” is an interesting ethnohistorical question. Scholars have traced the increasing frequency of the exhibition of Aboriginal Australian acrylic painting and the increasing emphasis on the framework of fine art and contemporary fine art in these exhibitions. Individual artists come prominently into attention, both in the press and also—eventually—with one‐person exhibitions. In this ar…
Ethnography through Thick and Thin
Ethnography through Thick and Thin, George E. Marcus. Princeton, NJ: Princeton University Press, 1998. 275 pp
Objects on the loose
A partir d'un commentaire sur les contributions a ce numero thematique, l'A. propose une mise en perspective generale de l'anthropologie contemporaine de la culture materielle et de l'art. En reference au cadre conceptuel de la circulation et de la vie sociale des objets (A. Appadurai), il s'interroge sur les problemes de classification inherents au traitement de la culture materielle. Il suggere notamment de partir de la culture materielle comme…
Exhibit Review Essays
The Art of Memory: Holocaust Memorials in History. James E. Young, curator. The Art of Memory: Holocaust Memorials in History. James E. Young, ed
Emotions and the Self
Ethnology
Dangerous words
Reflections on a Meeting
Careful attention to the importance of language shows it to be a constitutive part of Pintupi social life. Accounting for the value and form of this activity leads to reconceptualizing the nature of politics and the polity in an Australian Aboriginal society. Implications of these structural features for the practical experience of a cultural subject are explored through comparison with other societies. The existence of systematic variation argue…
The Politics of Representation
From Ethnography to Metaphor
Locating Ethnographic Practice
This paper explores the contest over the meaning of the appearance of previously uncontacted Pintupi Aborigines in late 1984, arguing that an important site of Pintupi social action is transaction with the outside and their struggle to define their own framework of understanding. The event was interpreted by varying "audiences" in terms of their differing motivations and favored conventions for representing the Aborigine. I analyze my role as eth…
Accounts of Human Nature
The Logic and Meaning of Anger Among Pintupi Aborigines
Candidates for Board Member-at-large State A
Pintupi Country, Pintupi Self
Truth, beauty, and pintupi painting
This paper is concerned with the historical development of acrylic painting on canvas for commercial sale by Western Desert Aboriginal people. It is argued that Pintupi paintings should be understood within a special interplay between producer and consumer as one point (among many) of accommodation and/or interpretive struggle between an Aboriginal people and broader Western society. I begin by showing how Pintupi evaluate their productions in a …
Future Directions for Cultural Anthropology
Djungguwan at Gurka'wuy . 1989. A film by Ian Dunlop
Culture-Making
This article presents and analyzes the construction and performance of Australian Aboriginal cultural practice, a sandpainting, at a major art exhibition at the Asia Society in New York. Drawing on an ethnography for which anthropological knowledge is part of the event itself, I examine the multiple constructions of Aboriginal identity in the performance. Such intercultural performances represent an important form of cultural production and const…
Exhibit Review Essays
The Art of Memory: Holocaust Memorials in History. James E. Young, curator. The Art of Memory: Holocaust Memorials in History. James E. Young, ed
Ancestral Connections
The Traffic in Art and Culture
Representing Culture
Traffic in Culture
The essays in this collection signal a new relationship between anthropology and the study of art. The authors explore the boundaries and affinities between art, anthropology, representation, and culture, casting a critical, ethnographic light on the art worlds of the contemporary West and their "traffic" in non-Western objects. Starting from the premise that the traditional anthropology of art has been developed within categories and practices o…
Logica e significato della collera fra gli aborigeni Pintupi
Moving the New Anthropology of Art beyond the Museum
Looking High and Low: Art and Cultural Identity. Brenda Jo Bright and Liza Bakewell. eds. Tucson: University of Arizona Press, 1995. 210 pp
Question de regard
Depuis les années 1970, les aborigènes australiens produisent des peintures acryliques sur toile, objets culturels hybrides issus d'une tradition graphique et religieuse, mais utilisant des matériaux modernes. La réception de ces œuvres d'art, tel qu'est ici analysée à travers les expositions auxquelles elles ont donné lieu en France, est l'enjeu d'un conflit entre le regard ethnographique et le regard esthétique, entre la contextualisation et l'…
Annette Weiner (1933-1997)
Uncertain regard
This paper is a study of one component of the recent and contemporary circulation of cultural objects, the exhibition of Australian Aboriginal acrylic paintings in a French museum. The author argues that the recent emphases on 'appropriation ' and the primitivizing gaze ' are not sufficient to understand what happens when such objects circulate. To ask what does happen in circulation, at the sites of exhibition, is to ask how they are produced, i…
Sociology (23 obras) · Art (17 obras) · History (15 obras) · Cultural Heritage Management and Preservation (13 obras) · Computer Science (12 obras) · Law (12 obras) · Political science (12 obras) · Anthropology (11 obras) · Aesthetics (10 obras) · Art history (10 obras)