Mary Ellison

Datos Biográficos

ID77805
NOMBREMary Ellison
NOMBRESMary
APELLIDOEllison
FIRMAELLISON M
AFILIACIONESKeele University
VERIFICADONo
TOTAL DE OBRAS30
TOTAL DE CITAS12
TOTAL COMO AUTOR30
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1973
AÑO MÁS RECIENTE DE PUBLICACIÓN2006
ÍNDICE H2

  • Black is a Country

    Open AccessMary EllisonARTICLERace & Class2006

  • Dr Michael White and New Orleans Jazz

    Mary EllisonARTICLEPopular Music & Society2005Citada por: 1

    This article explores the role of Dr Michael White White, Michael G. 1985. “The Clarinet in New Orleans.”. New Orleans Jazz and Heritage Festival Program 1985, April: 60–66. [Google Scholar] in regenerating New Orleans traditional music through his soulful improvisations and fresh compositions as well as his creative ensemble and parade performances. It also uses extensive interviews to document his remarkable ability as a scholarly expert who en…

  • The Future we Love to Hate

    Open AccessMary EllisonARTICLERace & Class2003

  • Kalamu Ya Salaam and the Black Blues Subversive Self

    Open AccessMary EllisonARTICLERace & Class2003Referencias: 4

    Ne en 1947 a La Nouvelle-Orleans, Kalamu Ya Salaam, poete, musicien et activiste, tres peu connu en dehors des cercles du jazz noir radical, est de ceux dont la pratique musicale et politique fut influencee par l'environnement unique de cette ville du Sud, ou la musique afro-americaine fut etroitement liee a l'esprit de rebellion contre la repression et l'injustice. Son engagement peut aussi etre considere comme se situant dans la continuite du m…

  • The Marsalis Family and the Democratic Imperative in Jazz

    Open AccessMary EllisonARTICLERace & Class2001Referencias: 2

    L'article relate la creativite des musiciens de jazz Noirs Americains, les Marsalis, et insiste sur l'importance des creations collectives, compatibles, d'une part, avec l'integrite artistique et l'innovation et, d'autre part, avec le succes commercial

  • Circular and cumulative

    Open AccessMary EllisonARTICLEUrban History2000

    It seems bizarre and inappropriate that so many books dealing with African-American lives in both Southern and Northern cities pay scant attention to the music that provided their only clear political as well as cultural voice. This seems even more anomalous now that historians of slavery appreciate that the music is a vital conduit for black responses to oppression and discrimination. In the five books under review, cultural consciousness is fre…

  • Subverting commodification

    Mary EllisonARTICLEPopular Music & Society2000Referencias: 3

  • Shorter Notices

    Mary EllisonARTICLEThe English Historical Review1994

    SHORTER NOTICES Get access MARY ELLISON MARY ELLISON University of Keele Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CIX, Issue 430, February 1994, Pages 190–191, https://doi.org/10.1093/ehr/CIX.430.190 Published: 01 February 1994

  • Charmaine Neville, the Mardi Gras Indians, and the music of oppositional politics

    Mary EllisonARTICLEPopular Music & Society1994Referencias: 7

  • Workings of the Spirit

    Mary Ellison, Houston A BakerARTICLEThe Modern Language Review1993

  • Extensions of the Blues

    Ernest D Brown, Mary EllisonARTICLEEthnomusicology1991

  • David Duke and the race for the Governor's mansion

    Open AccessMary EllisonARTICLERace & Class1991Citada por: 1

  • Shorter Notices

    Mary EllisonARTICLEThe English Historical Review1990

    Shorter Notices MARY ELLISON MARY ELLISON University of Keele Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CV, Issue CCCCXVII, October 1990, Pages 1056–1057, https://doi.org/10.1093/ehr/CV.CCCCXVII.1056 Published: 01 October 1990

  • Teaching Popular Music 19-21 April 1990

    Open AccessMary EllisonARTICLEPopular Music1990

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Shorter Notices

    Mary EllisonARTICLEThe English Historical Review1988

    Shorter Notices Get access MARY ELLISON MARY ELLISON University of Keele Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CIII, Issue CCCCVI, January 1988, Pages 233–234, https://doi.org/10.1093/ehr/CIII.CCCCVI.233 Published: 01 January 1988

  • War—it's nothing but a heartbreak

    Mary EllisonARTICLEPopular Music & Society1986Referencias: 2

  • Longman History of the United States of America

    Mary Ellison, Hugh BroganARTICLEThe Economic History Review1986

    Hugh Brogan offers an account of America's development to global superpower. The new edition takes the story forward from the fall of Nixon (1977) to the close of the Reagan era and the end of the Cold War

  • Short Notices

    Mary EllisonARTICLEThe English Historical Review1985

    Journal Article Short Notices Get access MARY ELLISON MARY ELLISON University of Keele Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume C, Issue CCCXCVII, October 1985, Pages 925-b–925, https://doi.org/10.1093/ehr/C.CCCXCVII.925-b Published: 01 October 1985

  • Consciousness of poverty in black music

    Mary EllisonARTICLEPopular Music & Society1985Citada por: 2Referencias: 1

    (1985). Consciousness of poverty in black music. Popular Music and Society: Vol. 10, No. 2, pp. 17-46

  • The Manipulating Eye

    Open AccessMary EllisonARTICLEThe Journal of Popular Culture1985

  • Real Gone Gal

    Open AccessMary EllisonARTICLEPopular Music1985

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Black Perceptions and Red Images

    Mary EllisonARTICLEPhylon (19601983

  • Resistance to oppression

    Mary EllisonARTICLESlavery and Abolition1983Citada por: 7

    (1983). Resistance to oppression: Black women's response to slavery in the united states. Slavery & Abolition: Vol. 4, No. 1, pp. 56-63

  • Black Women in American Bands and Orchestras

    Open AccessMary EllisonARTICLEPopular Music1982Citada por: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Root

    Open AccessMary EllisonARTICLERace & Class1977