Raul R Romero
Datos Biográficos
| ID | 78843 |
|---|---|
| NOMBRE | Raul R Romero |
| NOMBRES | Raul R |
| APELLIDO | Romero |
| FIRMA | ROMERO R R |
| AFILIACIONES | Pontificia Universidad Católica del Perú |
| ORCID | 0000-0002-4572-3865 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 32 |
| TOTAL DE CITAS | 20 |
| TOTAL COMO AUTOR | 32 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1986 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2021 |
| ÍNDICE H | 3 |
Amlo’s populism in Mexico and the framing of the extractivist agenda
Prácticas musicales andinas a comienzos del siglo XXI
Presentation of the dossier on Andean musical practices at the beginning of the 21st century
Música popular y sociedad en el Perú contemporáneo
Este libro presenta varios artículos que, desde una perspectiva interdisciplinaria, analizan las diversas expresiones de música popular urbana que coexisten hoy en el Perú, y que hasta ahora habían sido pocas veces vistas como temas propicios de investigación académica
Kusisqa Waqashayku [From grief and joy we sing]
Book Review| October 01 2009 Kusisqa Waqashayku [From grief and joy we sing] Kusisqa Waqashayku [From grief and joy we sing], Holly Wissler. Raul R. Romero Raul R. Romero Search for other works by this author on: This Site Google Ethnomusicology (2009) 53 (3): 529–532. https://doi.org/10.2307/25653094 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Raul R. Romero; Kusisqa Waqashayku [From grief an…
Tragedias y celebraciones. Imaginando academias locales y foráneas
El artículo no presenta resumen
Traditional Music of Peru 6
Perpetuating the Rural Past
While in the Mantaro Valley the public realm seems to be the space for negotiating modernity, the private domain appears to be reserved for maintaining continuities with a rural “past.” The latter is the sphere of ritual and musical expressions linked to rural productive activities, such as the herranza (a fertility ritual aimed at the protection of land and livestock) and the waylarsh (a compound of games, dances, and songs tied to the harvests …
Appendix
Region, Culture, and Identities
Some colonial sources suggest that when the first Spanish troops arrived in the Mantaro Valley (see map) in 1533 they expected war. Instead, they were surprised to be hailed by thousands of natives who celebrated their coming with songs and feasts (Arguedas 1975:81). It was later that the invaders would realize that the native inhabitants of the valley-the Wan kas-had been subdued by the imperial Incas long ago and since then had been their fierc…
Conquering New Spaces
When the people of the Mantaro Valley established a “presence” in Lima the search for “cultural authenticity” confronted new challenges. In a first stage (1900-1950), the migrants from the Mantaro Valley, constrained in term of its meager demographics, joined forces with other Andean com munities in Lima. In a second phase (1950-present), they rediscovered their regional sovereignty and adopted new vehicles for cultural reproduction, such as the …
Official, Popular, and Musical Memories
In previous chapters I have explored the realm of ritual, festival, and dance-dramas (chapter 2), the emergence of the orquesta tipica in the con text of the festival (chapter 3), and the Wanka presence in Lima (chapter 4). Throughout all of these spheres I have explained how the search for authenticity, the dispute over the past, and the role of modernity have been instrumental in shaping and building the regional culture of the Man taro Valley.…
Glossary
Subject Ethnomusicology Social and Cultural Anthropology Collection: Oxford Scholarship Online
Authenticity and Musical Ensembles
The relationship between the assimilation of the clarinet and the saxophone and the impact of modernity in the lives of the people of the Mantaro Valley can be noticed in the many legends about how the saxophone was introduced in the valley. The following story was told to me in 1985 by the widow of Teodoro Rojas Chucas, a well-known musician from the valley. This narrative tells about a North American man who accidentally hit a child with his ca…
Debating the Past
This volume examines how the search for "cultural authenticity," the dispute over the past, and the role of "modernity" have been instrumental in building the regional musical culture of the Mantaro Valley, a central Peruvian region with about half a million inhabitants. How these people have addressed concerns over the loss of ancient traditions by restructuring colonial and pre-Hispanic traditions into new contexts and forms is explored. Coveri…
Tragedies and Celebrations
"Why are you Peruvians always studying other Peruvians?," a North American ethnomusicologist asked me in puzzlement when I told him about my future research projects. I remained speechless, because for a moment I thought he was right. My plans for the future seemed a sign of academic inferiority, typical of Third World intellectuals incapable of escaping from their origins to reach beyond their own frontiers, unable to transcend birthplace and na…
Traditional Music of Peru 3
Tinka de Alpaca, Wylancha, The Festival of Mamacha Carmen, Musical Instruments and Genres of Lambayeque
Mountain Music of Peru
Musica, danzas y mascaras en los Andes
Musica Tradicional del Cusco
Moving away from Silence
Increasingly popular in the United States and Europe, Andean panpipe and flute music draws its vitality from the traditions of rural highland villages and of rural migrants who have settled in Andean cities. In Moving Away from Silence, Thomas Turino describes panpipe and flute traditions in the context of this rural-urban migration and the turbulent politics that have influenced Peruvian society and local identities throughout this century. Turi…
Musica, Danzas y Mascaras en los Andes
Musica Tradicional de Cajamarca
Musical Change and Cultural Resistance in the Central Andes of Peru
Musica Tradicional del Valle del Mantaro
Debating the Past
This volume examines how the search for "cultural authenticity," the dispute over the past, and the role of "modernity" have been instrumental in building the regional musical culture of the Mantaro Valley, a central Peruvian region with about half a million inhabitants. How these people have addressed concerns over the loss of ancient traditions by restructuring colonial and pre-Hispanic traditions into new contexts and forms is explored. Coveri…
Tragedies and Celebrations
"Why are you Peruvians always studying other Peruvians?," a North American ethnomusicologist asked me in puzzlement when I told him about my future research projects. I remained speechless, because for a moment I thought he was right. My plans for the future seemed a sign of academic inferiority, typical of Third World intellectuals incapable of escaping from their origins to reach beyond their own frontiers, unable to transcend birthplace and na…
Musical Change and Cultural Resistance in the Central Andes of Peru
Prácticas musicales andinas a comienzos del siglo XXI
Presentation of the dossier on Andean musical practices at the beginning of the 21st century
La investigación musical en América del Sur
El objeto del presente trabajo es el de presentar una breve y condensada historia de la investigación musical en América del Sur, en lo que concierne específicamente a las expresiones tradicionales. Desde comienzos de siglo, empezaron a aparecer los primeros estudios sistemáticos sóbre música tradicional en los diferentes países sudamericanos. En la década del treinta ya era evidente el auge de la producción etnomusicológica intensificado por la …
Musica tradicional del Valle del Mantaro
Q'ero, Pueblo y Musica
Music and Dance of Indians and Mestizos in an Andean Valley of Peru
Development and Balance of Peruvian Ethnomusicology
Field and Commercial Recordings of Peruvian Traditional Music
Música urbana en un contexto campesino
El artículo no presenta resumen
Musical Change and Cultural Resistance in the Central Andes of Peru
Musica Tradicional del Valle del Mantaro
Musica Tradicional de Cajamarca
Moving away from Silence
Increasingly popular in the United States and Europe, Andean panpipe and flute music draws its vitality from the traditions of rural highland villages and of rural migrants who have settled in Andean cities. In Moving Away from Silence, Thomas Turino describes panpipe and flute traditions in the context of this rural-urban migration and the turbulent politics that have influenced Peruvian society and local identities throughout this century. Turi…
Musica, Danzas y Mascaras en los Andes
Mountain Music of Peru
Musica, danzas y mascaras en los Andes
Musica Tradicional del Cusco
Tinka de Alpaca, Wylancha, The Festival of Mamacha Carmen, Musical Instruments and Genres of Lambayeque
Traditional Music of Peru 3
Perpetuating the Rural Past
While in the Mantaro Valley the public realm seems to be the space for negotiating modernity, the private domain appears to be reserved for maintaining continuities with a rural “past.” The latter is the sphere of ritual and musical expressions linked to rural productive activities, such as the herranza (a fertility ritual aimed at the protection of land and livestock) and the waylarsh (a compound of games, dances, and songs tied to the harvests …
Appendix
Region, Culture, and Identities
Some colonial sources suggest that when the first Spanish troops arrived in the Mantaro Valley (see map) in 1533 they expected war. Instead, they were surprised to be hailed by thousands of natives who celebrated their coming with songs and feasts (Arguedas 1975:81). It was later that the invaders would realize that the native inhabitants of the valley-the Wan kas-had been subdued by the imperial Incas long ago and since then had been their fierc…
Conquering New Spaces
When the people of the Mantaro Valley established a “presence” in Lima the search for “cultural authenticity” confronted new challenges. In a first stage (1900-1950), the migrants from the Mantaro Valley, constrained in term of its meager demographics, joined forces with other Andean com munities in Lima. In a second phase (1950-present), they rediscovered their regional sovereignty and adopted new vehicles for cultural reproduction, such as the …
Official, Popular, and Musical Memories
In previous chapters I have explored the realm of ritual, festival, and dance-dramas (chapter 2), the emergence of the orquesta tipica in the con text of the festival (chapter 3), and the Wanka presence in Lima (chapter 4). Throughout all of these spheres I have explained how the search for authenticity, the dispute over the past, and the role of modernity have been instrumental in shaping and building the regional culture of the Man taro Valley.…
Glossary
Subject Ethnomusicology Social and Cultural Anthropology Collection: Oxford Scholarship Online
Authenticity and Musical Ensembles
The relationship between the assimilation of the clarinet and the saxophone and the impact of modernity in the lives of the people of the Mantaro Valley can be noticed in the many legends about how the saxophone was introduced in the valley. The following story was told to me in 1985 by the widow of Teodoro Rojas Chucas, a well-known musician from the valley. This narrative tells about a North American man who accidentally hit a child with his ca…
Debating the Past
This volume examines how the search for "cultural authenticity," the dispute over the past, and the role of "modernity" have been instrumental in building the regional musical culture of the Mantaro Valley, a central Peruvian region with about half a million inhabitants. How these people have addressed concerns over the loss of ancient traditions by restructuring colonial and pre-Hispanic traditions into new contexts and forms is explored. Coveri…
Art (22 obras) · Diverse Musicological Studies (13 obras) · History (13 obras) · Geography (12 obras) · Musical (12 obras) · Archaeology (11 obras) · Latin American history and culture (9 obras) · Sociology (9 obras) · Visual arts (9 obras) · Humanities (8 obras)