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William P Malm

Datos Biográficos

ID80772
NOMBREWilliam P Malm
NOMBRESWilliam P
APELLIDOMalm
FIRMAMALM W P
AFILIACIONESUniversity of Michigan
VERIFICADONo
TOTAL DE OBRAS76
TOTAL DE CITAS16
TOTAL COMO AUTOR75
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN1957
AÑO MÁS RECIENTE DE PUBLICACIÓN2001
ÍNDICE H3
  • Japan

    Hugh De Ferranti, Shigeo Kishibe et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Japanese Theatre music

    William P Malm•CHAPTER•The new Grove dictionary of music…•2001

  • Japanese Notation systems

    William P Malm, David W Hughes•CHAPTER•The new Grove dictionary of music…•2001

  • Japanese Notation systems

    William P Malm, David W Hughes•CHAPTER•The new Grove dictionary of music…•2001

  • Japanese Theatre music

    William P Malm•CHAPTER•The new Grove dictionary of music…•2001

  • Japanese Instruments and instrumental genres

    William P Malm, David W Hughes•CHAPTER•The new Grove dictionary of music…•2001

  • Japanese Notation systems

    William P Malm, David W Hughes•CHAPTER•The new Grove dictionary of music…•2001

  • The Birth of Tsugaru Shamisen Music

    William P Malm, Suda Naoyuki et al.•ARTICLE•Journal of Japanese Studies•2000

  • Yamada Shotaro

    William P Malm•ARTICLE•Asian Music•1998•Citada por: 1

    L'A. retrace la vie et l'oeuvre de Yamada Shotaro (1899-1970 ), professeur et interprete de shamisen et compositeur de nagauta. A travers la presentation et l'analyse de plusieurs de ses compositions, il analyse le role du compositeur dans l'evolution de la musique traditionnelle japonaise nagauta et kabuki

  • Theater as Music

    Hugh De Ferranti, C Andrew Gerstle et al.•ARTICLE•Yearbook for Traditional Music•1994

  • Theater as Music

    Samuel L Leiter, C Andrew Gerstle et al.•ARTICLE•Asian Theatre Journal•1992

  • Theater as Music

    Susan Matisoff, C Andrew Gerstle et al.•ARTICLE•Journal of Japanese Studies•1992

  • Six Hidden Views of Japanese Music

    Ohtani Kimiko, William P Malm•ARTICLE•Ethnomusicology•1992

  • Theater as Music

    A Kimi Coaldrake, C Andrew Gerstle et al.•ARTICLE•Monumenta Nipponica•1991•Citada por: 1

  • Japanese nagauta notation and performance realities

    William P Malm•ARTICLE•Musicology Australia•1988•Referencias: 3

    Standard shamisen and drum notations are shown and analysed and historical records translated to show that much musicological data is available in the study of Japanese music. The actual performance of a piece, however, often varies from that seen in the written sources because each guild of performers provides subtle differences that identify the provenance of the sonic event. Thus accuracy and relativity work together to maintain the vitality o…

  • Six Hidden Views of Japanese Music

    Britten Dean, William P Malm•ARTICLE•Monumenta Nipponica•1987•Citada por: 1

  • The New Grove Dictionary of Musical Instruments

    William P Malm, Stanley Sadie•ARTICLE•Ethnomusicology•1986

  • Musica Asiatica 4

    William P Malm, Laurence Picken•ARTICLE•Journal of the American Oriental…•1985

  • Studies in Kabuki

    Samuel L Leiter, James R Brandon et al.•ARTICLE•Journal of the American Oriental…•1982

  • Music East and West

    William P Malm, Thomas Noblitt et al.•ARTICLE•Ethnomusicology•1982

  • Music and Tradition

    William P Malm, D R Widde et al.•ARTICLE•Ethnomusicology•1982

  • Warlords, Artists and Commoners

    Frank Hoff, Donald Keene et al.•BOOK•Warlords, Artists and Commoners•1981•Citada por: 2

  • Three Books on Kabuki

    Andrew T Tsubaki, James R Brandon et al.•ARTICLE•Journal of Japanese Studies•1981

  • Kabuki Encyclopedia An English-Language Adaption of Kabuki Jiten

    William P Malm, Samuel L Leiter•ARTICLE•Asian Music•1981

  • Studies in Kabuki

    Susan Matisoff, James R Brandon et al.•ARTICLE•Journal of American Folklore•1980

Siguiente
  • Nagauta. The Heart of Kabuki Music

    Ramiro Planas, William P Malm•ARTICLE•Monumenta Nipponica•1964•Citada por: 4

  • Music Cultures of the Pacific, the Near East, and Asia

    Jeremy Montagu, Jeremy P S Montagu et al.•ARTICLE•Man•1967•Citada por: 3

  • Japanese Music and Musical Instruments

    Robert Garfias, William P Malm•ARTICLE•Monumenta Nipponica•1959•Citada por: 3

    The author provides facts about various types of Japanese music and musical instruments and their place in the overall history of Japan. For the benefit of the layman, much general information has been included, while it includes discussion of more technical matters for the musicoligists

  • Warlords, Artists and Commoners

    Frank Hoff, Donald Keene et al.•BOOK•Warlords, Artists and Commoners•1981•Citada por: 2

  • Yamada Shotaro

    William P Malm•ARTICLE•Asian Music•1998•Citada por: 1

    L'A. retrace la vie et l'oeuvre de Yamada Shotaro (1899-1970 ), professeur et interprete de shamisen et compositeur de nagauta. A travers la presentation et l'analyse de plusieurs de ses compositions, il analyse le role du compositeur dans l'evolution de la musique traditionnelle japonaise nagauta et kabuki

  • Theater as Music

    A Kimi Coaldrake, C Andrew Gerstle et al.•ARTICLE•Monumenta Nipponica•1991•Citada por: 1

  • Six Hidden Views of Japanese Music

    Britten Dean, William P Malm•ARTICLE•Monumenta Nipponica•1987•Citada por: 1

  • Music Cultures of the Pacific, the Near East, and Asia

    David Morton, William P Malm•ARTICLE•Ethnomusicology•1968•Citada por: 1

  • Ainu no Odori (Ainu Dances)

    William P Malm, Kono Hiromichi•ARTICLE•Ethnomusicology•1957

  • The Society for Research in Asiatic Music; Its Aims, Functions, and Achievements

    Shigeo Kishibe, William P Malm•ARTICLE•Ethnomusicology•1957

    THE Society for Research in Asiatic Music (T6ya Ongaku Gakkai) was founded in 1937 for the purpose of investigating Asian music, including Japanese music, from both a historical and musical point of view. In this way the Society hoped to further Japanese musicological studies in general. At present the Society has 257 members and is governed by a board of 13 directors with a staff of 7 managing secretaries. Dr. Hisao Tanabe is president. The Soci…

  • The Rhythmic Orientation of Two Drums in the Japanese No Drama

    William P Malm•ARTICLE•Ethnomusicology•1958

    cerning a part of one of the vital aspects of this art-rhythm. No music consists of two types, one of which is the chanting of the text by the actors or the chorus, known as utai or yokyoku, the other being the music of the hayashi, an ensemble of three drums and a flute. The latter group is used in a variety of combinations, with or without singing, so that the music can be changed to suit the mood and action of the drama. The flute is called No…

  • Japanese Music and Musical Instruments

    Rulan Chao Pian, William P Malm•ARTICLE•Harvard Journal of Asiatic Studies•1959

  • Japanese Music and Musical Instruments

    Robert Garfias, William P Malm•ARTICLE•Monumenta Nipponica•1959•Citada por: 3

    The author provides facts about various types of Japanese music and musical instruments and their place in the overall history of Japan. For the benefit of the layman, much general information has been included, while it includes discussion of more technical matters for the musicoligists

  • Japanese Research in Chinese Music

    William P Malm•ARTICLE•Journal of the American Oriental…•1959

  • Japanese Music and Musical Instruments

    Alfred B Hudson, William P Malm•ARTICLE•Journal of the American Oriental…•1960

  • A Short History of Japanese Nagauta Music

    William P Malm•ARTICLE•Journal of the American Oriental…•1960

  • Japanese Music and Musical Instruments

    Mieczyslaw Kolinski, William P Malm•ARTICLE•Ethnomusicology•1960

  • Gagaku. The Music and Dances of the Japanese Imperial Household

    William P Malm, Robert Garfias•ARTICLE•Ethnomusicology•1960

  • An Introduction to Taiko Drum Music in the Japanese No Drama

    William P Malm•ARTICLE•Ethnomusicology•1960

    T he taiko is part of the No drama instrumental ensemble which consists of one flute and three drums. It is a barrel-shaped drum some twenty-seven centimeters in diameter and thirty centimeters in height. The skins (horse or cow) are lashed tightly to the body by two sets of ropes. The drum is held off the ground by a stand which tips the instrument slightly. There is a patch of deer skin in the center of the top head to which all blows of the tw…

  • Japanese Music and Musical Instruments

    Sylvia W Kenney, William P Malm•ARTICLE•Artibus Asiae•1961

  • Japanese Music and Musical Instruments

    Audrey Hawthorn, William P Malm•ARTICLE•Pacific Affairs•1961

  • Composer and Nation

    William P Malm, Sidney Finkelstein•ARTICLE•Ethnomusicology•1961

  • Traditional Folk Songs of Japan

    William P Malm, Ryutaro Hattori•ARTICLE•Ethnomusicology•1962

  • Notes on Bibliographies of Japanese Materials Dealing with Ethnomusicology

    William P Malm•ARTICLE•Ethnomusicology•1963

  • The Eighth Day Festival on Miyakejima

    William P Malm•ARTICLE•Journal of American Folklore•1963

    MIYAKEJIMA is a small volcanic island some fifty miles out of Tokyo Bay in the Pacific Ocean. In this ten square miles of relative isolation a population of some 7,000 people live by means of fishing and the sale of butter, charcoal, and the essence of camellias which is used for perfume. The island population is concentrated in five villages which, until the twentieth century, were so mutually isolated that special dialects developed in each vil…

  • Hyojun Nihon Buyo-fu (A Standard Japanese Classical Dance Notation)

    William P Malm, Nishigawa Minosuke et al.•ARTICLE•Ethnomusicology•1963

  • The Azuma Kabuki Musicians

    William P Malm•ARTICLE•Ethnomusicology•1963

  • Nagauta. The Heart of Kabuki Music

    Ramiro Planas, William P Malm•ARTICLE•Monumenta Nipponica•1964•Citada por: 4

  • Nagauta

    Elliot Weisgarber, William P Malm•ARTICLE•Pacific Affairs•1965

  • Nagauta; The Heart of Kabuki Music

    Jan Larue, William P Malm•ARTICLE•Ethnomusicology•1965

  • Other

    Open Access•William P Malm•ARTICLE•American Anthropologist•1966

  • The Anthropology of Music

    Robert F Spencer, William P Malm et al.•ARTICLE•Ethnomusicology•1966

  • Recent Recordings of Japanese Music

    William P Malm•ARTICLE•Ethnomusicology•1967

Art (57 obras) · History (37 obras) · Visual arts (30 obras) · Literature (25 obras) · Musicology and Musical Analysis (23 obras) · Asian Culture and Media Studies (18 obras) · Musical (14 obras) · Diverse Musicological Studies (13 obras) · Philosophy (13 obras) · Aesthetics (12 obras)

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