Angela Dressen
Datos Biográficos
| ID | 816216 |
|---|---|
| NOMBRE | Angela Dressen |
| NOMBRES | Angela |
| APELLIDO | Dressen |
| FIRMA | DRESSEN A |
| AFILIACIONES | Harvard University Press |
| ORCID | 0000-0001-9447-7886 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAS | 2 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2017 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 1 |
L’anachronisme comme politique de display
Medieval and Early Modern European, African and Asian ivories seen through the Data Lens
Ivories of different natures are one of the oldest materials of artistic expression, and they have been used widely through space and time. The purpose of this article is twofold: on the one hand, to offer a data driven analysis of Medieval and Early Modern ivories in Europe, Africa and Asia (ca. 1000 to 1600); on the other hand, to offer a critical perspective on the proposed query method itself. Nine museums with 2123 objects have been chosen f…
Cultural Heritage Data for Research - An Introduction
This article is an introduction to the collected essay volume 'Cultural Heritage Data for Research - Opening Museum Collections, Project Data and Digital Images for Research, Query and Discovery', published in vol. 10.2, 2024 and vol. 11.1, 2025 of the Open Library of Humanities Journal (see https://olh.openlibhums.org/issue/905/info/). The introduction highlights some methods of approaching humanities data, and sheds light on current trends. In …
The Intellectual Education of the Italian Renaissance Artist
Scholars have traditionally viewed the Italian Renaissance artist as a gifted, but poorly educated craftsman whose complex and demanding works were created with the assistance of a more educated advisor. These assumptions are, in part, based on research that has focused primarily on the artist's social rank and workshop training. In this volume, Angela Dressen explores the range of educational opportunities that were available to the Italian Rena…
Intellectual Education of the Italian Renaissance Artist
Bernard Berenson’s Cinquecentine
Previous article FreeBernard Berenson’s Cinquecentine: Inspirations from the Sixteenth-Century Accademia FiorentinaAngela DressenAngela DressenVilla I Tatti, the Harvard University Center for Italian Renaissance Studies Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreIf there be such an unimaginable thing…
Medieval and Early Modern European, African and Asian ivories seen through the Data Lens
Ivories of different natures are one of the oldest materials of artistic expression, and they have been used widely through space and time. The purpose of this article is twofold: on the one hand, to offer a data driven analysis of Medieval and Early Modern ivories in Europe, Africa and Asia (ca. 1000 to 1600); on the other hand, to offer a critical perspective on the proposed query method itself. Nine museums with 2123 objects have been chosen f…
Cultural Heritage Data for Research - An Introduction
This article is an introduction to the collected essay volume 'Cultural Heritage Data for Research - Opening Museum Collections, Project Data and Digital Images for Research, Query and Discovery', published in vol. 10.2, 2024 and vol. 11.1, 2025 of the Open Library of Humanities Journal (see https://olh.openlibhums.org/issue/905/info/). The introduction highlights some methods of approaching humanities data, and sheds light on current trends. In …
Bernard Berenson’s Cinquecentine
Previous article FreeBernard Berenson’s Cinquecentine: Inspirations from the Sixteenth-Century Accademia FiorentinaAngela DressenAngela DressenVilla I Tatti, the Harvard University Center for Italian Renaissance Studies Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreIf there be such an unimaginable thing…
The Intellectual Education of the Italian Renaissance Artist
Scholars have traditionally viewed the Italian Renaissance artist as a gifted, but poorly educated craftsman whose complex and demanding works were created with the assistance of a more educated advisor. These assumptions are, in part, based on research that has focused primarily on the artist's social rank and workshop training. In this volume, Angela Dressen explores the range of educational opportunities that were available to the Italian Rena…
Intellectual Education of the Italian Renaissance Artist
L’anachronisme comme politique de display
Medieval and Early Modern European, African and Asian ivories seen through the Data Lens
Ivories of different natures are one of the oldest materials of artistic expression, and they have been used widely through space and time. The purpose of this article is twofold: on the one hand, to offer a data driven analysis of Medieval and Early Modern ivories in Europe, Africa and Asia (ca. 1000 to 1600); on the other hand, to offer a critical perspective on the proposed query method itself. Nine museums with 2123 objects have been chosen f…
Cultural Heritage Data for Research - An Introduction
This article is an introduction to the collected essay volume 'Cultural Heritage Data for Research - Opening Museum Collections, Project Data and Digital Images for Research, Query and Discovery', published in vol. 10.2, 2024 and vol. 11.1, 2025 of the Open Library of Humanities Journal (see https://olh.openlibhums.org/issue/905/info/). The introduction highlights some methods of approaching humanities data, and sheds light on current trends. In …
Art (2 obras) · Art history (2 obras) · Intellectual Property Law (2 obras) · Renaissance Literature and Culture (2 obras) · Appreciation (1 obras) · Artists (1 obras) · books and reading (1 obras) · Classical literature (1 obras) · Computer Science (1 obras) · Contemporary art, education, critique (1 obras)