Michael R Marlo
Datos Biográficos
| ID | 822809 |
|---|---|
| NOMBRE | Michael R Marlo |
| NOMBRES | Michael R |
| APELLIDO | Marlo |
| FIRMA | MARLO M R |
| AFILIACIONES | University of Missouri |
| ORCID | 0000-0002-9944-9726 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 12 |
| TOTAL DE CITAS | 10 |
| TOTAL COMO AUTOR | 12 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2004 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2018 |
| ÍNDICE H | 3 |
The phonology of Chichewa by Laura J. Downing and Al Mtenje
info:eu-repo/semantics/published
Pragmatic effects of clitic doubling
Object markers (OMs) in Bantu languages have long been argued to be either incorporated pronouns or agreement morphemes, distinguished mainly by their ability (or not) to co-occur with (i.e. double)in situobjects. Lubukusu appears to be an instance of OMs-as-incorporated pronouns, as OMs in neutral discourse contexts cannot doublein situobjects in a broad range of syntactic contexts. As we show, however, certain pragmatic contexts in fact do lice…
Problems in Kuria H tone assignment
Luyia tone melodies
Cet article offre une vue d’ensemble des mélodies tonales verbales du luyia, groupe de langues bantu parlées au Kenya et en Ouganda. La tonologie luyia est diversifiée, et présente trois types de systèmes tonals verbaux qualifiés respectivement de «conservateur » , «prévisible » , et «réversif » . Nous illustrons les caractéristiques tonales générales de chaque type de système par une variété linguistique représentative, en décrivant les interact…
Bakweri tone melodies
This paper reports on verb tone melodies in Bakweri, which has 6 inflectionally‐governed stem tone patterns. Depending on tense, a verb may have no tones beyond those in the lexicon, or may add L, H, HL, or LH to the stem. These melodic tones are linked to the final vowel, and melody‐initial H spreads leftward to the lexical tone of the root. In addition, the reflexive contributes a LH melody which partially replaces the inherent melody determine…
Kuria tone melodies
Dans cet article, nous livrons une vue générale des mélodies tonales kuria, remarquables par les positions qu’occupe le H mélodique, en ce compris les troisième et quatrième mores du macrothème verbal. Pour certains locuteurs, les mores du mot qui suit le verbe font partie de la représentation lorsque le H mélodique est assigné au verbe. Nous traitons également de certaines complications que les formes verbales impératives et certaines formes nég…
Exceptional patterns of object marking in Bantu
This article discusses three main phenomena in the morpho-syntax and morpho-phonology of Bantu languages in which the 1SG object prefix (OP) and/or the reflexive, display anomalous properties compared to other OPs. (i) The 1SG OP and the reflexive commonly have unique combinatorial properties with additional OPs. (ii) The 1SG OP (or, rarely, the reflexive as well) triggers different patterns of final vowel (FV) allo-morphy in the imperative. (iii…
Verb tone in Bantu languages
This paper describes the process of studying the notoriously complex verbal tone systems of Bantu languages through the systematic elicitation of paradigmatic data. The main thrust of this paper is the delineation of the factors known to influence tonal outputs in Bantu languages, providing background on the micro-typology of Bantu verbal tone systems, with discussion of how these considerations impact the data-gathering process
Khayo verbal tonology
L’article décrit et analyse le système tonal du verbe en khayo. Le khayo est un dialecte du luyia (bantou, Kenya et Ouganda, J30) qui, jusqu’ici, n’avait pas encore été décrit. L’article fournit une description systématique de la marque tonale dans la polarité ‘ temps-aspect-mode’ et dans les différents types de phrases verbales ainsi que des alternances tonales qui sont déterminées par les préfixes à ton H et par la prosodie propre aux différent…
Tura verbal tonology
This article provides a comprehensive description and analysis of the verbal tone system of Tura, a previously undocumented dialect of Luyia (Bantu, Kenya, J.30). Tura has many tonal Patterns marking tense-aspect-mood-polarity distinctions that are characterized by a grammatical ("melodic") H tone on different positions of the verb stem. The realization of melodic Hs depends on the prosody of the verb stem (number of syllables, syllable weight, C…
CVX Theory in CCCCCCVX Languages
This article provides a critical review of Duanmu’s (2002) proposal that there is a universal CVX syllable structure, having a single- consonant onset position (C) and a rhyme (VX) that consists of two positions: one for a vowel (V) and one for either a second vowel or a consonant (X). Duanmu reanalyzes possible and impossible consonant clusters in onset position of English and Chinese in terms of what can fit into the single C slot, given the re…
Which Wič Is Which? Prefixing and Suffixing in Klamath Full-Root Reduplication
This article presents a new analysis of full-root reduplication in Klamath. This process, hitherto termed "intensive" reduplication, has previously been analyzed as involving prefixation. Klamath prefixes normally induce vowel reduction in the following morpheme, but the intensive reduplicant does not. McCarthy and Prince (1995) attempt to account for this divergent behavior by invoking base-reduplicant faithfulness; Zoll (2002) attributes it to …
Pragmatic effects of clitic doubling
Object markers (OMs) in Bantu languages have long been argued to be either incorporated pronouns or agreement morphemes, distinguished mainly by their ability (or not) to co-occur with (i.e. double)in situobjects. Lubukusu appears to be an instance of OMs-as-incorporated pronouns, as OMs in neutral discourse contexts cannot doublein situobjects in a broad range of syntactic contexts. As we show, however, certain pragmatic contexts in fact do lice…
Problems in Kuria H tone assignment
Exceptional patterns of object marking in Bantu
This article discusses three main phenomena in the morpho-syntax and morpho-phonology of Bantu languages in which the 1SG object prefix (OP) and/or the reflexive, display anomalous properties compared to other OPs. (i) The 1SG OP and the reflexive commonly have unique combinatorial properties with additional OPs. (ii) The 1SG OP (or, rarely, the reflexive as well) triggers different patterns of final vowel (FV) allo-morphy in the imperative. (iii…
Which Wič Is Which? Prefixing and Suffixing in Klamath Full-Root Reduplication
This article presents a new analysis of full-root reduplication in Klamath. This process, hitherto termed "intensive" reduplication, has previously been analyzed as involving prefixation. Klamath prefixes normally induce vowel reduction in the following morpheme, but the intensive reduplicant does not. McCarthy and Prince (1995) attempt to account for this divergent behavior by invoking base-reduplicant faithfulness; Zoll (2002) attributes it to …
CVX Theory in CCCCCCVX Languages
This article provides a critical review of Duanmu’s (2002) proposal that there is a universal CVX syllable structure, having a single- consonant onset position (C) and a rhyme (VX) that consists of two positions: one for a vowel (V) and one for either a second vowel or a consonant (X). Duanmu reanalyzes possible and impossible consonant clusters in onset position of English and Chinese in terms of what can fit into the single C slot, given the re…
Which Wič Is Which? Prefixing and Suffixing in Klamath Full-Root Reduplication
This article presents a new analysis of full-root reduplication in Klamath. This process, hitherto termed "intensive" reduplication, has previously been analyzed as involving prefixation. Klamath prefixes normally induce vowel reduction in the following morpheme, but the intensive reduplicant does not. McCarthy and Prince (1995) attempt to account for this divergent behavior by invoking base-reduplicant faithfulness; Zoll (2002) attributes it to …
Tura verbal tonology
This article provides a comprehensive description and analysis of the verbal tone system of Tura, a previously undocumented dialect of Luyia (Bantu, Kenya, J.30). Tura has many tonal Patterns marking tense-aspect-mood-polarity distinctions that are characterized by a grammatical ("melodic") H tone on different positions of the verb stem. The realization of melodic Hs depends on the prosody of the verb stem (number of syllables, syllable weight, C…
Khayo verbal tonology
L’article décrit et analyse le système tonal du verbe en khayo. Le khayo est un dialecte du luyia (bantou, Kenya et Ouganda, J30) qui, jusqu’ici, n’avait pas encore été décrit. L’article fournit une description systématique de la marque tonale dans la polarité ‘ temps-aspect-mode’ et dans les différents types de phrases verbales ainsi que des alternances tonales qui sont déterminées par les préfixes à ton H et par la prosodie propre aux différent…
Verb tone in Bantu languages
This paper describes the process of studying the notoriously complex verbal tone systems of Bantu languages through the systematic elicitation of paradigmatic data. The main thrust of this paper is the delineation of the factors known to influence tonal outputs in Bantu languages, providing background on the micro-typology of Bantu verbal tone systems, with discussion of how these considerations impact the data-gathering process
Luyia tone melodies
Cet article offre une vue d’ensemble des mélodies tonales verbales du luyia, groupe de langues bantu parlées au Kenya et en Ouganda. La tonologie luyia est diversifiée, et présente trois types de systèmes tonals verbaux qualifiés respectivement de «conservateur » , «prévisible » , et «réversif » . Nous illustrons les caractéristiques tonales générales de chaque type de système par une variété linguistique représentative, en décrivant les interact…
Bakweri tone melodies
This paper reports on verb tone melodies in Bakweri, which has 6 inflectionally‐governed stem tone patterns. Depending on tense, a verb may have no tones beyond those in the lexicon, or may add L, H, HL, or LH to the stem. These melodic tones are linked to the final vowel, and melody‐initial H spreads leftward to the lexical tone of the root. In addition, the reflexive contributes a LH melody which partially replaces the inherent melody determine…
Kuria tone melodies
Dans cet article, nous livrons une vue générale des mélodies tonales kuria, remarquables par les positions qu’occupe le H mélodique, en ce compris les troisième et quatrième mores du macrothème verbal. Pour certains locuteurs, les mores du mot qui suit le verbe font partie de la représentation lorsque le H mélodique est assigné au verbe. Nous traitons également de certaines complications que les formes verbales impératives et certaines formes nég…
Exceptional patterns of object marking in Bantu
This article discusses three main phenomena in the morpho-syntax and morpho-phonology of Bantu languages in which the 1SG object prefix (OP) and/or the reflexive, display anomalous properties compared to other OPs. (i) The 1SG OP and the reflexive commonly have unique combinatorial properties with additional OPs. (ii) The 1SG OP (or, rarely, the reflexive as well) triggers different patterns of final vowel (FV) allo-morphy in the imperative. (iii…
Problems in Kuria H tone assignment
The phonology of Chichewa by Laura J. Downing and Al Mtenje
info:eu-repo/semantics/published
Pragmatic effects of clitic doubling
Object markers (OMs) in Bantu languages have long been argued to be either incorporated pronouns or agreement morphemes, distinguished mainly by their ability (or not) to co-occur with (i.e. double)in situobjects. Lubukusu appears to be an instance of OMs-as-incorporated pronouns, as OMs in neutral discourse contexts cannot doublein situobjects in a broad range of syntactic contexts. As we show, however, certain pragmatic contexts in fact do lice…
Philosophy (12 obras) · Linguistics (11 obras) · Phonetics and Phonology Research (9 obras) · Linguistic Variation and Morphology (8 obras) · Computer Science (7 obras) · Syntax, Semantics, Linguistic Variation (7 obras) · History (6 obras) · Art (5 obras) · Bantu languages (5 obras) · Phonology (4 obras)