Ivoline Kefen Budji
Datos Biográficos
| ID | 835825 |
|---|---|
| NOMBRE | Ivoline Kefen Budji |
| NOMBRES | Ivoline Kefen |
| APELLIDO | Budji |
| FIRMA | BUDJI I K |
| AFILIACIONES | University of Notre Dame |
| ORCID | 0000-0002-6226-4664 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAS | 4 |
| TOTAL COMO AUTOR | 2 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2020 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2022 |
| ÍNDICE H | 1 |
Crossing Over
This work of creative nonfiction questions what some of my labels- international, foreign, black, student-mean, especially during moments of societal upheaval. Based on my own experience, the autoethnographic story recounts the experiences, observations, and thoughts regarding the journey and identity of an African female student studying anthropology in the present-day United States. Commencing from the visa interview process in the student's co…
Utilizing Sounds of Mourning as Protest and Activism
This paper examines how women of the northwestern Grassfields of Cameroon transpose and deploy lamentation sounds as a means of nonviolently resisting, challenging, counteracting, and controlling the audio-sphere hitherto militarized through the weaponization of the sounds of war. The main argument is that contrary to the popular narrative of African women as passive recipients of sociocultural norms and traditional political power that propagate…
Utilizing Sounds of Mourning as Protest and Activism
This paper examines how women of the northwestern Grassfields of Cameroon transpose and deploy lamentation sounds as a means of nonviolently resisting, challenging, counteracting, and controlling the audio-sphere hitherto militarized through the weaponization of the sounds of war. The main argument is that contrary to the popular narrative of African women as passive recipients of sociocultural norms and traditional political power that propagate…
Crossing Over
This work of creative nonfiction questions what some of my labels- international, foreign, black, student-mean, especially during moments of societal upheaval. Based on my own experience, the autoethnographic story recounts the experiences, observations, and thoughts regarding the journey and identity of an African female student studying anthropology in the present-day United States. Commencing from the visa interview process in the student's co…
Utilizing Sounds of Mourning as Protest and Activism
This paper examines how women of the northwestern Grassfields of Cameroon transpose and deploy lamentation sounds as a means of nonviolently resisting, challenging, counteracting, and controlling the audio-sphere hitherto militarized through the weaponization of the sounds of war. The main argument is that contrary to the popular narrative of African women as passive recipients of sociocultural norms and traditional political power that propagate…
Crossing Over
This work of creative nonfiction questions what some of my labels- international, foreign, black, student-mean, especially during moments of societal upheaval. Based on my own experience, the autoethnographic story recounts the experiences, observations, and thoughts regarding the journey and identity of an African female student studying anthropology in the present-day United States. Commencing from the visa interview process in the student's co…
Anthropology (2 obras) · Gender Studies (2 obras) · Gender Studies (2 obras) · Law (2 obras) · Law (2 obras) · Literature (2 obras) · Narrative (2 obras) · Political science (2 obras) · Sociology (2 obras) · Aesthetics (1 obras)