Frederick Moehn
Datos Biográficos
| ID | 84195 |
|---|---|
| NOMBRE | Frederick Moehn |
| NOMBRES | Frederick |
| APELLIDO | Moehn |
| FIRMA | MOEHN F |
| AFILIACIONES | Perfect Harmony Health |
| ORCID | 0000-0001-7646-7924 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAS | 18 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2000 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2023 |
| ÍNDICE H | 3 |
The Invention of Latin American Music
Journal Article The Invention of Latin American Music: A Transnational History Pablo Palomino Get access The Invention of Latin American Music: A Transnational History. By Pablo Palomino. Pp. 272. Currents in Latin American and Iberian Music. ( Oxford University Press, New York and Oxford, 2020. ISBN 978-0-19-068741-0, £22.99.) Frederick Moehn Frederick Moehn King's College London Search for other works by this author on: Oxford Academic Google S…
Gilberto, João
Curating Community at the National Jazz Museum in Harlem
This article draws from the author's experiences as a participant-observer of public events at the National Jazz Museum in Harlem over the course of several years. Taking a critical view of the popular phrase, “the jazz community,” the article examines how this institution seeks to integrate into Harlem and to nurture a community of curious listeners and talkers through jazz appreciation. Among the questions examine are: What kinds of discussions…
Contemporary Carioca
O Globo in January 1998, the journalist Mário Marques identified a loosely collaborative group of musicians based primarily in what is known as the South Zone of the city who were making what he called música popular carioca, or mpc.The designation riffed on the older marketing label música popular brasileirampb-associated especially with major figures of urban Brazilian popular song from the mid-1960s through the 1970s."Carioca" refers to someon…
New dialogues, old routes
This article considers emergent musical dialogues and official cultural collaborations between Brazil and Angola in light of recent literature theorizing the Lusophone Atlantic. As Angola restructures following a long civil war and Brazil takes a leading role among the rapidly developing BRIC nations, new questions arise pertaining to the African heritage in Brazilian music, and to Brazil's role in Angolan cultural initiatives and musical markets…
Monk’s Music
Book Review| July 01 2009 Monk’s Music: Thelonious Monk and Jazz History in the Making Monk’s Music: Thelonious Monk and Jazz History in the Making, Gabriel Solis. Frederick Moehn Frederick Moehn Search for other works by this author on: This Site Google American Music (2009) 27 (2): 258–263. https://doi.org/10.2307/25602274 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Frederick Moehn; Monk’s M…
A Carioca Blade Runner, or How Percussionist Marcos Suzano Turned the Brazilian Tambourine into a Drum Kit, and Other Matters of (Politically) Correct Music Making
Research Article| April 01 2009 A Carioca Blade Runner, or How Percussionist Marcos Suzano Turned the Brazilian Tambourine into a Drum Kit, and Other Matters of (Politically) Correct Music Making Frederick Moehn Frederick Moehn Search for other works by this author on: This Site Google Ethnomusicology (2009) 53 (2): 277–307. https://doi.org/10.2307/25653069 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site C…
Hello, Hello Brazil
Reviewed by: Hello, Hello Brazil: Popular Music in the Making of Modern Brazil Frederick Moehn Bryan Mccann . Hello, Hello Brazil: Popular Music in the Making of Modern Brazil. Durham, NC: Duke University Press, 2004. Ix, 298 pages, sixteen black-and-white photographs, notes, bibliography, index. Cloth $84.95; paper $23.95. ISBN: 0-8223-3284-1 (cloth); 0-8223-3273-6 (paper). Just six or seven years ago, teachers preparing courses on Brazilian mus…
Music, Citizenship, and Violence in Postdictatorship Brazil
This essay shows how individuals approaching debates over citizenship, development, civil society, and problems of violence in Brazil evoke music as a kind of audiotopia (from Josh Kun, 2005)—or a sonic space of an imagined country where inequalities are leveled out. It explores these themes in a variety of contexts, such as a concert in Carnegie Hall; the work of Nega Gizza (of the urban hip-hop organization CUFA); music recordings associated wi…
Voices of the Magi
When ethnomusicologist Suzel Ana Reily observed the folia de reis ensembles of São Bernardo do Campo perform during the Christmas seasons of 1986 and 1987, she became enchanted. Her enchantment, however, did not prevent her from producing in due time a nuanced analysis of her ethnographic experience. In her thoughtful monograph Voices of the Magi, she draws judiciously upon a wide-ranging bibliography for historical grounding and theoretical refl…
The Mystery of Samba
Contemporary Carioca
O Globo in January 1998, the journalist Mário Marques identified a loosely collaborative group of musicians based primarily in what is known as the South Zone of the city who were making what he called música popular carioca, or mpc.The designation riffed on the older marketing label música popular brasileirampb-associated especially with major figures of urban Brazilian popular song from the mid-1960s through the 1970s."Carioca" refers to someon…
Music, Citizenship, and Violence in Postdictatorship Brazil
This essay shows how individuals approaching debates over citizenship, development, civil society, and problems of violence in Brazil evoke music as a kind of audiotopia (from Josh Kun, 2005)—or a sonic space of an imagined country where inequalities are leveled out. It explores these themes in a variety of contexts, such as a concert in Carnegie Hall; the work of Nega Gizza (of the urban hip-hop organization CUFA); music recordings associated wi…
A Carioca Blade Runner, or How Percussionist Marcos Suzano Turned the Brazilian Tambourine into a Drum Kit, and Other Matters of (Politically) Correct Music Making
Research Article| April 01 2009 A Carioca Blade Runner, or How Percussionist Marcos Suzano Turned the Brazilian Tambourine into a Drum Kit, and Other Matters of (Politically) Correct Music Making Frederick Moehn Frederick Moehn Search for other works by this author on: This Site Google Ethnomusicology (2009) 53 (2): 277–307. https://doi.org/10.2307/25653069 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site C…
New dialogues, old routes
This article considers emergent musical dialogues and official cultural collaborations between Brazil and Angola in light of recent literature theorizing the Lusophone Atlantic. As Angola restructures following a long civil war and Brazil takes a leading role among the rapidly developing BRIC nations, new questions arise pertaining to the African heritage in Brazilian music, and to Brazil's role in Angolan cultural initiatives and musical markets…
The Mystery of Samba
Voices of the Magi
When ethnomusicologist Suzel Ana Reily observed the folia de reis ensembles of São Bernardo do Campo perform during the Christmas seasons of 1986 and 1987, she became enchanted. Her enchantment, however, did not prevent her from producing in due time a nuanced analysis of her ethnographic experience. In her thoughtful monograph Voices of the Magi, she draws judiciously upon a wide-ranging bibliography for historical grounding and theoretical refl…
Hello, Hello Brazil
Reviewed by: Hello, Hello Brazil: Popular Music in the Making of Modern Brazil Frederick Moehn Bryan Mccann . Hello, Hello Brazil: Popular Music in the Making of Modern Brazil. Durham, NC: Duke University Press, 2004. Ix, 298 pages, sixteen black-and-white photographs, notes, bibliography, index. Cloth $84.95; paper $23.95. ISBN: 0-8223-3284-1 (cloth); 0-8223-3273-6 (paper). Just six or seven years ago, teachers preparing courses on Brazilian mus…
Music, Citizenship, and Violence in Postdictatorship Brazil
This essay shows how individuals approaching debates over citizenship, development, civil society, and problems of violence in Brazil evoke music as a kind of audiotopia (from Josh Kun, 2005)—or a sonic space of an imagined country where inequalities are leveled out. It explores these themes in a variety of contexts, such as a concert in Carnegie Hall; the work of Nega Gizza (of the urban hip-hop organization CUFA); music recordings associated wi…
Monk’s Music
Book Review| July 01 2009 Monk’s Music: Thelonious Monk and Jazz History in the Making Monk’s Music: Thelonious Monk and Jazz History in the Making, Gabriel Solis. Frederick Moehn Frederick Moehn Search for other works by this author on: This Site Google American Music (2009) 27 (2): 258–263. https://doi.org/10.2307/25602274 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Frederick Moehn; Monk’s M…
A Carioca Blade Runner, or How Percussionist Marcos Suzano Turned the Brazilian Tambourine into a Drum Kit, and Other Matters of (Politically) Correct Music Making
Research Article| April 01 2009 A Carioca Blade Runner, or How Percussionist Marcos Suzano Turned the Brazilian Tambourine into a Drum Kit, and Other Matters of (Politically) Correct Music Making Frederick Moehn Frederick Moehn Search for other works by this author on: This Site Google Ethnomusicology (2009) 53 (2): 277–307. https://doi.org/10.2307/25653069 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site C…
New dialogues, old routes
This article considers emergent musical dialogues and official cultural collaborations between Brazil and Angola in light of recent literature theorizing the Lusophone Atlantic. As Angola restructures following a long civil war and Brazil takes a leading role among the rapidly developing BRIC nations, new questions arise pertaining to the African heritage in Brazilian music, and to Brazil's role in Angolan cultural initiatives and musical markets…
Contemporary Carioca
O Globo in January 1998, the journalist Mário Marques identified a loosely collaborative group of musicians based primarily in what is known as the South Zone of the city who were making what he called música popular carioca, or mpc.The designation riffed on the older marketing label música popular brasileirampb-associated especially with major figures of urban Brazilian popular song from the mid-1960s through the 1970s."Carioca" refers to someon…
Curating Community at the National Jazz Museum in Harlem
This article draws from the author's experiences as a participant-observer of public events at the National Jazz Museum in Harlem over the course of several years. Taking a critical view of the popular phrase, “the jazz community,” the article examines how this institution seeks to integrate into Harlem and to nurture a community of curious listeners and talkers through jazz appreciation. Among the questions examine are: What kinds of discussions…
Gilberto, João
The Invention of Latin American Music
Journal Article The Invention of Latin American Music: A Transnational History Pablo Palomino Get access The Invention of Latin American Music: A Transnational History. By Pablo Palomino. Pp. 272. Currents in Latin American and Iberian Music. ( Oxford University Press, New York and Oxford, 2020. ISBN 978-0-19-068741-0, £22.99.) Frederick Moehn Frederick Moehn King's College London Search for other works by this author on: Oxford Academic Google S…
Music History and Culture (10 obras) · Art (9 obras) · History (5 obras) · Musical (5 obras) · Visual arts (5 obras) · Art history (4 obras) · Political science (4 obras) · Aesthetics (3 obras) · Brazilian cultural history and politics (3 obras) · Computer Science (3 obras)