Marc Olivier Reid
Datos Biográficos
| ID | 8521944 |
|---|---|
| NOMBRE | Marc Olivier Reid |
| NOMBRES | Marc Olivier |
| APELLIDO | Reid |
| FIRMA | REID M O |
| AFILIACIONES | Wilfrid Laurier University, Waterloo, Ontario, Canada |
| ORCID | 0000-0002-6355-4719 |
| VERIFICADO | No |
| TOTAL DE OBRAS | 1 |
| TOTAL DE CITAS | 0 |
| OBRAS COMO AUTOR | 1 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2017 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2017 |
| ÍNDICE H | 0 |
Esta fiesta se acabó
In this article I analyze the modifications brought to the iconography of the Havana nightlife in two movies from the early years of the Cuban revolutionary regime: Orlando Jiménez Leal’s and Sabá Cabrera Infante’s documentary P.M. (1961), and Mijail Kalatozov’s Cuban-Soviet co-production Soy Cuba/Ya Kuba (1964). Both movies signal the transition between what I call P.M.’s aesthetic of disorder, with its alleged objective and apolitical gaze over…
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Esta fiesta se acabó
In this article I analyze the modifications brought to the iconography of the Havana nightlife in two movies from the early years of the Cuban revolutionary regime: Orlando Jiménez Leal’s and Sabá Cabrera Infante’s documentary P.M. (1961), and Mijail Kalatozov’s Cuban-Soviet co-production Soy Cuba/Ya Kuba (1964). Both movies signal the transition between what I call P.M.’s aesthetic of disorder, with its alleged objective and apolitical gaze over…
Art (1 obra) · Art history (1 obra) · Cuban History and Society (1 obra) · Humanities (1 obra)