Melanie Wald-Fuhrmann
Datos Biográficos
| ID | 8683057 |
|---|---|
| NOMBRE | Melanie Wald-Fuhrmann |
| NOMBRES | Melanie |
| APELLIDO | Wald-Fuhrmann |
| FIRMA | WALD-FUHRMANN M |
| AFILIACIONES | Max Planck Institute for Empirical Aesthetics |
| VERIFICADO | No |
| TOTAL DE OBRAS | 12 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 2018 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 0 |
An Interdisciplinary and Integrated Methodological Framework to Analyze Aesthetic Experience in Music Performances
Objective: Investigations of aesthetic experience have continually searched for field-research methodologies that measure physiological and self-report responses reliably and with little invasiveness. On this background, the interdisciplinary research project “ECR–Experimental Concert Research” set out to study aesthetic experience in live public concerts. Methods: A team of scientists from musicology, psychology, cultural studies, and software e…
Streaming classical concerts
The COVID-19 pandemic has given a boost to the audiovisual streaming of classical concerts – a cultural practice long entrenched in the analog. While opportunities and problems for the convergence of classical concert culture and the digital sphere are already discussed in research and practice, the debate about the future of this trend lacks a unified starting point. Addressing this, the present article examines classical music performance pract…
Matthias Pape
Concert formats influence how audiences experience live classical music
Many people enjoy listening to live music. But what exactly does a live context contribute to people’s experience, and do different types of concerts influence the musical experience in different ways? In this study, we focus on the Western classical concert, which has been claimed to be in an existential crisis. One way in which practitioners are seeking to counter this crisis is by adapting the concert format. Our study was inspired by such art…
Der erste Professor für Musikwissenschaft
Besprechungen
Besprechungen
Musikwissenschaftliche Gesellschaften und Zeitschriften
Karsten Mackensen
“The sound of affect”
Throughout life, music plays an important role in individuals’ everyday affective experiences. Previous findings suggest that preferences for, and perceptions of, music with distinct affective qualities might differ for individuals from different age groups. To date, however, evidence from age-comparative studies across adulthood is rare and little is known about the mechanisms that contribute to age differences in music perception. In an age-het…
Live und interaktiv
Von der Autonomie des Klangs zur Heteronomie der Musik
Dieser Sammelband präsentiert Reaktionen der Musikwissenschaft auf die aktuelle philosophische Debatte über Musik
Sin obras prominentes en esta página.
Live und interaktiv
Von der Autonomie des Klangs zur Heteronomie der Musik
Dieser Sammelband präsentiert Reaktionen der Musikwissenschaft auf die aktuelle philosophische Debatte über Musik
“The sound of affect”
Throughout life, music plays an important role in individuals’ everyday affective experiences. Previous findings suggest that preferences for, and perceptions of, music with distinct affective qualities might differ for individuals from different age groups. To date, however, evidence from age-comparative studies across adulthood is rare and little is known about the mechanisms that contribute to age differences in music perception. In an age-het…
Karsten Mackensen
Musikwissenschaftliche Gesellschaften und Zeitschriften
Besprechungen
Besprechungen
Der erste Professor für Musikwissenschaft
An Interdisciplinary and Integrated Methodological Framework to Analyze Aesthetic Experience in Music Performances
Objective: Investigations of aesthetic experience have continually searched for field-research methodologies that measure physiological and self-report responses reliably and with little invasiveness. On this background, the interdisciplinary research project “ECR–Experimental Concert Research” set out to study aesthetic experience in live public concerts. Methods: A team of scientists from musicology, psychology, cultural studies, and software e…
Streaming classical concerts
The COVID-19 pandemic has given a boost to the audiovisual streaming of classical concerts – a cultural practice long entrenched in the analog. While opportunities and problems for the convergence of classical concert culture and the digital sphere are already discussed in research and practice, the debate about the future of this trend lacks a unified starting point. Addressing this, the present article examines classical music performance pract…
Matthias Pape
Concert formats influence how audiences experience live classical music
Many people enjoy listening to live music. But what exactly does a live context contribute to people’s experience, and do different types of concerts influence the musical experience in different ways? In this study, we focus on the Western classical concert, which has been claimed to be in an existential crisis. One way in which practitioners are seeking to counter this crisis is by adapting the concert format. Our study was inspired by such art…
Musicology and Musical Analysis (4 obras) · Musical (3 obras) · Neuroscience and Music Perception (3 obras) · Political science (3 obras) · Aesthetic experience (2 obras) · Aesthetic Perception and Analysis (2 obras) · Art (2 obras) · Arts, Culture, and Music Studies (2 obras) · German Literature and Culture Studies (2 obras) · Active listening (1 obras)