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Melanie Wald-Fuhrmann

Datos Biográficos

ID8683057
NOMBREMelanie Wald-Fuhrmann
NOMBRESMelanie
APELLIDOWald-Fuhrmann
FIRMAWALD-FUHRMANN M
AFILIACIONESMax Planck Institute for Empirical Aesthetics
VERIFICADONo
TOTAL DE OBRAS12
TOTAL DE CITAS0
TOTAL COMO AUTOR11
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN2018
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H0
  • An Interdisciplinary and Integrated Methodological Framework to Analyze Aesthetic Experience in Music Performances

    Open Access•Martin Tröndle, Steven Greenwood et al.•ARTICLE•Music & Science•2026

    Objective: Investigations of aesthetic experience have continually searched for field-research methodologies that measure physiological and self-report responses reliably and with little invasiveness. On this background, the interdisciplinary research project “ECR–Experimental Concert Research” set out to study aesthetic experience in live public concerts. Methods: A team of scientists from musicology, psychology, cultural studies, and software e…

  • Streaming classical concerts

    Open Access•Christian Weining, Melanie Wald‐Fuhrmann et al.•ARTICLE•Convergence The International…•2026

    The COVID-19 pandemic has given a boost to the audiovisual streaming of classical concerts – a cultural practice long entrenched in the analog. While opportunities and problems for the convergence of classical concert culture and the digital sphere are already discussed in research and practice, the debate about the future of this trend lacks a unified starting point. Addressing this, the present article examines classical music performance pract…

  • Matthias Pape

    Open Access•Melanie Wald‐Fuhrmann, Melanie Wald-Fuhrmann•ARTICLE•Die Musikforschung•2026

  • Concert formats influence how audiences experience live classical music

    Open Access•Melanie Wald-Fuhrmann, Ann-Kristin Herget et al.•ARTICLE•Humanities and Social Sciences…•2026

    Many people enjoy listening to live music. But what exactly does a live context contribute to people’s experience, and do different types of concerts influence the musical experience in different ways? In this study, we focus on the Western classical concert, which has been claimed to be in an existential crisis. One way in which practitioners are seeking to counter this crisis is by adapting the concert format. Our study was inspired by such art…

  • Der erste Professor für Musikwissenschaft

    Leonie Krempien, Melanie Wald‐Fuhrmann et al.•ARTICLE•Archiv für Musikwissenschaft•2025

  • Besprechungen

    Open Access•Andreas Dorschel, Tobias Janz et al.•ARTICLE•Die Musikforschung•2024

  • Besprechungen

    Open Access•Melanie Wald‐Fuhrmann, Melanie Wald-Fuhrmann et al.•ARTICLE•Die Musikforschung•2024

  • Musikwissenschaftliche Gesellschaften und Zeitschriften

    Open Access•Melanie Wald‐Fuhrmann, Melanie Wald-Fuhrmann et al.•ARTICLE•Die Musikforschung•2023

  • Karsten Mackensen

    Open Access•Melanie Wald‐Fuhrmann, Melanie Wald-Fuhrmann•ARTICLE•Die Musikforschung•2022

  • “The sound of affect”

    Open Access•Caroline Cohrdes, Cornelia Wrzus et al.•ARTICLE•Musicae Scientiae•2020

    Throughout life, music plays an important role in individuals’ everyday affective experiences. Previous findings suggest that preferences for, and perceptions of, music with distinct affective qualities might differ for individuals from different age groups. To date, however, evidence from age-comparative studies across adulthood is rare and little is known about the mechanisms that contribute to age differences in music perception. In an age-het…

  • Live und interaktiv

    Open Access•Christoph Seibert, Jutta Toelle et al.•CHAPTER•Konzert II•2018

  • Von der Autonomie des Klangs zur Heteronomie der Musik

    Open Access•Melanie Wald‐Fuhrmann, J-B Metzlersche Verlagsbuchhandlung und…•BOOK•Von der Autonomie des Klangs zur…•2018

    Dieser Sammelband präsentiert Reaktionen der Musikwissenschaft auf die aktuelle philosophische Debatte über Musik

Sin obras prominentes en esta página.

  • Live und interaktiv

    Open Access•Christoph Seibert, Jutta Toelle et al.•CHAPTER•Konzert II•2018

  • Von der Autonomie des Klangs zur Heteronomie der Musik

    Open Access•Melanie Wald‐Fuhrmann, J-B Metzlersche Verlagsbuchhandlung und…•BOOK•Von der Autonomie des Klangs zur…•2018

    Dieser Sammelband präsentiert Reaktionen der Musikwissenschaft auf die aktuelle philosophische Debatte über Musik

  • “The sound of affect”

    Open Access•Caroline Cohrdes, Cornelia Wrzus et al.•ARTICLE•Musicae Scientiae•2020

    Throughout life, music plays an important role in individuals’ everyday affective experiences. Previous findings suggest that preferences for, and perceptions of, music with distinct affective qualities might differ for individuals from different age groups. To date, however, evidence from age-comparative studies across adulthood is rare and little is known about the mechanisms that contribute to age differences in music perception. In an age-het…

  • Karsten Mackensen

    Open Access•Melanie Wald‐Fuhrmann, Melanie Wald-Fuhrmann•ARTICLE•Die Musikforschung•2022

  • Musikwissenschaftliche Gesellschaften und Zeitschriften

    Open Access•Melanie Wald‐Fuhrmann, Melanie Wald-Fuhrmann et al.•ARTICLE•Die Musikforschung•2023

  • Besprechungen

    Open Access•Andreas Dorschel, Tobias Janz et al.•ARTICLE•Die Musikforschung•2024

  • Besprechungen

    Open Access•Melanie Wald‐Fuhrmann, Melanie Wald-Fuhrmann et al.•ARTICLE•Die Musikforschung•2024

  • Der erste Professor für Musikwissenschaft

    Leonie Krempien, Melanie Wald‐Fuhrmann et al.•ARTICLE•Archiv für Musikwissenschaft•2025

  • An Interdisciplinary and Integrated Methodological Framework to Analyze Aesthetic Experience in Music Performances

    Open Access•Martin Tröndle, Steven Greenwood et al.•ARTICLE•Music & Science•2026

    Objective: Investigations of aesthetic experience have continually searched for field-research methodologies that measure physiological and self-report responses reliably and with little invasiveness. On this background, the interdisciplinary research project “ECR–Experimental Concert Research” set out to study aesthetic experience in live public concerts. Methods: A team of scientists from musicology, psychology, cultural studies, and software e…

  • Streaming classical concerts

    Open Access•Christian Weining, Melanie Wald‐Fuhrmann et al.•ARTICLE•Convergence The International…•2026

    The COVID-19 pandemic has given a boost to the audiovisual streaming of classical concerts – a cultural practice long entrenched in the analog. While opportunities and problems for the convergence of classical concert culture and the digital sphere are already discussed in research and practice, the debate about the future of this trend lacks a unified starting point. Addressing this, the present article examines classical music performance pract…

  • Matthias Pape

    Open Access•Melanie Wald‐Fuhrmann, Melanie Wald-Fuhrmann•ARTICLE•Die Musikforschung•2026

  • Concert formats influence how audiences experience live classical music

    Open Access•Melanie Wald-Fuhrmann, Ann-Kristin Herget et al.•ARTICLE•Humanities and Social Sciences…•2026

    Many people enjoy listening to live music. But what exactly does a live context contribute to people’s experience, and do different types of concerts influence the musical experience in different ways? In this study, we focus on the Western classical concert, which has been claimed to be in an existential crisis. One way in which practitioners are seeking to counter this crisis is by adapting the concert format. Our study was inspired by such art…

Musicology and Musical Analysis (4 obras) · Musical (3 obras) · Neuroscience and Music Perception (3 obras) · Political science (3 obras) · Aesthetic experience (2 obras) · Aesthetic Perception and Analysis (2 obras) · Art (2 obras) · Arts, Culture, and Music Studies (2 obras) · German Literature and Culture Studies (2 obras) · Active listening (1 obras)

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