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Renate Schlesier

Datos Biográficos

ID879718
NOMBRERenate Schlesier
NOMBRESRenate
APELLIDOSchlesier
FIRMASCHLESIER R
AFILIACIONESFreie Universität Berlin, Institut für Religionswissenschaft, Goßlerstr. 2–4, 14195 Berlin
VERIFICADONo
TOTAL DE OBRAS19
TOTAL DE CITAS19
TOTAL COMO AUTOR18
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN1982
AÑO MÁS RECIENTE DE PUBLICACIÓN2013
ÍNDICE H2
  • Atthis, Gyrinno, and Other Hetairai

    Renate Schlesier•ARTICLE•Philologus•2013•Citada por: 6

    In her extant poetry, Sappho uses fourteen female personal names, four of which are not attested elsewhere. The essay is the first attempt to provide a comprehensive analysis of all of them. The results challenge the opinion, still prevailing in scholarship today, that Sappho’s companions were adolescent girls forming an educational or initiatory group, led by the poetess, that prepared them for respectable marriages. As a matter of fact, the fem…

  • Ariadne

    Open Access•Renate Schlesier•CHAPTER•2011

  • Dionysos

    Open Access•Renate Schlesier•CHAPTER•2011

  • Der bakchische Gott

    Renate Schlesier•CHAPTER•Different God?•2011

  • A Different God

    Renate Schlesier•BOOK•Different God?•2011•Citada por: 11

    Within modern frameworks of knowledge and representation, Dionysos often appears to be atypical for ancient culture, an exception within the context of ancient polytheism, or even an instance of a difference that anticipates modernism. How can recent research contribute to a more precise understanding of the diverse transformations of the ancient god, from Greek antiquity to the Roman Empire? In this volume, which is the result of an internationa…

  • Presocratic Sappho. Her Use of Aphrodite for Arguments about Love and Immortality

    Renate Schlesier•ARTICLE•Scientia Poetica•2011•Citada por: 2

  • Der göttliche Sohn einer menschlichen Mutter. Aspekte des Dionysos in der antiken griechischen Tragödie

    Renate Schlesier•CHAPTER•Literatur und Religion, 1,1•2007

  • L'étonnement et l'émerveillement aux origines de l'anthropologie

    Renate Schlesier, Britta Rupp-Eisenreich•ARTICLE•Gradhiva•1997

    Schlesier Renate, Rupp-Eisenreich Britta. L’étonnement et l’émerveillement aux origines de l’anthropologie. In: Gradhiva : revue d'histoire et d'archives de l'anthropologie, n°22, 1997. pp. 59-65

  • Maskierte Texte. Religiöse Anspielung und Verheimlichung in der Griechischen Tragödie

    Renate Schlesier•CHAPTER•Secrecy and Concealment•1995

  • "Dionysische Kunst". Gottfried Benn auf Nietzsches Spuren

    Renate Schlesier•ARTICLE•Modern Language Notes•1993

    Worte unterliegen einer sonderbaren Chemie, sie konnen plotzlich ihre Farbe, ihren Geschmack und ihre Geruche wechseln, mit Worten kann man betauben und verwandeln, an Worten kann man sich den Mund oder die Finger verbrennen-das wissen wir nicht erst seit Gottfried Benn. Auch die Physik der Sprache ist langst entdeckt und ausprobiert: Worte lassen sich bekanntlich aufladen und entscharfen, Worte in einem lyrischen Vers besitzen ein spezifisches G…

  • Homeric Laughter by the Waters of Babylon

    Renate Schlesier, Anthony Nassar•ARTICLE•New German Critique•1993

    Which contemporary of Karl Marx (1818-83) left the clearest and deepest traces in his work? None other than Heinrich Heine (17971856). Heine is omnipresent in Marx's work, from his first poetic attempts as an 18-year-old Abiturient to the drafts for Kapital that he left behind at the time of his death. His manuscripts, publications, and letters swarm with direct and indirect quotations, paraphrases, and allusions to Heine. Moreover, wherever Marx…

  • Die Bakchen des Hades. Dionysische Aspekte von Euripides' Hekabe

    Renate Schlesier•ARTICLE•Mètis Anthropologie des mondes…•1988

    Die Bakchen des Hades. Dionysische Aspekte von Euripides 'Hekabe (pp. 111-135) L'interprétation de l'Hécube d'Euripide, à partir des cinq passages de la pièce qui font mention de Dionysos, des bacchantes et du verbe bakkheuein, mène à une découverte: L'action dramatique est investie d'une atmosphère dionysiaque. Quand Hécube et les autres captives troyennes se transforment en bacchantes auprès de Polymestor et de ses enfants, leur vengeance est r…

  • Levi-Strauss' Mythology of the Myth

    Renate Schlesier•ARTICLE•Telos•1988

    You find in New York a magic place where childhood dreams converge; where century-old tree trunks sing and speak; where undefinable objects with anxiously startling faces lie waiting for the visitor, where animals of a superhuman grace fold their paws to pray for the privilege to build the beaver palace for the chosen one, to be his guides to the kingdom of the seals, or to teach him, through a mystical kiss, the language of the frog or the kingf…

  • Entretien avec Don Giovanni

    Don Giovanni, Renate Schlesier•ARTICLE•Le Genre humain•1985

  • Recherches et angoisses d’un très jeune mythologue

    Renate Schlesier•ARTICLE•Le Genre humain•1984

  • On the Alleged Demise of Vaginal Sexuality

    Renate Schlesier•ARTICLE•Telos•1984

    Is there vaginal orgasm or not? This question and the answers it has evoked have caused considerable confusion. The debate involves instincts and erogenic zones as well as the potential of female sexuality. At stake is not only the determination of the decisive erogenic zone in female sexuality but also, the extent to which female sexuality is susceptible to repression, the relation between social repression and the repression of sexuality, the s…

  • Les Muses dans le prologue de la " Théogonie " d'Hésiode

    Renate Schlesier•ARTICLE•Revue de l histoire des religions•1982•Referencias: 1

    Les Muses sont un des paradigmes favoris des deux courants d'interprétation prépondérants dans la science des mythes à partir du XVIIIe siècle, le naturalisme et le rationalisme. A partir des contradictions internes de ces deux concepts, la démarche consiste en une nouvelle lecture du prologue de la "Théogonie" d'Hésiode, attentive au statut des Muses présentées comme héliconiennes et olympiennes. Ce statut implique, par rapport à Zeus, de multip…

  • Kulte, Mythen und Gelehrte

    Renate Schlesier

  • Spatial Metaphors. Ancient Texts and Transformations

    Fabian Horn, Wolfgang Raible et al.

    In presenting philological reading of spatial metaphors in ancient texts and their reception based on theoretical approaches to metaphor, this is a pioneering study which also bears testimony to the increasing interest in the potential and cognitive functions of metaphor in literary studies. The individual studies of er a representative synopsis of current theories on spatial metaphors and encompass applications to literary texts from a number of…

  • A Different God

    Renate Schlesier•BOOK•Different God?•2011•Citada por: 11

    Within modern frameworks of knowledge and representation, Dionysos often appears to be atypical for ancient culture, an exception within the context of ancient polytheism, or even an instance of a difference that anticipates modernism. How can recent research contribute to a more precise understanding of the diverse transformations of the ancient god, from Greek antiquity to the Roman Empire? In this volume, which is the result of an internationa…

  • Atthis, Gyrinno, and Other Hetairai

    Renate Schlesier•ARTICLE•Philologus•2013•Citada por: 6

    In her extant poetry, Sappho uses fourteen female personal names, four of which are not attested elsewhere. The essay is the first attempt to provide a comprehensive analysis of all of them. The results challenge the opinion, still prevailing in scholarship today, that Sappho’s companions were adolescent girls forming an educational or initiatory group, led by the poetess, that prepared them for respectable marriages. As a matter of fact, the fem…

  • Presocratic Sappho. Her Use of Aphrodite for Arguments about Love and Immortality

    Renate Schlesier•ARTICLE•Scientia Poetica•2011•Citada por: 2

  • Les Muses dans le prologue de la " Théogonie " d'Hésiode

    Renate Schlesier•ARTICLE•Revue de l histoire des religions•1982•Referencias: 1

    Les Muses sont un des paradigmes favoris des deux courants d'interprétation prépondérants dans la science des mythes à partir du XVIIIe siècle, le naturalisme et le rationalisme. A partir des contradictions internes de ces deux concepts, la démarche consiste en une nouvelle lecture du prologue de la "Théogonie" d'Hésiode, attentive au statut des Muses présentées comme héliconiennes et olympiennes. Ce statut implique, par rapport à Zeus, de multip…

  • Recherches et angoisses d’un très jeune mythologue

    Renate Schlesier•ARTICLE•Le Genre humain•1984

  • On the Alleged Demise of Vaginal Sexuality

    Renate Schlesier•ARTICLE•Telos•1984

    Is there vaginal orgasm or not? This question and the answers it has evoked have caused considerable confusion. The debate involves instincts and erogenic zones as well as the potential of female sexuality. At stake is not only the determination of the decisive erogenic zone in female sexuality but also, the extent to which female sexuality is susceptible to repression, the relation between social repression and the repression of sexuality, the s…

  • Entretien avec Don Giovanni

    Don Giovanni, Renate Schlesier•ARTICLE•Le Genre humain•1985

  • Die Bakchen des Hades. Dionysische Aspekte von Euripides' Hekabe

    Renate Schlesier•ARTICLE•Mètis Anthropologie des mondes…•1988

    Die Bakchen des Hades. Dionysische Aspekte von Euripides 'Hekabe (pp. 111-135) L'interprétation de l'Hécube d'Euripide, à partir des cinq passages de la pièce qui font mention de Dionysos, des bacchantes et du verbe bakkheuein, mène à une découverte: L'action dramatique est investie d'une atmosphère dionysiaque. Quand Hécube et les autres captives troyennes se transforment en bacchantes auprès de Polymestor et de ses enfants, leur vengeance est r…

  • Levi-Strauss' Mythology of the Myth

    Renate Schlesier•ARTICLE•Telos•1988

    You find in New York a magic place where childhood dreams converge; where century-old tree trunks sing and speak; where undefinable objects with anxiously startling faces lie waiting for the visitor, where animals of a superhuman grace fold their paws to pray for the privilege to build the beaver palace for the chosen one, to be his guides to the kingdom of the seals, or to teach him, through a mystical kiss, the language of the frog or the kingf…

  • "Dionysische Kunst". Gottfried Benn auf Nietzsches Spuren

    Renate Schlesier•ARTICLE•Modern Language Notes•1993

    Worte unterliegen einer sonderbaren Chemie, sie konnen plotzlich ihre Farbe, ihren Geschmack und ihre Geruche wechseln, mit Worten kann man betauben und verwandeln, an Worten kann man sich den Mund oder die Finger verbrennen-das wissen wir nicht erst seit Gottfried Benn. Auch die Physik der Sprache ist langst entdeckt und ausprobiert: Worte lassen sich bekanntlich aufladen und entscharfen, Worte in einem lyrischen Vers besitzen ein spezifisches G…

  • Homeric Laughter by the Waters of Babylon

    Renate Schlesier, Anthony Nassar•ARTICLE•New German Critique•1993

    Which contemporary of Karl Marx (1818-83) left the clearest and deepest traces in his work? None other than Heinrich Heine (17971856). Heine is omnipresent in Marx's work, from his first poetic attempts as an 18-year-old Abiturient to the drafts for Kapital that he left behind at the time of his death. His manuscripts, publications, and letters swarm with direct and indirect quotations, paraphrases, and allusions to Heine. Moreover, wherever Marx…

  • Maskierte Texte. Religiöse Anspielung und Verheimlichung in der Griechischen Tragödie

    Renate Schlesier•CHAPTER•Secrecy and Concealment•1995

  • L'étonnement et l'émerveillement aux origines de l'anthropologie

    Renate Schlesier, Britta Rupp-Eisenreich•ARTICLE•Gradhiva•1997

    Schlesier Renate, Rupp-Eisenreich Britta. L’étonnement et l’émerveillement aux origines de l’anthropologie. In: Gradhiva : revue d'histoire et d'archives de l'anthropologie, n°22, 1997. pp. 59-65

  • Der göttliche Sohn einer menschlichen Mutter. Aspekte des Dionysos in der antiken griechischen Tragödie

    Renate Schlesier•CHAPTER•Literatur und Religion, 1,1•2007

  • Ariadne

    Open Access•Renate Schlesier•CHAPTER•2011

  • Dionysos

    Open Access•Renate Schlesier•CHAPTER•2011

  • Der bakchische Gott

    Renate Schlesier•CHAPTER•Different God?•2011

  • A Different God

    Renate Schlesier•BOOK•Different God?•2011•Citada por: 11

    Within modern frameworks of knowledge and representation, Dionysos often appears to be atypical for ancient culture, an exception within the context of ancient polytheism, or even an instance of a difference that anticipates modernism. How can recent research contribute to a more precise understanding of the diverse transformations of the ancient god, from Greek antiquity to the Roman Empire? In this volume, which is the result of an internationa…

  • Presocratic Sappho. Her Use of Aphrodite for Arguments about Love and Immortality

    Renate Schlesier•ARTICLE•Scientia Poetica•2011•Citada por: 2

  • Atthis, Gyrinno, and Other Hetairai

    Renate Schlesier•ARTICLE•Philologus•2013•Citada por: 6

    In her extant poetry, Sappho uses fourteen female personal names, four of which are not attested elsewhere. The essay is the first attempt to provide a comprehensive analysis of all of them. The results challenge the opinion, still prevailing in scholarship today, that Sappho’s companions were adolescent girls forming an educational or initiatory group, led by the poetess, that prepared them for respectable marriages. As a matter of fact, the fem…

  • Kulte, Mythen und Gelehrte

    Renate Schlesier

  • Spatial Metaphors. Ancient Texts and Transformations

    Fabian Horn, Wolfgang Raible et al.

    In presenting philological reading of spatial metaphors in ancient texts and their reception based on theoretical approaches to metaphor, this is a pioneering study which also bears testimony to the increasing interest in the potential and cognitive functions of metaphor in literary studies. The individual studies of er a representative synopsis of current theories on spatial metaphors and encompass applications to literary texts from a number of…

Art (10 obras) · Philosophy (9 obras) · Classical Antiquity Studies (8 obras) · German Literature and Culture Studies (5 obras) · Literature (5 obras) · Philosophy (5 obras) · Byzantine Studies and History (4 obras) · Computer Science (4 obras) · History (4 obras) · Humanities (4 obras)

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