Liudmyla Harmash
Datos Biográficos
| ID | 8890630 |
|---|---|
| NOMBRE | Liudmyla Harmash |
| NOMBRES | Liudmyla |
| APELLIDO | Harmash |
| FIRMA | HARMASH L |
| AFILIACIONES | Ministère de la Culture |
| ORCID | 0000-0002-8638-3860 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAS | 0 |
| OBRAS COMO AUTOR | 4 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2020 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 0 |
Les paroles de chansons de guerre ukrainiennes et russes contemporaines
L’essor sans précédent de la production musicale depuis le déclenchement de la guerre russo-ukrainienne souligne la nécessité d’analyser ces chansons comme des artefacts culturels qui non seulement documentent, mais façonnent également activement les récits de guerre, la mémoire collective et le discours politique. Cet article propose une analyse comparative des chansons ukrainiennes et russes liées à la guerre, en examinant leurs thèmes, leur po…
The Image of the Enemy in Ukrainian Wartime Songs (2022–2023)
This study analyses Ukrainian songs from 2022–2023, focusing on the portrayal of the enemy, a central figure in war-themed songs. Originating from folklore genres, the enemy embodies negative qualities related to ordeal, harm, and death. The paper explores the enemy image in terms of nomination, emotional comprehension, plot development, and correlation with other negative value-laden images. Utilizing narrative, motif, and contextual analysis, t…
Reflections of War Experience in Ukrainian Songs
The article examines the song as the most popular mass literary and musical genre during the war years. The songs are categorised according to the time of creation, pathos, and themes. The authors point out that after February 24, 2022, the song became a popular genre, which could be explained by such features of the genre as its mass character, mobility, power of influence, motivational potential, and reliance on folklore traditions. The analysi…
Semantic and Pragmatic Presuppositions in Postmodern Text
The article suggests the analysis of literary texts based on the linguistic theory of presuppositions, which is considered to be one of the possible promising approaches to interpreting implicit levels of literary text. The use of this approach is expected to be effective at various communication levels: character-character, narrator-reader, author-reader. The authors use the method of discourse analysis to study the different types of presupposi…
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Semantic and Pragmatic Presuppositions in Postmodern Text
The article suggests the analysis of literary texts based on the linguistic theory of presuppositions, which is considered to be one of the possible promising approaches to interpreting implicit levels of literary text. The use of this approach is expected to be effective at various communication levels: character-character, narrator-reader, author-reader. The authors use the method of discourse analysis to study the different types of presupposi…
Reflections of War Experience in Ukrainian Songs
The article examines the song as the most popular mass literary and musical genre during the war years. The songs are categorised according to the time of creation, pathos, and themes. The authors point out that after February 24, 2022, the song became a popular genre, which could be explained by such features of the genre as its mass character, mobility, power of influence, motivational potential, and reliance on folklore traditions. The analysi…
The Image of the Enemy in Ukrainian Wartime Songs (2022–2023)
This study analyses Ukrainian songs from 2022–2023, focusing on the portrayal of the enemy, a central figure in war-themed songs. Originating from folklore genres, the enemy embodies negative qualities related to ordeal, harm, and death. The paper explores the enemy image in terms of nomination, emotional comprehension, plot development, and correlation with other negative value-laden images. Utilizing narrative, motif, and contextual analysis, t…
Les paroles de chansons de guerre ukrainiennes et russes contemporaines
L’essor sans précédent de la production musicale depuis le déclenchement de la guerre russo-ukrainienne souligne la nécessité d’analyser ces chansons comme des artefacts culturels qui non seulement documentent, mais façonnent également activement les récits de guerre, la mémoire collective et le discours politique. Cet article propose une analyse comparative des chansons ukrainiennes et russes liées à la guerre, en examinant leurs thèmes, leur po…
Linguistics (3 obras) · Philosophy (3 obras) · Computer Science (2 obras) · History (2 obras) · Military Technology and Strategies (2 obras) · Political science (2 obras) · Ukrainian (2 obras) · Adversary (1 obra) · Art (1 obra) · China's Global Influence and Migration (1 obra)