Sanjay Surin
Datos Biográficos
| ID | 8963216 |
|---|---|
| NOMBRE | Sanjay Surin |
| NOMBRES | Sanjay |
| APELLIDO | Surin |
| FIRMA | SURIN S |
| AFILIACIONES | Alliance University |
| ORCID | 0000-0001-9519-2348 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2026 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 0 |
Resistance through stillness and silence in Indian independent cinema
Cinema as contemplation
This article reinterprets Paweł Pawlikowski’s Ida (Citation2013) as a form of mediated religious communication rooted in the theological and cultural tradition of medieval realism. Drawing on the ideas of Aquinas, Anselm, and Pseudo-Dionysius, it suggests that the film embodies a contemplative mode where truth, goodness, and beauty are regarded as ontological realities rather than subjective ideas. Through silence, stillness, vertical framing, an…
The right to remain opaque
This article examines Pepe (Nelson Carlo De Los Santos Arias, 2024) as an experiment in non-human representation and cinematic form. Rejecting conventional narrative and documentary forms, the film resists rendering the ‘cocaine hippo’ legible within frameworks of empathy, allegory, or mastery. Drawing on the concept of right to opacity, response-ability, and posthuman assemblage, I argue that Pepe enacts a politics of refusal that is both aesthe…
The Symbolic Significance of Deer in Ildiko Enyedi’s On Body and Soul
This paper examines the symbolic significance of deer in Ildiko Enyedi’s 2017 film On Body and Soul. Through a close analysis of the film’s visual and narrative elements, the paper explores how the deer imagery serves as a powerful metaphor for the characters’ emotional journeys and the duality inherent in the human condition. The paper also reflects on the broader implications of animal symbolism in the film, considering the complexities of anth…
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Resistance through stillness and silence in Indian independent cinema
Cinema as contemplation
This article reinterprets Paweł Pawlikowski’s Ida (Citation2013) as a form of mediated religious communication rooted in the theological and cultural tradition of medieval realism. Drawing on the ideas of Aquinas, Anselm, and Pseudo-Dionysius, it suggests that the film embodies a contemplative mode where truth, goodness, and beauty are regarded as ontological realities rather than subjective ideas. Through silence, stillness, vertical framing, an…
The right to remain opaque
This article examines Pepe (Nelson Carlo De Los Santos Arias, 2024) as an experiment in non-human representation and cinematic form. Rejecting conventional narrative and documentary forms, the film resists rendering the ‘cocaine hippo’ legible within frameworks of empathy, allegory, or mastery. Drawing on the concept of right to opacity, response-ability, and posthuman assemblage, I argue that Pepe enacts a politics of refusal that is both aesthe…
The Symbolic Significance of Deer in Ildiko Enyedi’s On Body and Soul
This paper examines the symbolic significance of deer in Ildiko Enyedi’s 2017 film On Body and Soul. Through a close analysis of the film’s visual and narrative elements, the paper explores how the deer imagery serves as a powerful metaphor for the characters’ emotional journeys and the duality inherent in the human condition. The paper also reflects on the broader implications of animal symbolism in the film, considering the complexities of anth…
Movie theater (3 obras) · Cinema and Media Studies (2 obras) · Ethics, Aesthetics, and Art (2 obras) · Narrative (2 obras) · Silence (2 obras) · African history and culture studies (1 obras) · Archaeology and Rock Art Studies (1 obras) · CLARITY (1 obras) · Dialectic (1 obras) · Dystopia (1 obras)