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Ya’ara Gil-Glazer

Datos Biográficos

ID89670
NOMBREYa’ara Gil-Glazer
NOMBRESYa’ara
APELLIDOGil-Glazer
FIRMAGIL-GLAZER Y
AFILIACIONESTel Hai Academic College
ORCID0000-0002-6043-6100
VERIFICADOSí
TOTAL DE OBRAS11
TOTAL DE CITAS6
TOTAL COMO AUTOR11
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2017
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H1
  • Cum together

    Open Access•Ya’ara Gil-Glazer•ARTICLE•Sexualities•2026

    The underground magazine Suck (1969-1974) was conceived in London, born in Amsterdam, and spawned worldwide. To date, no comprehensive academic study has been conducted on the magazine, despite its significant role in the sexual revolution counterculture, with ongoing implications for contemporary sexual culture. Suck focused on sexuality, aiming to offer an alternative to commercial pornography. It featured spectacular visual culture that mirror…

  • Birds, bees and hippies

    Open Access•Ya’ara Gil-Glazer•ARTICLE•Sex Education•2024

    Despite the much-touted ‘sexual revolution’, during the 1960s-70s, at the time most Western education systems avoided sex education. This article identifies contradictory discourses about sex as manifested in two distinct cultural expressions that co-occurred in those years in the UK. The first represented mainstream social conservatism – in the form of short sex education films produced for schools and colleges. The second, more radical alternat…

  • Stop the Death Transports!’ Holocaust and slavery references in an Israeli campaign against animal live transports

    Ya’ara Gil-Glazer, Adam Weiler Gur Arye•ARTICLE•Israel Affairs•2024•Referencias: 4

  • “Cunt is beautiful! […] Cunt is knowledge”

    Ya’ara Gil-Glazer•ARTICLE•Feminist Media Studies•2023

    Public intellectual and subversive media personality, feminist and anarchist Germaine Greer wrote multiple innovative texts on feminine issues in the 1960s and 70s, and particularly on women's sexuality. Among her less researched texts were those published in counterculture magazines Oz and Suck, both characterized by original and trailblazing verbal and visual contents. In those texts, Greer presented her view of feminine sexuality as a revoluti…

  • Wildlife, Melodrama, and Patriarchy

    Ya’ara Gil-Glazer•ARTICLE•Visual Resources•2022

  • The photo-monologue

    Ya’ara Gil-Glazer•ARTICLE•Visual Studies•2022

    This article defines the photo-monologue: a combination of documentary portraits of subjects in a state of marginalisation, silencing, discrimination, or victimhood with their own verbal reflections. It describes and discusses the phenomenology of the photo-monologue as a critical rhetorical device as well as humanistic political practice. In addition, it addresses how the dialogic potential of photo-monologues is realised under certain condition…

  • Between Sexism and Sexual Liberation

    Open Access•Ya’ara Gil-Glazer•ARTICLE•Sexuality & Culture•2022•Citada por: 3•Referencias: 3

  • Photo-monologues and photo-dialogues from the family album

    Ya’ara Gil-Glazer•ARTICLE•Journal of Peace Education•2019•Citada por: 1•Referencias: 12

    This article analyses two concepts that merge critical educational theory and practice: photo-monologue and photo-dialogue, based on a workshop of Arab and Jewish students in Israel focused on family albums. The photo-monologue consists of a photograph and a quote by or in the name of a person seen in the photograph. The photo-dialogue is a group discussion of photo-monologues. All photo-monologues created by the students and the author, who faci…

  • We weren’t Jewish (we were concerned photographers)’

    Ya’ara Gil-Glazer•ARTICLE•Jewish Culture and History•2019•Citada por: 1

    The documentation of black lives by the New York Photo League (1936–1951) accumulated into a veritable archive. On one side of the lens were Jewish photographers who had replaced their traditional identity with a leftist, secular and modern one. On the other was a vibrant black community living mainly in Harlem, whose cultural leaders promoted the idea of the New Negro. This article discusses and compares representations of blacks by two distinct…

  • To Put the Camera Back in the Hands of Honest Photographers”

    Ya’ara Gil-Glazer•ARTICLE•Photographies•2018•Referencias: 4

    Founded during the Depression and disbanded during the post-war prosperity and McCarthy’s redbaiting, the New York Photo League was a radical hub for photographers both professional and amateur. This article focuses on the unique pedagogy of its school, particularly of its leading teacher Sid Grossman. It contributes to our understanding of the relatively understudied role of pedagogic thinking in the history of the medium in the US. More specifi…

  • Visual culture and critical pedagogy

    Ya’ara Gil-Glazer•ARTICLE•Critical Studies in Education•2017•Citada por: 1•Referencias: 9

    This article presents an educational approach that merges ideas of critical pedagogy with those of visual culture. According to this approach – termed visual critical pedagogy – art is an integral part of the textures of society and culture and their manifold and complex visual expressions, including the more controversial and subversive among them. It objects to locking art and visual culture in art departments, and to restricting art history to…

  • Between Sexism and Sexual Liberation

    Open Access•Ya’ara Gil-Glazer•ARTICLE•Sexuality & Culture•2022•Citada por: 3•Referencias: 3

  • Photo-monologues and photo-dialogues from the family album

    Ya’ara Gil-Glazer•ARTICLE•Journal of Peace Education•2019•Citada por: 1•Referencias: 12

    This article analyses two concepts that merge critical educational theory and practice: photo-monologue and photo-dialogue, based on a workshop of Arab and Jewish students in Israel focused on family albums. The photo-monologue consists of a photograph and a quote by or in the name of a person seen in the photograph. The photo-dialogue is a group discussion of photo-monologues. All photo-monologues created by the students and the author, who faci…

  • We weren’t Jewish (we were concerned photographers)’

    Ya’ara Gil-Glazer•ARTICLE•Jewish Culture and History•2019•Citada por: 1

    The documentation of black lives by the New York Photo League (1936–1951) accumulated into a veritable archive. On one side of the lens were Jewish photographers who had replaced their traditional identity with a leftist, secular and modern one. On the other was a vibrant black community living mainly in Harlem, whose cultural leaders promoted the idea of the New Negro. This article discusses and compares representations of blacks by two distinct…

  • Visual culture and critical pedagogy

    Ya’ara Gil-Glazer•ARTICLE•Critical Studies in Education•2017•Citada por: 1•Referencias: 9

    This article presents an educational approach that merges ideas of critical pedagogy with those of visual culture. According to this approach – termed visual critical pedagogy – art is an integral part of the textures of society and culture and their manifold and complex visual expressions, including the more controversial and subversive among them. It objects to locking art and visual culture in art departments, and to restricting art history to…

  • Visual culture and critical pedagogy

    Ya’ara Gil-Glazer•ARTICLE•Critical Studies in Education•2017•Citada por: 1•Referencias: 9

    This article presents an educational approach that merges ideas of critical pedagogy with those of visual culture. According to this approach – termed visual critical pedagogy – art is an integral part of the textures of society and culture and their manifold and complex visual expressions, including the more controversial and subversive among them. It objects to locking art and visual culture in art departments, and to restricting art history to…

  • To Put the Camera Back in the Hands of Honest Photographers”

    Ya’ara Gil-Glazer•ARTICLE•Photographies•2018•Referencias: 4

    Founded during the Depression and disbanded during the post-war prosperity and McCarthy’s redbaiting, the New York Photo League was a radical hub for photographers both professional and amateur. This article focuses on the unique pedagogy of its school, particularly of its leading teacher Sid Grossman. It contributes to our understanding of the relatively understudied role of pedagogic thinking in the history of the medium in the US. More specifi…

  • Photo-monologues and photo-dialogues from the family album

    Ya’ara Gil-Glazer•ARTICLE•Journal of Peace Education•2019•Citada por: 1•Referencias: 12

    This article analyses two concepts that merge critical educational theory and practice: photo-monologue and photo-dialogue, based on a workshop of Arab and Jewish students in Israel focused on family albums. The photo-monologue consists of a photograph and a quote by or in the name of a person seen in the photograph. The photo-dialogue is a group discussion of photo-monologues. All photo-monologues created by the students and the author, who faci…

  • We weren’t Jewish (we were concerned photographers)’

    Ya’ara Gil-Glazer•ARTICLE•Jewish Culture and History•2019•Citada por: 1

    The documentation of black lives by the New York Photo League (1936–1951) accumulated into a veritable archive. On one side of the lens were Jewish photographers who had replaced their traditional identity with a leftist, secular and modern one. On the other was a vibrant black community living mainly in Harlem, whose cultural leaders promoted the idea of the New Negro. This article discusses and compares representations of blacks by two distinct…

  • Wildlife, Melodrama, and Patriarchy

    Ya’ara Gil-Glazer•ARTICLE•Visual Resources•2022

  • The photo-monologue

    Ya’ara Gil-Glazer•ARTICLE•Visual Studies•2022

    This article defines the photo-monologue: a combination of documentary portraits of subjects in a state of marginalisation, silencing, discrimination, or victimhood with their own verbal reflections. It describes and discusses the phenomenology of the photo-monologue as a critical rhetorical device as well as humanistic political practice. In addition, it addresses how the dialogic potential of photo-monologues is realised under certain condition…

  • Between Sexism and Sexual Liberation

    Open Access•Ya’ara Gil-Glazer•ARTICLE•Sexuality & Culture•2022•Citada por: 3•Referencias: 3

  • “Cunt is beautiful! […] Cunt is knowledge”

    Ya’ara Gil-Glazer•ARTICLE•Feminist Media Studies•2023

    Public intellectual and subversive media personality, feminist and anarchist Germaine Greer wrote multiple innovative texts on feminine issues in the 1960s and 70s, and particularly on women's sexuality. Among her less researched texts were those published in counterculture magazines Oz and Suck, both characterized by original and trailblazing verbal and visual contents. In those texts, Greer presented her view of feminine sexuality as a revoluti…

  • Birds, bees and hippies

    Open Access•Ya’ara Gil-Glazer•ARTICLE•Sex Education•2024

    Despite the much-touted ‘sexual revolution’, during the 1960s-70s, at the time most Western education systems avoided sex education. This article identifies contradictory discourses about sex as manifested in two distinct cultural expressions that co-occurred in those years in the UK. The first represented mainstream social conservatism – in the form of short sex education films produced for schools and colleges. The second, more radical alternat…

  • Stop the Death Transports!’ Holocaust and slavery references in an Israeli campaign against animal live transports

    Ya’ara Gil-Glazer, Adam Weiler Gur Arye•ARTICLE•Israel Affairs•2024•Referencias: 4

  • Cum together

    Open Access•Ya’ara Gil-Glazer•ARTICLE•Sexualities•2026

    The underground magazine Suck (1969-1974) was conceived in London, born in Amsterdam, and spawned worldwide. To date, no comprehensive academic study has been conducted on the magazine, despite its significant role in the sexual revolution counterculture, with ongoing implications for contemporary sexual culture. Suck focused on sexuality, aiming to offer an alternative to commercial pornography. It featured spectacular visual culture that mirror…

Sociology (10 obras) · History (7 obras) · Art (6 obras) · History (6 obras) · Law (6 obras) · Political science (6 obras) · Gender Studies (5 obras) · Aesthetics (4 obras) · Art history (4 obras) · Historical Studies on Reproduction, Gender, Health, and Societal Changes (4 obras)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae