Michael Hutcheon

Datos Biográficos

ID899584
NOMBREMichael Hutcheon
NOMBRESMichael
APELLIDOHutcheon
FIRMAHUTCHEON M
AFILIACIONESUniversity of Toronto
VERIFICADONo
TOTAL DE OBRAS12
TOTAL DE CITAS3
TOTAL COMO AUTOR12
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1995
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H1

  • Robert Sholl , Olivier Messiaen

    Linda Hutcheon, Michael HutcheonARTICLEFrench Studies2025

  • “Something there is that doesn’t love a wall”

    Open AccessLinda Hutcheon, Michael HutcheonARTICLELe Simplegadi2023

    Quando una studiosa di teoria della letteratura e un medico collaborano per studiare l’opera, molti confini disciplinari devono essere negoziati. Guardando sia l’esperienza personale che la letteratura scientifica, questo articolo indaga il processo di tale collaborazione interdisciplinare ed esplora i suoi vantaggi e i suoi rischi

  • Bodily Charm

    Linda Hutcheon, Michael Hutcheon et al.ARTICLEMosaic2017

    On 31 March 2001 at the Fort Garry Hotel in Winnipeg, Linda Hutcheon (LH) and Michael Hutcheon (MH) delivered the Sidney Warhaft Memorial Lecture “Staging the Visual Arts: The Operatic Gaze.” On the occasion of the Warhaft Lecture, Dawne McCance (DM) conducted an inter(re)view with the Hutcheons on their book Bodily Charm: Living Opera. This interview was originally published in the June 2002 issue of Mosaic (35.2)

  • Roundtable on Interdisciplinarity

    Sander L Gilman, Linda Hutcheon et al.ARTICLEMosaic2017

    The following roundtable discussion took place at the University of Queensland, Australia on 12 June 2001 as the concluding session of the No Sense of Discipline conference. The discussion brought together Mosaic Editor Dawne McCance (DM) with conference plenary speakers Sander Gilman (SG), Linda Hutcheon (LH), Michael Hutcheon (MH), and Helen Tiffin (HT). Mosaic is pleased to publish this roundtable discussion, which originally appeared in Mosai…

  • The Inward Turn

    Linda Hutcheon, Michael HutcheonARTICLECanadian Review of American Studies2014Referencias: 5

    Many modern American operas revisit canonical American literature (e.g., The Great Gatsby, A Streetcar Named Desire, Of Mice and Men, An American Tragedy, A View from a Bridge, Moby-Dick, McTeague, Margaret Garner) or base themselves on historical events, especially recent ones (e.g., X: The Life and Times of Malcolm X, Nixon in China, Dr. Atomic). However, what is striking is that the focus of the latter is most often on the remarkable or heroic…

  • Interdisciplinary Opera

    Open AccessLinda Hutcheon, Michael HutcheonARTICLEJournal of the Royal Musical…2009

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The "Phenomenal Image" in Opera

    Linda Hutcheon, Michael HutcheonARTICLESouth Atlantic Quarterly2005

    Research Article| January 01 2005 The “Phenomenal Image” in Opera Linda Hutcheon; Linda Hutcheon Search for other works by this author on: This Site Google Michael Hutcheon Michael Hutcheon Search for other works by this author on: This Site Google South Atlantic Quarterly (2005) 104 (1): 63–77. https://doi.org/10.1215/00382876-104-1-63 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Linda Hutcheo…

  • O corpo perigoso

    Open AccessLinda Hutcheon, Michael HutcheonARTICLERevista Estudos Feministas2003Citada por: 3Referencias: 10

    A adaptação operística de Richard Strauss de Salomé de Oscar Wilde transgride todas as regras de representação do corpo feminino: este corpo não é apenas contemplado pelo 'olhar masculino' mas também contempla, com resultados poderosos e mortais. Na versão de Strauss, Salomé oferece um desafio às teorias canônicas tanto do 'olhar' quanto do feminino enquanto objeto

  • Death drive

    Open AccessLinda Hutcheon, Michael HutcheonARTICLECambridge Opera Journal1999

    In their different ways, a series of Germanic artists and thinkers – the poet Novalis, the philosophers Arthur Schopenhauer and Friedrich Nietzsche, the father of psychoanalysis Sigmund Freud, and, most powerfully, composer Richard Wagner – all espoused at one point in their lives the view that death should not only be welcomed but ardently desired, even sought after as the final rest after a life of striving and suffering.

  • Beve, Beve Con Me”

    Open AccessLinda Hutcheon, Michael HutcheonARTICLEForum Italicum A Journal of…1999Referencias: 22

  • Famous last breaths

    Linda Hutcheon, Michael HutcheonARTICLEParallax1996Referencias: 1

    (1996). Famous last breaths: The tubercular heroine in Opera. Parallax: Vol. 2, Theory/Practice, pp. 1-22

  • "All Concord's Born of Contraries"

    Linda Hutcheon, Michael HutcheonARTICLETulsa Studies in Women s Literature1995

    Over the last few years, we have discovered that the fact that a married couple?consisting of a literary theorist and a physician?was writing a book?about opera?has elicited not a little curiosity and even a bit of dismay (mostly, we must admit, from family and friends). We were never sure which was considered more bizarre: the collaborative concord of apparent disciplinary contraries (to borrow Ben Jonson's terms)1 or our choice of research area…