Konstantinos Raptis
Datos Biográficos
| ID | 90284 |
|---|---|
| NOMBRE | Konstantinos Raptis |
| NOMBRES | Konstantinos |
| APELLIDO | Raptis |
| FIRMA | RAPTIS K |
| AFILIACIONES | National and Kapodistrian University of Athens |
| ORCID | 0000-0001-8151-5863 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 9 |
| TOTAL DE CITAS | 15 |
| TOTAL COMO AUTOR | 9 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2006 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 2 |
From the Periphery to the Centre of European Social History
Although the bourgeoisie (and, to a lesser extent and in smaller numbers, the nobility) played a leading role in key transformations of modernity such as industrialisation, urbanisation, scientific and technological modernisation, bureaucratisation, the consolidation of parliamentarism and the capitalist system, the formation of nation-states and colonialism, the middle and upper classes remained at the periphery of historiography during the rise…
From Thessaloniki to Selânik
Holy, Holy, Holy
Were Byzantine writings about the intermingling of human and angelic voices within ecclesiastical settings merely reflections of mystical theology, or were they actual observations about the movement of sound? Focusing on Thessaloniki, we consider how Byzantine writers described the voices of angels, how certain chants in the divine services animated the voices of celestial beings, and how and where painters represented angels, particularly withi…
Firing glazed wares in Byzantine kilns
Soundscapes of Byzantium
In 2014, an international team of scholars measured the acoustical properties of eight Byzantine churches in Thessaloniki. This article examines two of the tested churches, the Acheiropoietos basilica and the Cathedral of Hagia Sophia, in order to provide objective and phenomenological accounts of how sound—both chanted and spoken—was produced and received. Framing the soundscape of each church through an examination of its original shape, furnis…
Archaeomagnetic versus luminescence methods
Die Grafen Harrach und ihre Welt 1884-1945
Die Geschichte des gräflichen Hauses Harrach von 1884 bis 1945 bietet einen Blick in die Welt der zentraleuropäischen Aristokratie. Vor dem Ersten Weltkrieg galt sie als "Erste Gesellschaft" der Habsburgermonarchie, nach 1918 musste sie sich angesichts der Machtverluste in den Nachfolgestaaten Österreichs und der Tschechoslowakei sozial und wirtschaftlich neu aufstellen. Auf der Basis umfangreichen Quellenmaterials zeigt der Autor, wie die Harrac…
Soundscapes of Byzantium
Previous articleNext article FreeSoundscapes of ByzantiumSpyridon Antonopoulos, Sharon E. J. Gerstel, Chris Kyriakakis, Konstantinos T. Raptis, and James DonahueSpyridon Antonopoulos, Sharon E. J. Gerstel, Chris Kyriakakis, Konstantinos T. Raptis, and James DonahueSpyridon Antonopoulos, University of London ([email protected])Sharon E. J. Gerstel, University of California, Los Angeles ([email protected])Chris Kyriakakis, University of Southern Ca…
Discord or Achievement? Reflections on the Habsburg Empire, 1848–1918
no abstract
Archaeomagnetic versus luminescence methods
Soundscapes of Byzantium
In 2014, an international team of scholars measured the acoustical properties of eight Byzantine churches in Thessaloniki. This article examines two of the tested churches, the Acheiropoietos basilica and the Cathedral of Hagia Sophia, in order to provide objective and phenomenological accounts of how sound—both chanted and spoken—was produced and received. Framing the soundscape of each church through an examination of its original shape, furnis…
Firing glazed wares in Byzantine kilns
Soundscapes of Byzantium
Previous articleNext article FreeSoundscapes of ByzantiumSpyridon Antonopoulos, Sharon E. J. Gerstel, Chris Kyriakakis, Konstantinos T. Raptis, and James DonahueSpyridon Antonopoulos, Sharon E. J. Gerstel, Chris Kyriakakis, Konstantinos T. Raptis, and James DonahueSpyridon Antonopoulos, University of London ([email protected])Sharon E. J. Gerstel, University of California, Los Angeles ([email protected])Chris Kyriakakis, University of Southern Ca…
Discord or Achievement? Reflections on the Habsburg Empire, 1848–1918
no abstract
Die Grafen Harrach und ihre Welt 1884-1945
Die Geschichte des gräflichen Hauses Harrach von 1884 bis 1945 bietet einen Blick in die Welt der zentraleuropäischen Aristokratie. Vor dem Ersten Weltkrieg galt sie als "Erste Gesellschaft" der Habsburgermonarchie, nach 1918 musste sie sich angesichts der Machtverluste in den Nachfolgestaaten Österreichs und der Tschechoslowakei sozial und wirtschaftlich neu aufstellen. Auf der Basis umfangreichen Quellenmaterials zeigt der Autor, wie die Harrac…
Soundscapes of Byzantium
Previous articleNext article FreeSoundscapes of ByzantiumSpyridon Antonopoulos, Sharon E. J. Gerstel, Chris Kyriakakis, Konstantinos T. Raptis, and James DonahueSpyridon Antonopoulos, Sharon E. J. Gerstel, Chris Kyriakakis, Konstantinos T. Raptis, and James DonahueSpyridon Antonopoulos, University of London ([email protected])Sharon E. J. Gerstel, University of California, Los Angeles ([email protected])Chris Kyriakakis, University of Southern Ca…
Soundscapes of Byzantium
In 2014, an international team of scholars measured the acoustical properties of eight Byzantine churches in Thessaloniki. This article examines two of the tested churches, the Acheiropoietos basilica and the Cathedral of Hagia Sophia, in order to provide objective and phenomenological accounts of how sound—both chanted and spoken—was produced and received. Framing the soundscape of each church through an examination of its original shape, furnis…
Archaeomagnetic versus luminescence methods
Firing glazed wares in Byzantine kilns
Holy, Holy, Holy
Were Byzantine writings about the intermingling of human and angelic voices within ecclesiastical settings merely reflections of mystical theology, or were they actual observations about the movement of sound? Focusing on Thessaloniki, we consider how Byzantine writers described the voices of angels, how certain chants in the divine services animated the voices of celestial beings, and how and where painters represented angels, particularly withi…
From Thessaloniki to Selânik
From the Periphery to the Centre of European Social History
Although the bourgeoisie (and, to a lesser extent and in smaller numbers, the nobility) played a leading role in key transformations of modernity such as industrialisation, urbanisation, scientific and technological modernisation, bureaucratisation, the consolidation of parliamentarism and the capitalist system, the formation of nation-states and colonialism, the middle and upper classes remained at the periphery of historiography during the rise…
History (7 obras) · History (6 obras) · Ancient history (5 obras) · Byzantine architecture (5 obras) · Archaeology (4 obras) · Art (4 obras) · Ancient Mediterranean Archaeology and History (2 obras) · Byzantine Studies and History (2 obras) · Central European national history (2 obras) · Classics (2 obras)