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Derek Bousé

Datos Biográficos

ID91093
NOMBREDerek Bousé
NOMBRESDerek
APELLIDOBousé
FIRMABOUSÉ D
AFILIACIONESUniversity of Pennsylvania
VERIFICADONo
TOTAL DE OBRAS7
TOTAL DE CITAS6
OBRAS COMO AUTOR7
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1996
AÑO MÁS RECIENTE DE PUBLICACIÓN2003
ÍNDICE H2
  • False intimacy

    Derek Bousé•ARTICLE•Visual Studies•2003

    This essay explores the uses of the close-up shot in wildlife films and television shows, raising important questions about the scientific truth value of visual narratives that use this camera technique common in fictional films and television. The close-up shot creates a false intimacy between the human audience and the animal subjects, and among the dangerous results of the technique is the impression that animals have human-like thoughts and e…

  • To the Editor

    Derek Bousé•ARTICLE•Isis•2003

  • To the Editor

    Derek Bousé•ARTICLE•Public Understanding of Science•2002

    This paper discusses how insights from constructivist studies on the place of context, reflexivity, and framing in studies of public understanding of science may be applied within a survey framework. By emphasizing the role that images or ideologies of science play in science policy discourse, surveys are conceptualized as a means to map the social pervasiveness of such ideologies. It is argued that survey results may contribute to a broadening o…

  • Restoring the Photographed Past

    Derek Bousé•ARTICLE•The Public Historian•2002•Citada por: 3•Referencias: 4

    This article points to cases around the world in which old photographs have been used as the basis for restoring damaged or destroyed public treasures to their "original" condition. The author asks, however, whether photographs can really be reliable historical documents of the past of some object or place that is much older than the art of photography itself. Among his conclusions is that in historical restoration efforts, photographic "evidence…

  • Wildlife Films

    Derek Bousé•BOOK•Wildlife Films•2000

    If, as many argue, movies and television have become Western culture's premier storytelling media, so too have they become, for most members of society, the primary source of encounters with the natural world—particularly wild animals. The television fare offered nightly by national and cable networks such as PBS and the Discovery Channel provides millions of viewers with their only experience of the wilderness and its inhabitants. The very films…

  • Are wildlife films really “nature documentaries”

    Derek Bousé•ARTICLE•Critical Studies in Mass…•1998

    (1998). Are wildlife films really “nature documentaries”? Critical Studies in Mass Communication: Vol. 15, No. 2, pp. 116-140

  • Culture as Nature

    Derek Bousé•ARTICLE•The Public Historian•1996•Citada por: 3•Referencias: 8

  • Restoring the Photographed Past

    Derek Bousé•ARTICLE•The Public Historian•2002•Citada por: 3•Referencias: 4

    This article points to cases around the world in which old photographs have been used as the basis for restoring damaged or destroyed public treasures to their "original" condition. The author asks, however, whether photographs can really be reliable historical documents of the past of some object or place that is much older than the art of photography itself. Among his conclusions is that in historical restoration efforts, photographic "evidence…

  • Culture as Nature

    Derek Bousé•ARTICLE•The Public Historian•1996•Citada por: 3•Referencias: 8

  • Culture as Nature

    Derek Bousé•ARTICLE•The Public Historian•1996•Citada por: 3•Referencias: 8

  • Are wildlife films really “nature documentaries”

    Derek Bousé•ARTICLE•Critical Studies in Mass…•1998

    (1998). Are wildlife films really “nature documentaries”? Critical Studies in Mass Communication: Vol. 15, No. 2, pp. 116-140

  • Wildlife Films

    Derek Bousé•BOOK•Wildlife Films•2000

    If, as many argue, movies and television have become Western culture's premier storytelling media, so too have they become, for most members of society, the primary source of encounters with the natural world—particularly wild animals. The television fare offered nightly by national and cable networks such as PBS and the Discovery Channel provides millions of viewers with their only experience of the wilderness and its inhabitants. The very films…

  • To the Editor

    Derek Bousé•ARTICLE•Public Understanding of Science•2002

    This paper discusses how insights from constructivist studies on the place of context, reflexivity, and framing in studies of public understanding of science may be applied within a survey framework. By emphasizing the role that images or ideologies of science play in science policy discourse, surveys are conceptualized as a means to map the social pervasiveness of such ideologies. It is argued that survey results may contribute to a broadening o…

  • Restoring the Photographed Past

    Derek Bousé•ARTICLE•The Public Historian•2002•Citada por: 3•Referencias: 4

    This article points to cases around the world in which old photographs have been used as the basis for restoring damaged or destroyed public treasures to their "original" condition. The author asks, however, whether photographs can really be reliable historical documents of the past of some object or place that is much older than the art of photography itself. Among his conclusions is that in historical restoration efforts, photographic "evidence…

  • False intimacy

    Derek Bousé•ARTICLE•Visual Studies•2003

    This essay explores the uses of the close-up shot in wildlife films and television shows, raising important questions about the scientific truth value of visual narratives that use this camera technique common in fictional films and television. The close-up shot creates a false intimacy between the human audience and the animal subjects, and among the dangerous results of the technique is the impression that animals have human-like thoughts and e…

  • To the Editor

    Derek Bousé•ARTICLE•Isis•2003

Sociology (4 obras) · Art (3 obras) · Computer Science (3 obras) · Political science (3 obras) · Wildlife (3 obras) · Aesthetics (2 obras) · Animal and Plant Science Education (2 obras) · Biology (2 obras) · Ecology (2 obras) · Environmental ethics (2 obras)

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