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John Jervis

Datos Biográficos

ID9162933
NOMBREJohn Jervis
NOMBRESJohn
APELLIDOJervis
FIRMAJERVIS J
AFILIACIONESUniversity of Kent
VERIFICADONo
TOTAL DE OBRAS4
TOTAL DE CITAS0
TOTAL COMO AUTOR3
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN2008
AÑO MÁS RECIENTE DE PUBLICACIÓN2008
ÍNDICE H0
  • Uncanny Presences

    Open Access•John Jervis•CHAPTER•Uncanny Modernity•2008

    Fascinated by the paintings wherein Constantin Guys attempted to capture the essence of the modern, Baudelaire wrote: ‘This seems to be the fear of not going fast enough, of letting the phantom escape before the synthesis has been extracted from it and recorded...’. 1 What is the status of ‘phantom’ here? Bronfen’s remark that the uncanny may well occur when there is ‘an effacement of the distinction between literal and figural’ 2 is suggestive, …

  • Uncanny Modernity

    Open Access•Jo Collins, John Jervis•BOOK•Uncanny Modernity•2008

    This book explores the sense in which the uncanny may be a distinctively modern experience, the way these unnerving feelings and unsettling encounters disturb the rational presumptions of the modern w

  • Document

    Open Access•Jo Collins, John Jervis•CHAPTER•Uncanny Modernity•2008

    [In his famous essay on the uncanny, first published in 1919, 2 Sigmund Freud begins by complaining that aesthetics has hitherto not paid much attention to the aberrant and the repulsive. This complaint is also an expression of anticipatory pleasure on the part of Freud the writer, in so far as the uncanny in particular has no ‘literature’ with which to contend — but he has to admit that there is one exception, namely the essay translated below. …

  • Uncanny Modernity

    John Jervis, Jo Collins•BOOK•Uncanny Modernity•2008

Sin obras prominentes en esta página.

  • Uncanny Presences

    Open Access•John Jervis•CHAPTER•Uncanny Modernity•2008

    Fascinated by the paintings wherein Constantin Guys attempted to capture the essence of the modern, Baudelaire wrote: ‘This seems to be the fear of not going fast enough, of letting the phantom escape before the synthesis has been extracted from it and recorded...’. 1 What is the status of ‘phantom’ here? Bronfen’s remark that the uncanny may well occur when there is ‘an effacement of the distinction between literal and figural’ 2 is suggestive, …

  • Uncanny Modernity

    Open Access•Jo Collins, John Jervis•BOOK•Uncanny Modernity•2008

    This book explores the sense in which the uncanny may be a distinctively modern experience, the way these unnerving feelings and unsettling encounters disturb the rational presumptions of the modern w

  • Document

    Open Access•Jo Collins, John Jervis•CHAPTER•Uncanny Modernity•2008

    [In his famous essay on the uncanny, first published in 1919, 2 Sigmund Freud begins by complaining that aesthetics has hitherto not paid much attention to the aberrant and the repulsive. This complaint is also an expression of anticipatory pleasure on the part of Freud the writer, in so far as the uncanny in particular has no ‘literature’ with which to contend — but he has to admit that there is one exception, namely the essay translated below. …

  • Uncanny Modernity

    John Jervis, Jo Collins•BOOK•Uncanny Modernity•2008

Psychoanalysis (4 obras) · Psychology (4 obras) · Uncanny (4 obras) · Epistemology (3 obras) · Philosophy (3 obras) · Art (2 obras) · Gothic Literature and Media Analysis (2 obras) · Modernity (2 obras) · Uncanny valley (2 obras) · Academic and Historical Perspectives in Psychology (1 obra)

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