Gage Averill

• Vari-Colored Songs

  Open Access•Gage Averill•ARTICLE•Yearbook for Traditional Music•2022

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  Vari-Colored Songs: A Tribute to Langston Hughes. 2020[2013]. Smithsonian Folkways Recordings (African American Legacy Series co-produced with the Smithsonian National Museum of African American History and Culture) SFW CD 40241. Poems by Langston Hughes. Produced by Leyla McCalla and Joseph Dejarnette. Performed by Leyla McCalla, Tom Proyor, Joseph Dejarmette, Luke Winslow King, Cassidy Holden, Rhiannon Giddens, Yah Supreme, Liz Hanley, Matt Rho…

• Repatriating the Alan Lomax Haitian Recordings in Post-Quake Haiti

  Gage Averill, Frank Gunderson et al.•CHAPTER•Oxford Handbook of Musical…•2019

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  Alan Lomax’s Haitian recordings, 1936–1937, rediscovered in the Library of Congress Archives of Folk Culture in 1999, were edited to produce a boxed set in 2009, with the intention of repatriating the set and eventually the entire corpus of 1,500 recordings and six films to Haiti. This chapter charts the process and the problematics of curating the box set as well as repatriating the archives in the face of the massive 2010 earthquake in Haiti. I…

• Music from Aluku

  Open Access•Gage Averill•ARTICLE•Yearbook for Traditional Music•2012

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• The Anglo-German Concertina

  Gage Averill•ARTICLE•Ethnomusicology•2011

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  Book Review| February 01 2011 The Anglo-German Concertina: A Social History (Volumes I and II) The Anglo-German Concertina: A Social History (Volumes I and II). Dan M. Worrall. 2009. Fulshear, Texas: Concertina Press. xvii, 620 pp., photographs, figures, charts, sheet music, musical transcriptions, resources, notes, and index. Cloth, $39.00. Gage Averill Gage Averill University of British Columbia Search for other works by this author on: This Si…

• Vivre la guinguette

  Denis‐constant Martins, Denis-Constant Martins et al.•ARTICLE•Cahiers de musiques traditionnelles•2004

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• Rara

  Gage Averill•ARTICLE•Latin American Music Review•2003

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  Rara is a processional ritual of singular importance for many of Haiti's rural and urban poor, and with the book Rara! Vodou, Power, and Performance in Haiti and Its Diaspora,Elizabeth McAlister, an Assistant Professor of Religion at Wesleyan University, explains just why rara captures the Haitian imagination and takes center stage for some six weeks of the year. The book is especially well written and betrays the author's experience in journalis…

• Caribbean Voyage

  Gage Averill, Alan Lomax et al.•ARTICLE•Ethnomusicology•2003

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• Rhythms of Rapture

  Michael Largey, Elizabeth Mcalister et al.•ARTICLE•Ethnomusicology•2002

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• Merengue

  Lise Waxer, Paul Austerlitz et al.•ARTICLE•Ethnomusicology•2002

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• Kolinski, Mieczyslaw

  John Beckwith, Gage Averill•CHAPTER•The new Grove dictionary of music…•2001

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• Haiti

  Robert Grenier, Gage Averill•CHAPTER•The new Grove dictionary of music…•2001

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• Malm, Krister Olof

  Gage Averill•CHAPTER•The new Grove dictionary of music…•2001

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• Dechoukaj en musique

  Gage Averill•ARTICLE•Critique internationale•2000

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• Dechoukaj en musique

  Gage Averill, Rachel Bouyssou•ARTICLE•Critique internationale•2000

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  Averill Gage, Bouyssou Rachel. Dechoukaj en musique : la chute de la dictature haïtienne. In: Critique internationale, vol. 7. 2000. Culture populaire et politique, sous la direction de Denis-Constant Martin. pp. 127-142

• A Day for the Hunter, a Day for the Prey

  Donald J Cosentino, Gage Averill•ARTICLE•African Arts•2000

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• The Barbershop Singer

  Gage Averill, Robert A Stebbins•ARTICLE•Ethnomusicology•2000

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  Barbership singing is often dismissed by its critics as merely an enjoyable hobby. Though long popular with both its public and participants, it has been relatively neglected in the field of music studies. Robert A. Stebbins demonstrates that barbershop singing is an elaborate and complicated form of serious leisure that provides its participants with distinctive lifestyles. The Barbershop Singer is a unique case study of this significant musical…

• Music and Social Movements

  Gage Averill, Ron Eyerman et al.•ARTICLE•Yearbook for Traditional Music•1999

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• A Day for the Hunter, a Day for the Prey

  Voegeli Juste-Constant, Gage Averill•ARTICLE•Latin American Music Review•1999

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• A Day for the Hunter, a Day for the Prey. Popular Music and Power in Haiti

  Denis‐Constant Martin, Denis-Constant Martin et al.•ARTICLE•Cahiers de musiques traditionnelles•1998

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• A Day for the Hunter, a Day for the Prey

  Kenneth Bilby, Gage Averill•ARTICLE•Yearbook for Traditional Music•1998

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• The Bahamas

  Gage Averill, Pete Reiniger•ARTICLE•Yearbook for Traditional Music•1998

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• Dancing Spirits

  Gage Averill, Gerdès Fleurant•ARTICLE•Latin American Music Review•1998

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• Musiques Caraibes

  Gage Averill, Isabelle Leymarie•ARTICLE•Yearbook for Traditional Music•1997

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• Caribbean Currents

  Gage Averill, Peter Manuel et al.•ARTICLE•Yearbook for Traditional Music•1997

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• The Steelband Movement

  Gage Averill, Stephen Stuempfle•ARTICLE•Yearbook for Traditional Music•1997

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• Anraje to Angaje

  Gage Averill•ARTICLE•Ethnomusicology•1994•Citada por: 5

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  Le carnaval haitien, depuis la dictature des Duvalier jusqu'a nos jours, est lie au controle et au pouvoir politique (distraire la population des difficultes economiques et sociales). La musique joue un role particulier. A chaque carnaval, les groupes refletent l'ambiance politique du moment : si les textes furent pendant un temps en faveur des Duvalier, ils exprimerent par la suite le ressentiment public face a l'oppression militaire

• Haitian Dance Bands, 1915-1970

  Gage Averill•ARTICLE•Latin American Music Review•1989•Citada por: 3

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• Mezanmi, Kouman Nou Ye? My Friends, How Are You

  Gage Averill•ARTICLE•Diaspora A Journal of Transnational…•1994•Citada por: 1

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  In 1990, Haitian President Jean-Bertrand Aristide appointed Farah Juste, a well-known political singer from Miami, to be the representative to the government from the Dizysèm Depatman (10th Department), a neologism for the Haitian dyaspo or dyaspora (diaspora). Aristide hoped to draw on the resources, talents, and investment potential of the diaspora to rebuild insular Haiti. By appointing a singer as its representative, Aristide recognized the l…

• Haitian Dance Bands, 1915-1970

  Gage Averill•ARTICLE•Latin American Music Review•1989•Citada por: 3

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• La Musique dans la Societe Antillaise, 1635-1902

  Gage Averill, Jacqueline Rosemain et al.•ARTICLE•Ethnomusicology•1989

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• Mezanmi, Kouman Nou Ye? My Friends, How Are You

  Gage Averill•ARTICLE•Diaspora A Journal of Transnational…•1994•Citada por: 1

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  In 1990, Haitian President Jean-Bertrand Aristide appointed Farah Juste, a well-known political singer from Miami, to be the representative to the government from the Dizysèm Depatman (10th Department), a neologism for the Haitian dyaspo or dyaspora (diaspora). Aristide hoped to draw on the resources, talents, and investment potential of the diaspora to rebuild insular Haiti. By appointing a singer as its representative, Aristide recognized the l…

• Intercultural Music Studies 2--Music in the Dialogue of Cultures

  Gage Averill, Max Peter Baumann•ARTICLE•Ethnomusicology•1994

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• Anraje to Angaje

  Gage Averill•ARTICLE•Ethnomusicology•1994•Citada por: 5

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  Le carnaval haitien, depuis la dictature des Duvalier jusqu'a nos jours, est lie au controle et au pouvoir politique (distraire la population des difficultes economiques et sociales). La musique joue un role particulier. A chaque carnaval, les groupes refletent l'ambiance politique du moment : si les textes furent pendant un temps en faveur des Duvalier, ils exprimerent par la suite le ressentiment public face a l'oppression militaire

• My Music Is My Flag

  Open Access•Gage Averill, Ruth Glasser•ARTICLE•Notes•1996

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• Dangerous Crossroads

  Gage Averill, George Lipsitz•ARTICLE•Contemporary Sociology A Journal…•1996

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  In cities around the globe, immigrant populations are finding their identity by making music which combines their own experiences with the forms of mainstream culture they have come to inhabit. This book surveys a wide range of these musical fusions: Puerto Rican bugalu in New York; Algerian rai in Paris; Chicano punk in Los Angeles; indigenous rock in Australia; chanson Quebecois in Montreal; swamp pop in Houston and New Orleans; reggae, bhanra …

• Musiques Caraibes

  Gage Averill, Isabelle Leymarie•ARTICLE•Yearbook for Traditional Music•1997

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• Caribbean Currents

  Gage Averill, Peter Manuel et al.•ARTICLE•Yearbook for Traditional Music•1997

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• The Steelband Movement

  Gage Averill, Stephen Stuempfle•ARTICLE•Yearbook for Traditional Music•1997

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• Haitian Song

  Gage Averill, Karen Kramer et al.•ARTICLE•Ethnomusicology•1997

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• A Day for the Hunter, a Day for the Prey. Popular Music and Power in Haiti

  Denis‐Constant Martin, Denis-Constant Martin et al.•ARTICLE•Cahiers de musiques traditionnelles•1998

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• A Day for the Hunter, a Day for the Prey

  Kenneth Bilby, Gage Averill•ARTICLE•Yearbook for Traditional Music•1998

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• The Bahamas

  Gage Averill, Pete Reiniger•ARTICLE•Yearbook for Traditional Music•1998

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• Dancing Spirits

  Gage Averill, Gerdès Fleurant•ARTICLE•Latin American Music Review•1998

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• Music and Social Movements

  Gage Averill, Ron Eyerman et al.•ARTICLE•Yearbook for Traditional Music•1999

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• A Day for the Hunter, a Day for the Prey

  Voegeli Juste-Constant, Gage Averill•ARTICLE•Latin American Music Review•1999

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• Dechoukaj en musique

  Gage Averill•ARTICLE•Critique internationale•2000

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• Dechoukaj en musique

  Gage Averill, Rachel Bouyssou•ARTICLE•Critique internationale•2000

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  Averill Gage, Bouyssou Rachel. Dechoukaj en musique : la chute de la dictature haïtienne. In: Critique internationale, vol. 7. 2000. Culture populaire et politique, sous la direction de Denis-Constant Martin. pp. 127-142

• A Day for the Hunter, a Day for the Prey

  Donald J Cosentino, Gage Averill•ARTICLE•African Arts•2000

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• The Barbershop Singer

  Gage Averill, Robert A Stebbins•ARTICLE•Ethnomusicology•2000

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  Barbership singing is often dismissed by its critics as merely an enjoyable hobby. Though long popular with both its public and participants, it has been relatively neglected in the field of music studies. Robert A. Stebbins demonstrates that barbershop singing is an elaborate and complicated form of serious leisure that provides its participants with distinctive lifestyles. The Barbershop Singer is a unique case study of this significant musical…

• Kolinski, Mieczyslaw

  John Beckwith, Gage Averill•CHAPTER•The new Grove dictionary of music…•2001

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• Haiti

  Robert Grenier, Gage Averill•CHAPTER•The new Grove dictionary of music…•2001

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• Malm, Krister Olof

  Gage Averill•CHAPTER•The new Grove dictionary of music…•2001

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• Rhythms of Rapture

  Michael Largey, Elizabeth Mcalister et al.•ARTICLE•Ethnomusicology•2002

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Art (24 obras) · History (17 obras) · Caribbean and African Literature and Culture (15 obras) · Caribbean history, culture, and politics (10 obras) · Geography (9 obras) · Sociology (9 obras) · Visual arts (9 obras) · Literature (8 obras) · Aesthetics (7 obras) · Political science (7 obras)