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Brunilde Sismondo Ridgway

Datos Biográficos

ID953992
NOMBREBrunilde Sismondo Ridgway
NOMBRESBrunilde Sismondo
APELLIDORidgway
FIRMARIDGWAY B S
AFILIACIONESBryn Mawr College
VERIFICADONo
TOTAL DE OBRAS66
TOTAL DE CITAS59
TOTAL COMO AUTOR66
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1961
AÑO MÁS RECIENTE DE PUBLICACIÓN2018
ÍNDICE H4
  • The Ludovisi “Suicidal Gaul” and his wife

    Open Access•Brunilde Sismondo Ridgway•ARTICLE•Journal of Roman Archaeology•2018

    From 1981 to 2002, in various lectures and writings, I presented my suggestion about the “Roman” conception of the Ludovisi Suicidal Gaul, without eliciting positive responses. What has prompted me to re-open this issue after the passing of so many years? Perhaps the catalyst was a major exhibition — Pergamon and the Hellenistic Kingdoms of the Ancient World — held at the Metropolitan Museum of Art in New York from April 18 to July 17, 2016, toge…

  • The Porticello Bronzes Once Again

    Open Access•Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•2010

    Approximately 20 fragments of bronze statuary were recovered in the 1970s from a wreck off the coast of Cala bria near the village of Porticello, but only one of these pieces, the long-bearded head of an elderly man (PI), has attracted scholarly attention because of its pronounced realism.A second male head (P2) was smuggled abroad almost immediately upon recovery.It had remained un known until it was returned to Italy from Basel, Switzerland, in…

  • Renovatio/Continuatio in Greek times

    Open Access•Brunilde Sismondo Ridgway•ARTICLE•Acta ad archaeologiam et artium…•2006

    Four “test-cases” are being proposed, to raise issues of continuity and renovation in Greek sculpture. The first involves the use of pre-existing carved metopes on a later temple, at Foce del Sele, with a consequent discrepancy of styles – as on the Arch of Constantine. The second case views the bronze head recovered from the Porticello wreck as a “Philosopher ante litteram” in type but definitely not to be considered a portrait. The third case d…

  • The Boy Strangling the Goose

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•2006•Citada por: 2•Referencias: 1

    Kunze has suggested that Hellenistic sculpture depicting themes of everyday activities that are traditionally classified as genre subjects may carry very different meanings. This note argues that, in Graeco-Roman terms, the chubby personage in depictions of the Boy Strangling the Goose is not simply a child but the personification of Dionysos/Harpokrates; the goose is not a household pet but an evil spirit over which the Divine Child triumphs. Th…

  • Charles Martin Robertson, 1911-2004

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•2005•Referencias: 3

  • Le Laocoon dans la sculpture hellénistique

    Brunilde Sismondo Ridgway•ARTICLE•Revue germanique internationale•2003

    Le titre de ma communication peut se comprendre de trois manières : 1 / le Laocoon comme thème de la sculpture hellénistique ; 2 / le Laocoon (entendu comme le groupe existant) et sa situation dans la sculpture hellénistique ; 3 / le Laocoon du Vatican et son influence sur des créations de la sculpture hellénistique. La première interprétation peut être rapidement traitée, car le sujet est très rare dans la sculpture. La deuxième dépend de la dat…

  • Hellenistic Sculpture. Vol. 2

    A A Donohue, Brunilde Sismondo Ridgway•ARTICLE•The Classical World•2002

  • Hellenistic Sculpture 2

    Jennifer P Moore, Brunilde Sismondo Ridgway•ARTICLE•Phoenix•2002

  • Prayers in Stone

    C W J Eliot, Brunilde Sismondo Ridgway•ARTICLE•Phoenix•2001

  • Lexicon iconographicum mythologiae classicae 8

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•2001

  • Les sculptures grecques II

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1999

  • Regional Schools in Hellenistic Sculpture

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1999

  • Fourth-Century Styles in Greek Sculpture

    Gretchen Umholtz, Brunilde Sismondo Ridgway•ARTICLE•Phoenix•1999

  • An Issue of Methodology

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1998•Citada por: 4

    Standard assumptions about the portrait of Anakreon known through works of the Roman period are here reviewed in light of all available evidence. Pausanias's mention of a statue of the Ionic poet on the Athenian Akropolis has led to extensive conjectures about Anakreon's relationship to Perikles' family and the message such a monument was meant to convey. The possibility is raised that the known portrait was created later than ca. 440, and, more …

  • Greek Sculpture in the Art Museum, Princeton University

    Linda Jones Roccos, Brunilde Sismondo Ridgway•ARTICLE•The Classical World•1997

  • Lexicon Iconographicum Mythologiae Classicae VII

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1995•Citada por: 1

  • Lexikon Iconographicum Mythologiae Classicae VI

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1994

  • Lexicon Iconographicum Mythologiae Classicae V

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1992•Citada por: 1

  • Warren G. Moon, 1945-1992

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1992

  • Archaic architectural sculpture and travel myths

    Open Access•Brunilde Sismondo Ridgway•ARTICLE•Dialogues d histoire ancienne•1991

  • Hellenistic Sculpture I

    Anne Weis, Brunilde Sismondo Ridgway•ARTICLE•The Classical World•1991

  • Lexikon Iconographicum Mythologiae Classicae IV

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1990

  • Birds, "Meniskoi," and Head Attributes in Archaic Greece

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1990•Citada por: 2•Referencias: 4

    Research on metal attachments in Archaic sculpture leads to the conclusion that the "meniskoi" mentioned by Aristophanes as protection against the birds may be a pun or allusion, the meaning of which escapes us today. Spikes and attachment holes on the heads of kouroi and korai should rather be seen in the light of some examples on marble sphinxes, where traces of paint and other devices indicate specific meanings for the metal bars. It is argued…

  • Ancient Anatolia

    David B Small, David Small et al.•ARTICLE•The Classical World•1989

  • Kosmos

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1988

Siguiente
  • Ancient Greek Women and Art

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1987•Citada por: 12•Referencias: 1

    Ancient Greek women and their relationship to the visual arts are here discussed solely on the evidence of the extant monuments, rather than on the information of the literary sources. Although this review makes no attempt to be complete, several forms of the relationship are explored. The most important is that of women as sponsors of architectural projects; second is that of women as dedicators of statues and other offerings. Finally, the objec…

  • Sculpture from Corinth

    Brunilde Sismondo Ridgway•ARTICLE•Hesperia The Journal of the…•1981•Citada por: 8

    Brunilde Sismondo Ridgway, Sculpture from Corinth, Hesperia: The Journal of the American School of Classical Studies at Athens, Vol. 50, No. 4, Greek Towns and Cities: A Symposium (Oct. - Dec., 1981), pp. 422-448

  • The Tyrant-Slayers of Kritios and Nesiotes. A Critical Study of the Sources and Restorations

    Brunilde Sismondo Ridgway•ARTICLE•The Classical World•1974•Citada por: 7

  • A Story of Five Amazons

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1974•Citada por: 5

  • An Issue of Methodology

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1998•Citada por: 4

    Standard assumptions about the portrait of Anakreon known through works of the Roman period are here reviewed in light of all available evidence. Pausanias's mention of a statue of the Ionic poet on the Athenian Akropolis has led to extensive conjectures about Anakreon's relationship to Perikles' family and the message such a monument was meant to convey. The possibility is raised that the known portrait was created later than ca. 440, and, more …

  • A Shorter History of Greek Art

    Brunilde Sismondo Ridgway, Martin Robertson•ARTICLE•The Classical World•1982•Citada por: 4

    Preface 1. The seeds of Greek art: geometric and orientalising 2. The beginning of monumental Greek art: the early archaic period 3. Ripe archaic art 4. The great change: late archaic and early classical 5. The classical moment 6. Developments into the fourth century 7. The second change: classical to Hellenistic 8. Hellenistic art Notes Abbreviations and bibliography List of illustrations Indexes

  • The Aphrodite of Arles

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1976•Citada por: 3•Referencias: 1

  • The Boy Strangling the Goose

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•2006•Citada por: 2•Referencias: 1

    Kunze has suggested that Hellenistic sculpture depicting themes of everyday activities that are traditionally classified as genre subjects may carry very different meanings. This note argues that, in Graeco-Roman terms, the chubby personage in depictions of the Boy Strangling the Goose is not simply a child but the personification of Dionysos/Harpokrates; the goose is not a household pet but an evil spirit over which the Divine Child triumphs. Th…

  • Birds, "Meniskoi," and Head Attributes in Archaic Greece

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1990•Citada por: 2•Referencias: 4

    Research on metal attachments in Archaic sculpture leads to the conclusion that the "meniskoi" mentioned by Aristophanes as protection against the birds may be a pun or allusion, the meaning of which escapes us today. Spikes and attachment holes on the heads of kouroi and korai should rather be seen in the light of some examples on marble sphinxes, where traces of paint and other devices indicate specific meanings for the metal bars. It is argued…

  • The Plataian Tripod and the Serpentine Column

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1977•Citada por: 2•Referencias: 1

  • The Setting of Greek Sculpture

    Brunilde Sismondo Ridgway•ARTICLE•Hesperia The Journal of the…•1971•Citada por: 2

    T WO articles by C. C. Vermeule ' have recently discussed the various ways inwhich the Romans displayed the many copies of Greek works which today fill our museums.Our knowledge of statuary arrangements, already enlightened by the excavation of Hadrian's Villa at Tivoli and of entire sites such as Pompeii and Herculaneum, constantly increases as more methodical and accurate research is carried out in many Asia Minor centers rich in sculpture, as …

  • Lexicon Iconographicum Mythologiae Classicae VII

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1995•Citada por: 1

  • Lexicon Iconographicum Mythologiae Classicae V

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1992•Citada por: 1

  • Lexikon Iconographicum Mythologiae Classicae (LIMC) II

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1987•Citada por: 1

  • The Study of Ancient Sculpture

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1982•Citada por: 1

  • The Banquet Relief from Thasos

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1967•Citada por: 1

  • Notes on the Development of the Greek Frieze

    Brunilde Sismondo Ridgway•ARTICLE•Hesperia The Journal of the…•1966•Citada por: 1

    HIS paper does not purport to be an exhaustive study of the continuous Greek frieze and of its many problems; it aims rather at recording some observations and suggesting some theories, in the hope of stimulating further discussion and comments.7Certain difficult questions will be touched upon only in so far as they relate to my arguments, with full understanding of the fact that much is still to be learned which might considerably affect the int…

  • The East Pediment of the Siphnian Treasury

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1965•Citada por: 1

  • A Head of Herakles in the Philadelphia University Museum

    Elizabeth T Wakeley, Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1965•Citada por: 1

  • A Marble Head in California

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1961

  • The West Frieze of the Siphnian Treasury

    Brunilde Sismondo Ridgway•ARTICLE•Bulletin de correspondance…•1962

  • The Date of the So-called Lysippean Jason

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1964

  • The East Pediment of the Siphnian Treasury

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1965•Citada por: 1

  • A Head of Herakles in the Philadelphia University Museum

    Elizabeth T Wakeley, Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1965•Citada por: 1

  • The Athenian Agora

    Brunilde Sismondo Ridgway, Evelyn B Harrison•ARTICLE•Phoenix•1966

  • Notes on the Development of the Greek Frieze

    Brunilde Sismondo Ridgway•ARTICLE•Hesperia The Journal of the…•1966•Citada por: 1

    HIS paper does not purport to be an exhaustive study of the continuous Greek frieze and of its many problems; it aims rather at recording some observations and suggesting some theories, in the hope of stimulating further discussion and comments.7Certain difficult questions will be touched upon only in so far as they relate to my arguments, with full understanding of the fact that much is still to be learned which might considerably affect the int…

  • Greek Kouroi and Egyptian Methods

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1966

  • The Two Reliefs from Epidauros

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1966

  • The Lady from the Sea

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1967

  • The Banquet Relief from Thasos

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1967•Citada por: 1

  • Two Peplophoroi in the United States

    Brunilde Sismondo Ridgway•ARTICLE•Hesperia The Journal of the…•1969

  • Gela

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1969

  • The Setting of Greek Sculpture

    Brunilde Sismondo Ridgway•ARTICLE•Hesperia The Journal of the…•1971•Citada por: 2

    T WO articles by C. C. Vermeule ' have recently discussed the various ways inwhich the Romans displayed the many copies of Greek works which today fill our museums.Our knowledge of statuary arrangements, already enlightened by the excavation of Hadrian's Villa at Tivoli and of entire sites such as Pompeii and Herculaneum, constantly increases as more methodical and accurate research is carried out in many Asia Minor centers rich in sculpture, as …

  • Perspective in Greek and Roman Art

    Brunilde Sismondo Ridgway, Gisela M A Richter et al.•ARTICLE•The Classical World•1971

  • The Severe Style in Greek Sculpture

    Ulrich W Hiesinger, Brunilde Sismondo Ridgway•ARTICLE•The Classical World•1971

  • A Replica of the "Barberini Suppliant" Head in New York

    Ellen Herscher, Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1971

  • Catalogue of the Classical Collection. Classical Sculpture

    Joseph de Waele, Brunilde Sismondo Ridgway•ARTICLE•The Classical World•1974

  • The Tyrant-Slayers of Kritios and Nesiotes. A Critical Study of the Sources and Restorations

    Brunilde Sismondo Ridgway•ARTICLE•The Classical World•1974•Citada por: 7

  • A Story of Five Amazons

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1974•Citada por: 5

  • A Poros Kouros from Isthmia

    Brunilde Sismondo Ridgway•ARTICLE•Hesperia The Journal of the…•1975

  • Skopas in Samothrace

    Brunilde Sismondo Ridgway, Phyllis Williams Lehmann•ARTICLE•The Classical World•1976

  • Samos XI

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1976

  • The Amazon's Belt

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1976

  • The Aphrodite of Arles

    Brunilde Sismondo Ridgway•ARTICLE•American Journal of Archaeology•1976•Citada por: 3•Referencias: 1

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