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Irene Masing-Delic

Datos Biográficos

ID954173
NOMBREIrene Masing-Delic
NOMBRESIrene
APELLIDOMasing-Delic
FIRMAMASING-DELIC I
VERIFICADONo
TOTAL DE OBRAS29
TOTAL DE CITAS4
OBRAS COMO AUTOR29
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1975
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H1
  • Why Did "The Letter that Never Reached Russia" Never Reach Russia? Nabokov's Émigré Flâneur Makes Axiological Distinctions

    Open Access•Irene Masing-Delic•ARTICLE•Partial Answers Journal of…•2026

    "A Letter that Never Reached Russia" has mainly been read as a nostalgic farewell to the narrator's first love who remained in the Soviet Union after the October Revolution, while he chose exile. Often the reason why the letter never reached Russia has been attributed to censorship, but, more likely, it never was sent because, in the process of composing his response to her letter, he realized that she, now a long-time citizen of the Soviet Union…

  • Incompatible Collaborators

    Irene Masing-Delic•ARTICLE•The Slavic and East European…•2018

  • Afterword to the Fora

    Irene Masing-Delic•ARTICLE•The Slavic and East European…•2017

  • Nabokov's "Mary" as a Tragicomedy of Errors and Homage to Blok

    Irene Masing-Delic, Irene Masing‐Delic•ARTICLE•The Slavic and East European…•2013

  • Exotic Moscow Under Western Eyes

    Open Access•Irene Masing-Delic, Irene Masing‐Delic•BOOK•Exotic Moscow Under Western Eyes•2009

    This collection of essays on Turgenev, Goncharov, Conrad, Dostoevsky, Blok, Briusov, Gorâ kii, Pasternak and Nabokov represents diverse voices but is also unified. One invariant is the recurring distinction between â cultureâ and â civilizationâ and the vision of Russia as the bearer of culture because it is â barbaric.â Another stance advocates the synthesis of â sense and sensibilityâ and the vision of â Apolloâ and â Dionysusâ creating a â civ…

  • Bergson and Russian Modernism, 1900-1930

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Slavic and East European…•2000

    This study focuses on the Russian modernist attraction to Bergson's notions of duration and intuition, his unbridled optimism in both art and life, and his belief in the individual's creative power to perceive and participate in a constantly changing, dynamic universe. In an intriguing conclusion that addresses present-day concerns, Fink explores the significance of Bergsonian thought for post-Communist Russia as it continues its creative evoluti…

  • Abolishing Death

    David M Bethea, Irene Masing-Delic et al.•ARTICLE•The Slavic and East European…•1996

  • Der sozialistische Ubermensch

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Slavic and East European…•1996

  • Maksim Gor'kij

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1995

  • Der russische Symbolismus

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1994

  • Abolishing Death

    George M Young, Irene Masing-Delic et al.•ARTICLE•The Russian Review•1994

  • What Was Man Created for? The Philosophy of the Common Task, Selected Works

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Slavic and East European…•1992

  • "Primi sobran'e pestryx glav." Slavistische und slavenkundliche Beitrage fur Peter Brang zum 65. Geburtstag

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Slavic and East European…•1991

  • Philosophy, Myth, and Art in Turgenev's Notes of a Hunter

    Irene Masing-Delic, Irene Masing‐Delic•ARTICLE•The Russian Review•1991•Citada por: 1

    In Hamlet from Shchigry District, one of the sketches in Ivan Turgenev's Notes of a Hunter (1852), the narrator's unknown interlocutor refuses to give his name, merely calling himself a provincial Hamlet. The reason is that he bitterly resents what he calls his lack of originality. He keenly feels the irony of being deemed original by his naive rural neighbors whereas he himself is convinced that he lacks uniqueness. Representing an as yet novel …

  • Critical Essays on Anton Chekhov

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1990

  • The Supernatural in Slavic and Baltic Literature

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1990•Citada por: 1

  • The Poetry of Anna Akhmatova

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1989

  • The Chickens Also Want to Live

    Irene Masing-Delic, Irene Masing‐Delic•ARTICLE•The Slavic and East European…•1987

  • Platonov and Fyodorov. The Influence of Christian Philosophy on a Soviet Writer

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1983•Citada por: 1

  • Zabolotsky's The Triumph of Agriculture

    Irene Masing-Delic, Irene Masing‐Delic•ARTICLE•The Russian Review•1983

    Nikolai Zabolotsky's long poem The Triumph of Agriculture (Torzhestvo zemledeliia) has been an object of controversy since its publication. As with Blok's The Twelve, critics have not been able to agree about the poem's stance towards contemporary events.1 For The Triumph of Agriculture, the basic question is whether the poem satirizes the collectivizers of Soviet agriculture or hails them as founders of a better world. A valid interpretation of …

  • Zhivago As Fedorovian Soldier

    Irene Masing-Delic, Irene Masing‐Delic•ARTICLE•The Russian Review•1981

  • The Salvation Model of Blok's The Twelve

    Irene Masing-Delic, Irene Masing‐Delic•ARTICLE•The Slavic and East European…•1980

  • Nikolay Gumilev

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1980

  • Pasternak

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1979•Citada por: 1

  • Boris Pasternak

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1978

Siguiente
  • Philosophy, Myth, and Art in Turgenev's Notes of a Hunter

    Irene Masing-Delic, Irene Masing‐Delic•ARTICLE•The Russian Review•1991•Citada por: 1

    In Hamlet from Shchigry District, one of the sketches in Ivan Turgenev's Notes of a Hunter (1852), the narrator's unknown interlocutor refuses to give his name, merely calling himself a provincial Hamlet. The reason is that he bitterly resents what he calls his lack of originality. He keenly feels the irony of being deemed original by his naive rural neighbors whereas he himself is convinced that he lacks uniqueness. Representing an as yet novel …

  • The Supernatural in Slavic and Baltic Literature

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1990•Citada por: 1

  • Platonov and Fyodorov. The Influence of Christian Philosophy on a Soviet Writer

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1983•Citada por: 1

  • Pasternak

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1979•Citada por: 1

  • Limitation and Pain in Brjusov's and Blok's Poetry

    Irene Masing-Delic, Irene Masing‐Delic•ARTICLE•The Slavic and East European…•1975

  • Poeziia i proza Aleksandra Bloka [The Poetry and Prose of Aleksandr Blok]

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1977

  • Some Alternating Opposites in the Zhivago Poems

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1977

  • Boris Pasternak

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1978

  • Nine Poems from Doktor Zivago

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1978

  • Pasternak

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1979•Citada por: 1

  • The Salvation Model of Blok's The Twelve

    Irene Masing-Delic, Irene Masing‐Delic•ARTICLE•The Slavic and East European…•1980

  • Nikolay Gumilev

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1980

  • Zhivago As Fedorovian Soldier

    Irene Masing-Delic, Irene Masing‐Delic•ARTICLE•The Russian Review•1981

  • Platonov and Fyodorov. The Influence of Christian Philosophy on a Soviet Writer

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1983•Citada por: 1

  • Zabolotsky's The Triumph of Agriculture

    Irene Masing-Delic, Irene Masing‐Delic•ARTICLE•The Russian Review•1983

    Nikolai Zabolotsky's long poem The Triumph of Agriculture (Torzhestvo zemledeliia) has been an object of controversy since its publication. As with Blok's The Twelve, critics have not been able to agree about the poem's stance towards contemporary events.1 For The Triumph of Agriculture, the basic question is whether the poem satirizes the collectivizers of Soviet agriculture or hails them as founders of a better world. A valid interpretation of …

  • The Chickens Also Want to Live

    Irene Masing-Delic, Irene Masing‐Delic•ARTICLE•The Slavic and East European…•1987

  • The Poetry of Anna Akhmatova

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1989

  • Critical Essays on Anton Chekhov

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1990

  • The Supernatural in Slavic and Baltic Literature

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1990•Citada por: 1

  • "Primi sobran'e pestryx glav." Slavistische und slavenkundliche Beitrage fur Peter Brang zum 65. Geburtstag

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Slavic and East European…•1991

  • Philosophy, Myth, and Art in Turgenev's Notes of a Hunter

    Irene Masing-Delic, Irene Masing‐Delic•ARTICLE•The Russian Review•1991•Citada por: 1

    In Hamlet from Shchigry District, one of the sketches in Ivan Turgenev's Notes of a Hunter (1852), the narrator's unknown interlocutor refuses to give his name, merely calling himself a provincial Hamlet. The reason is that he bitterly resents what he calls his lack of originality. He keenly feels the irony of being deemed original by his naive rural neighbors whereas he himself is convinced that he lacks uniqueness. Representing an as yet novel …

  • What Was Man Created for? The Philosophy of the Common Task, Selected Works

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Slavic and East European…•1992

  • Der russische Symbolismus

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1994

  • Abolishing Death

    George M Young, Irene Masing-Delic et al.•ARTICLE•The Russian Review•1994

  • Maksim Gor'kij

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1995

  • Abolishing Death

    David M Bethea, Irene Masing-Delic et al.•ARTICLE•The Slavic and East European…•1996

  • Der sozialistische Ubermensch

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Slavic and East European…•1996

  • Bergson and Russian Modernism, 1900-1930

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Slavic and East European…•2000

    This study focuses on the Russian modernist attraction to Bergson's notions of duration and intuition, his unbridled optimism in both art and life, and his belief in the individual's creative power to perceive and participate in a constantly changing, dynamic universe. In an intriguing conclusion that addresses present-day concerns, Fink explores the significance of Bergsonian thought for post-Communist Russia as it continues its creative evoluti…

  • Exotic Moscow Under Western Eyes

    Open Access•Irene Masing-Delic, Irene Masing‐Delic•BOOK•Exotic Moscow Under Western Eyes•2009

    This collection of essays on Turgenev, Goncharov, Conrad, Dostoevsky, Blok, Briusov, Gorâ kii, Pasternak and Nabokov represents diverse voices but is also unified. One invariant is the recurring distinction between â cultureâ and â civilizationâ and the vision of Russia as the bearer of culture because it is â barbaric.â Another stance advocates the synthesis of â sense and sensibilityâ and the vision of â Apolloâ and â Dionysusâ creating a â civ…

Art (17 obras) · Literature (11 obras) · Philosophy (10 obras) · Philosophy (8 obras) · History (7 obras) · Eastern European Communism and Reforms (6 obras) · Russian Literature and Bakhtin Studies (6 obras) · Poetry (5 obras) · Soviet and Russian History (5 obras) · Folklore, Mythology, and Literature Studies (4 obras)

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