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John D Cox

Datos Biográficos

ID956012
NOMBREJohn D Cox
NOMBRESJohn D
APELLIDOCox
FIRMACOX J D
AFILIACIONESHope College
ORCID0000-0003-3561-2982
VERIFICADOSí
TOTAL DE OBRAS10
TOTAL DE CITAS6
TOTAL COMO AUTOR10
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1977
AÑO MÁS RECIENTE DE PUBLICACIÓN2018
ÍNDICE H1
  • Soar as a Mediator of the Relationship Between Emotional Intelligence and Collaboration Among Professionals Working in Teams

    Open Access•Matthew L Cole, John D Cox et al.•ARTICLE•SAGE Open•2018•Referencias: 38

    A majority of ventures are started by entrepreneurial teams rather than individuals. More than half of team-based new venture failures are believed to be due to problems with the entrepreneurial team. Collaboration among entrepreneurial team members is important for increasing the likelihood of successful venture outcomes. We investigated collaboration in professionals working in teams using survey methodology. Results found a framework for colla…

  • Shakespeare and Religion

    Open Access•John D Cox•ARTICLE•Religions•2018•Citada por: 6•Referencias: 14

    Shakespeare's personal religious affiliation is impossible to determine. Nearly all the books published about him in the last ten years eschew an earlier attempt to identify him as Catholic and focus, instead, on the plays, not the playwright. Some attention has been paid to Judaism and Islam, but Christianity is the overwhelming favorite. Nearly all of these books include a discussion of Measure for Measure, the only play Shakespeare wrote with …

  • Time and the Problem of Royal Succession in Shakespeare's History Plays

    Open Access•John D Cox•ARTICLE•The Review of Politics•2016•Referencias: 2

    Shakespeare's most innovative genre was the history play, because it has no precedent in either classical or medieval tradition. In contrast to the focused teleology of Christian medieval drama, Shakespeare's history plays manifest an implicit idea of history that was secular, political, and open-ended. They emphasize human action in a political arena, where the criterion for success is the ability to act in time, without regard to one's spiritua…

  • Shakespeare’s Demonology

    Open Access•John D Cox•ARTICLE•Renaissance Quarterly•2015

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Traveling South

    Kevin E O'Donnell, John D Cox•ARTICLE•The Journal of Southern History•2006

  • Projecting Global Datasets to Achieve Equal Areas

    E Lynn Usery, Michael P Finn et al.•ARTICLE•Cartography and Geographic…•2003

    Scientists routinely accomplish global modeling in the raster domain, but recent research has indicated that the transformation of large areas through map projection equations leads to errors. This research attempts to gauge the extent of map projection and resampling effects on the tabulation of categorical areas by comparing the results of three datasets for seven common projections. The datasets, Global Land Cover, Holdridge Life Zones, and Gl…

  • Sexual Shakespeare

    Michael Keevak, John D Cox•ARTICLE•Renaissance and Reformation•2002

    This book is located at the conjunction of queer studies and historical reconstruction.Michael Keevak aims to elucidate how efforts to discover the "real" Shakespeare, beginning in the late eighteenth century, have been consistently shaped by the sexual attitudes of those who did the discovering, so that the results of such efforts tell us less about Shakespeare's sexuality than about that of the investigators, especially when they ignore and som…

  • The Devil and the Sacred in English Drama, 1350–1642

    Open Access•John D Cox, John D-undifferentiated Cox•BOOK•Devil and the Sacred in English…•2000

    John Cox tells the intriguing story of stage devils from their earliest appearance in English plays to the closing of the theatres by parliamentary order in 1642. The book represents a major revision of E. K. Chambers' ideas of stage devils in The Medieval Stage (1903), arguing that this is not a history of gradual secularization, as scholarship has maintained for the last century, but rather that stage devils were profoundly shaped from the outs…

  • Henry VIII and the Masque

    John D Cox•ARTICLE•ELH•1978

    One of the few virtues that has consistently been allowed Shakespeare's Henry VIII is its success on the stage. To be sure, this virtue is usually regarded as compensatory, something a critic can talk about conclusively after giving one more inconclusive opinion on the play's dual authorship. Yet the virtue is real, if we can trust the consensus that traces it to the play's unusual concern with pageantry and spectacle. In the opening conversation…

  • Poetry and History in Milton's Country Masque

    John D Cox•ARTICLE•ELH•1977

  • Shakespeare and Religion

    Open Access•John D Cox•ARTICLE•Religions•2018•Citada por: 6•Referencias: 14

    Shakespeare's personal religious affiliation is impossible to determine. Nearly all the books published about him in the last ten years eschew an earlier attempt to identify him as Catholic and focus, instead, on the plays, not the playwright. Some attention has been paid to Judaism and Islam, but Christianity is the overwhelming favorite. Nearly all of these books include a discussion of Measure for Measure, the only play Shakespeare wrote with …

  • Poetry and History in Milton's Country Masque

    John D Cox•ARTICLE•ELH•1977

  • Henry VIII and the Masque

    John D Cox•ARTICLE•ELH•1978

    One of the few virtues that has consistently been allowed Shakespeare's Henry VIII is its success on the stage. To be sure, this virtue is usually regarded as compensatory, something a critic can talk about conclusively after giving one more inconclusive opinion on the play's dual authorship. Yet the virtue is real, if we can trust the consensus that traces it to the play's unusual concern with pageantry and spectacle. In the opening conversation…

  • The Devil and the Sacred in English Drama, 1350–1642

    Open Access•John D Cox, John D-undifferentiated Cox•BOOK•Devil and the Sacred in English…•2000

    John Cox tells the intriguing story of stage devils from their earliest appearance in English plays to the closing of the theatres by parliamentary order in 1642. The book represents a major revision of E. K. Chambers' ideas of stage devils in The Medieval Stage (1903), arguing that this is not a history of gradual secularization, as scholarship has maintained for the last century, but rather that stage devils were profoundly shaped from the outs…

  • Sexual Shakespeare

    Michael Keevak, John D Cox•ARTICLE•Renaissance and Reformation•2002

    This book is located at the conjunction of queer studies and historical reconstruction.Michael Keevak aims to elucidate how efforts to discover the "real" Shakespeare, beginning in the late eighteenth century, have been consistently shaped by the sexual attitudes of those who did the discovering, so that the results of such efforts tell us less about Shakespeare's sexuality than about that of the investigators, especially when they ignore and som…

  • Projecting Global Datasets to Achieve Equal Areas

    E Lynn Usery, Michael P Finn et al.•ARTICLE•Cartography and Geographic…•2003

    Scientists routinely accomplish global modeling in the raster domain, but recent research has indicated that the transformation of large areas through map projection equations leads to errors. This research attempts to gauge the extent of map projection and resampling effects on the tabulation of categorical areas by comparing the results of three datasets for seven common projections. The datasets, Global Land Cover, Holdridge Life Zones, and Gl…

  • Traveling South

    Kevin E O'Donnell, John D Cox•ARTICLE•The Journal of Southern History•2006

  • Shakespeare’s Demonology

    Open Access•John D Cox•ARTICLE•Renaissance Quarterly•2015

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Time and the Problem of Royal Succession in Shakespeare's History Plays

    Open Access•John D Cox•ARTICLE•The Review of Politics•2016•Referencias: 2

    Shakespeare's most innovative genre was the history play, because it has no precedent in either classical or medieval tradition. In contrast to the focused teleology of Christian medieval drama, Shakespeare's history plays manifest an implicit idea of history that was secular, political, and open-ended. They emphasize human action in a political arena, where the criterion for success is the ability to act in time, without regard to one's spiritua…

  • Soar as a Mediator of the Relationship Between Emotional Intelligence and Collaboration Among Professionals Working in Teams

    Open Access•Matthew L Cole, John D Cox et al.•ARTICLE•SAGE Open•2018•Referencias: 38

    A majority of ventures are started by entrepreneurial teams rather than individuals. More than half of team-based new venture failures are believed to be due to problems with the entrepreneurial team. Collaboration among entrepreneurial team members is important for increasing the likelihood of successful venture outcomes. We investigated collaboration in professionals working in teams using survey methodology. Results found a framework for colla…

  • Shakespeare and Religion

    Open Access•John D Cox•ARTICLE•Religions•2018•Citada por: 6•Referencias: 14

    Shakespeare's personal religious affiliation is impossible to determine. Nearly all the books published about him in the last ten years eschew an earlier attempt to identify him as Catholic and focus, instead, on the plays, not the playwright. Some attention has been paid to Judaism and Islam, but Christianity is the overwhelming favorite. Nearly all of these books include a discussion of Measure for Measure, the only play Shakespeare wrote with …

Art (8 obras) · History (7 obras) · Literature (7 obras) · History (5 obras) · Art history (4 obras) · Historical Art and Culture Studies (4 obras) · Philosophy (3 obras) · Theology (3 obras) · American Constitutional Law and Politics (2 obras) · Computer Science (2 obras)

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