Peter Kivy

• What Really Happened in the Eighteenth Century

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2012•Citada por: 3

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  Journal Article What Really Happened in the Eighteenth Century: The ‘Modern System’ Re-examined (Again) Get access Peter Kivy Peter Kivy Peter Kivy Rutgers University Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 52, Issue 1, January 2012, Pages 61–74, https://doi.org/10.1093/aesthj/ayr046 Published: 01 January 2012

• Remarks on the Varieties of Prejudice in Hume's Essay on Taste

  Open Access•Peter Kivy•ARTICLE•Journal of Scottish Philosophy•2011

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  The last of Hume's five requirements of the ‘true judge in the finer arts’, is that he be ‘cleared of all prejudice...'. I argue here that, lurking in this innocuous-sounding requirement of the true judge, is a complexity that reveals a significant tension in Hume's argument. It is that tension that I want briefly to explore

• The Other Shoe

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2009

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  I suggest in this paper that Professor Peacocke has given an elegant and, it seems to me, successful account of how we hear in music, metaphorically, various extra-musical properties, among them the much vexed expressive ones. I argue that what Peacocke now must do, as the next step in his project, is to tackle the normative question of when, particularly in the case of absolute music, we are justified in hearing in the music what, on his account…

• Blackwell Guide to Aesthetics

  Peter Kivy•BOOK•Blackwell Guide to Aesthetics•2008

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• The Perception of Beauty in Hutcheson's First Inquiry

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2007•Citada por: 2

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  James Shelley argues that the perception of beauty, as Hutcheson characterizes it, in the first of the two treatises that comprise the Inquiry into the Original of our Ideas of Beauty and Virtue, that is, the Inquiry Concerning Beauty, Order, Harmony, Design, is not what I called in The Seventh Sense, ‘non-epistemic’ perception but, rather, ‘epistemic’ perception through and through. Having studied Shelley's arguments with care, and consulted the…

• Ars Perfecta

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2006•Citada por: 1

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  Journal Article Ars Perfecta: Toward Perfection in Musical Performance? Get access Peter Kivy Peter Kivy Peter Kivy, Department of Philosophy, Rutgers University, Douglass College, New Brunswick, NJ 08901, USA. Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 46, Issue 2, April 2006, Pages 111–132, https://doi.org/10.1093/aesthj/ayj017 Published: 01 April 2…

• Critical Study

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2006•Citada por: 4

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  EVERYTHING about Jenefer Robinson's long awaited book, Deeper than Reason, is absolutely first rate, from the title itself, whose source is Edith Wharton's novel, The Reef (of which more anon), to the very last sentence, in which she urges on us 'the importance of the arts in a fully human life',1 a sentiment that ought to be trumpeted far and wide as never before, in an age of, it appears to me, increasing crassness and vulgarity sorely in need …

• The Blackwell Guide to Aesthetics

  Open Access•Peter Kivy•BOOK•Blackwell Guide to Aesthetics•2004

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• Continuous time and interrupted time

  Open Access•Peter Kivy•ARTICLE•Musicae Scientiae•2004

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• Another Go at Musical Profundity

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2003•Citada por: 4

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  Journal Article Another Go at Musical Profundity: Stephen Davies and the Game of Chess Get access Peter Kivy Peter Kivy Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 43, Issue 4, October 2003, Pages 401–411, https://doi.org/10.1093/bjaesthetics/43.4.401 Published: 01 October 2003

• Intentional Forgeries and Accidental Versions

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2002

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  In my article, ‘How to Forge a Musical Work’, I argue that the best way to view an attempted forgery of a lost autograph that accidentally duplicates the lost original is as a ‘version’, not a ‘forgery’, although I acknowledge the plausibility of Jerrold Levinson's alternate view, that it remains a forgery nevertheless. John Dilworth, in his article, ‘A Representational Theory of Artefacts and Artworks’, defends Levinson's ‘intuition’ against min…

• On the Historically Informed Performance

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2002•Citada por: 2

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  Journal Article On the Historically Informed Performance Get access Peter Kivy Peter Kivy Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 42, Issue 2, April 2002, Pages 128–144, https://doi.org/10.1093/bjaesthetics/42.2.128 Published: 01 April 2002

• Philosophies of Arts

  Jenefer Robinson, Peter Kivy•ARTICLE•The Philosophical Review•2000

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• Philosophies of Arts

  Malcolm Budd, Peter Kivy•ARTICLE•Philosophy and Phenomenological…•2000

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  Preface 1. How We Got Here, and Why 2. Where we are 3. Reading and representation 4. On the unity of form and content 5. The laboratory of fictional truth 6. The quest for musical profundity 7. The liberation of music Epilogue Notes Bibliography

• Feeling the Musical Emotions

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•1999•Citada por: 4

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  Journal Article FEELING THE MUSICAL EMOTIONS Get access Peter Kivy Peter Kivy Department of Philosophy, Rutgers UniversityNew Brunswick, NJ, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 39, Issue 1, January 1999, Pages 1–13, https://doi.org/10.1093/bjaesthetics/39.1.1 Published: 01 January 1999

• Authenticities

  Günter Zöller, Peter Kivy•ARTICLE•The Philosophical Review•1997

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• The Fine Art of Repetition

  John Andrew Fisher, Peter Kivy•ARTICLE•Philosophy and Phenomenological…•1996•Citada por: 1

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• Recent Books in the Philopshy of Music

  Roger Scruton, Peter Kivy et al.•ARTICLE•The Philosophical Quarterly•1994

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• The Fine Art of Repetition

  Steve Sweeney-Turner, Steve Sweeney‐Turner et al.•ARTICLE•The Musical Times•1994

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  Preface Introduction PART I: I. Mattheson as philosopher of art II. Mainwaring's Handel: its relation to English aesthetics III. Charles Burney, music critic IV. Kant and the Affektenlehre: what he said, and what I wish he had said V. Mozart and monotheism: an essay in spurious aesthetics VI. Child Mozart as an aesthetic symbol VII. Something I've always wanted to know about Hanslick VIII. What was Hanslick denying? IX. Charles Darwin on music X.…

• Fish's Consequences

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•1989

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  Journal Article FISH'S CONSEQUENCES Get access Peter Kivy Peter Kivy Dept of Philosophy, Rutgers UniversityNew Brunswick, New Jersey 08903, USA. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 29, Issue 1, WINTER 1989, Pages 57–64, https://doi.org/10.1093/bjaesthetics/29.1.57 Published: 01 January 1989

• Sound and Semblance

  Jean-Bernard Condat, Peter Kivy•ARTICLE•Leonardo•1988

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• Word-Tone Relations in Musical Thought from Antiquity to the Seventeenth Century

  Open Access•Peter Kivy, Don Harran•ARTICLE•Notes•1987•Citada por: 1

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• Sound and Semblance

  Stephanie Ross, Peter Kivy•ARTICLE•The Philosophical Review•1986

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  The Description for this book, Sound and Semblance: Reflections on Musical Representation, will be forthcoming

• Music and the Emotions

  Peter Kivy, Malcolm Budd•ARTICLE•The Philosophical Quarterly•1986

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  Journal Article Book Reviews Get access Music and the Emotions: The Philosophical Theories. BY Malcolm Budd. (London: Routledge & Kegan Paul, 1985. Pp. xiii + 190. Price £14.50) Peter Kivy Peter Kivy Rutgers University, New Brunswick Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 36, Issue 144, July 1986, Pages 434–438, https://doi.org/10.2307/2220199 Published: 01 July 1986

• Hume's Neighbour's Wife

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•1983•Citada por: 1

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  Journal Article HUME'S NEIGHBOUR'S WIFE: AN ESSAY ON THE EVOLUTION OF HUME'S AESTHETICS Get access Peter Kivy Peter Kivy Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 23, Issue 3, SUMMER 1983, Pages 195–208, https://doi.org/10.1093/bjaesthetics/23.3.195 Published: 01 March 1983

• Thomas Reid’s Lectures on the Fine Arts

  Open Access•Peter Kivy, Thomas Reid•BOOK•Thomas Reid's Lectures on the…•1973•Citada por: 6

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• Hume's Standard of Taste

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•1967•Citada por: 6

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  Journal Article HUME'S STANDARD OF TASTE: BREAKING THE CIRCLE1 Get access Peter Kivy Peter Kivy Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 7, Issue 1, January 1967, Pages 57–66, https://doi.org/10.1093/bjaesthetics/7.1.57 Published: 01 January 1967

• Critical Study

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2006•Citada por: 4

  Añadir item

  EVERYTHING about Jenefer Robinson's long awaited book, Deeper than Reason, is absolutely first rate, from the title itself, whose source is Edith Wharton's novel, The Reef (of which more anon), to the very last sentence, in which she urges on us 'the importance of the arts in a fully human life',1 a sentiment that ought to be trumpeted far and wide as never before, in an age of, it appears to me, increasing crassness and vulgarity sorely in need …

• Another Go at Musical Profundity

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2003•Citada por: 4

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  Journal Article Another Go at Musical Profundity: Stephen Davies and the Game of Chess Get access Peter Kivy Peter Kivy Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 43, Issue 4, October 2003, Pages 401–411, https://doi.org/10.1093/bjaesthetics/43.4.401 Published: 01 October 2003

• Feeling the Musical Emotions

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•1999•Citada por: 4

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  Journal Article FEELING THE MUSICAL EMOTIONS Get access Peter Kivy Peter Kivy Department of Philosophy, Rutgers UniversityNew Brunswick, NJ, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 39, Issue 1, January 1999, Pages 1–13, https://doi.org/10.1093/bjaesthetics/39.1.1 Published: 01 January 1999

• What Really Happened in the Eighteenth Century

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2012•Citada por: 3

  Añadir item

  Journal Article What Really Happened in the Eighteenth Century: The ‘Modern System’ Re-examined (Again) Get access Peter Kivy Peter Kivy Peter Kivy Rutgers University Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 52, Issue 1, January 2012, Pages 61–74, https://doi.org/10.1093/aesthj/ayr046 Published: 01 January 2012

• The Perception of Beauty in Hutcheson's First Inquiry

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2007•Citada por: 2

  Añadir item

  James Shelley argues that the perception of beauty, as Hutcheson characterizes it, in the first of the two treatises that comprise the Inquiry into the Original of our Ideas of Beauty and Virtue, that is, the Inquiry Concerning Beauty, Order, Harmony, Design, is not what I called in The Seventh Sense, ‘non-epistemic’ perception but, rather, ‘epistemic’ perception through and through. Having studied Shelley's arguments with care, and consulted the…

• On the Historically Informed Performance

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2002•Citada por: 2

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  Journal Article On the Historically Informed Performance Get access Peter Kivy Peter Kivy Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 42, Issue 2, April 2002, Pages 128–144, https://doi.org/10.1093/bjaesthetics/42.2.128 Published: 01 April 2002

• Ars Perfecta

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2006•Citada por: 1

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  Journal Article Ars Perfecta: Toward Perfection in Musical Performance? Get access Peter Kivy Peter Kivy Peter Kivy, Department of Philosophy, Rutgers University, Douglass College, New Brunswick, NJ 08901, USA. Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 46, Issue 2, April 2006, Pages 111–132, https://doi.org/10.1093/aesthj/ayj017 Published: 01 April 2…

• The Fine Art of Repetition

  John Andrew Fisher, Peter Kivy•ARTICLE•Philosophy and Phenomenological…•1996•Citada por: 1

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• Word-Tone Relations in Musical Thought from Antiquity to the Seventeenth Century

  Open Access•Peter Kivy, Don Harran•ARTICLE•Notes•1987•Citada por: 1

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• Hume's Neighbour's Wife

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•1983•Citada por: 1

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  Journal Article HUME'S NEIGHBOUR'S WIFE: AN ESSAY ON THE EVOLUTION OF HUME'S AESTHETICS Get access Peter Kivy Peter Kivy Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 23, Issue 3, SUMMER 1983, Pages 195–208, https://doi.org/10.1093/bjaesthetics/23.3.195 Published: 01 March 1983

• What Makes "Aesthetic" Terms Aesthetic

  Peter Kivy•ARTICLE•Philosophy and Phenomenological…•1975•Citada por: 1

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• Child Mozart as an Aesthetic Symbol

  Peter Kivy•ARTICLE•Journal of the History of Ideas•1967•Citada por: 1

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• Child Mozart as an Aesthetic Symbol

  Peter Kivy•ARTICLE•Journal of the History of Ideas•1967•Citada por: 1

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• Hume's Standard of Taste

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•1967•Citada por: 6

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  Journal Article HUME'S STANDARD OF TASTE: BREAKING THE CIRCLE1 Get access Peter Kivy Peter Kivy Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 7, Issue 1, January 1967, Pages 57–66, https://doi.org/10.1093/bjaesthetics/7.1.57 Published: 01 January 1967

• Lectures on the Fine Arts

  Peter Kivy•ARTICLE•Journal of the History of Ideas•1970

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• Thomas Reid’s Lectures on the Fine Arts

  Open Access•Peter Kivy, Thomas Reid•BOOK•Thomas Reid's Lectures on the…•1973•Citada por: 6

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• What Makes "Aesthetic" Terms Aesthetic

  Peter Kivy•ARTICLE•Philosophy and Phenomenological…•1975•Citada por: 1

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• Art and Inquiry

  Peter Kivy, Berel Lang•ARTICLE•Philosophy and Phenomenological…•1975

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• The Main of Light

  Peter Kivy, Justus Buchler•ARTICLE•The Philosophical Review•1976

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• The Point of it All

  Peter Kivy•ARTICLE•Philosophy and Phenomenological…•1978

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• Voltaire, Hume, and the Problem of Evil

  Peter Kivy•ARTICLE•Philosophy and literature•1979

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  Peter Kivy VOLTAIRE, HUME, AND THE PROBLEM OF EVIL Voltaire's Candide is subtitled Optimism. It is about an impossibly naive young man who suffers incredible misfortune, while counselled by his teacher, Pangloss, to perceive the hidden benefits that this merely "apparent" misfortune and misery produce. Pangloss' speeches in this regard are well-larded with phrases and terms coined or made famous by Leibniz, and, so as not to leave the connection …

• Hume's Neighbour's Wife

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•1983•Citada por: 1

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  Journal Article HUME'S NEIGHBOUR'S WIFE: AN ESSAY ON THE EVOLUTION OF HUME'S AESTHETICS Get access Peter Kivy Peter Kivy Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 23, Issue 3, SUMMER 1983, Pages 195–208, https://doi.org/10.1093/bjaesthetics/23.3.195 Published: 01 March 1983

• Sound and Semblance

  Stephanie Ross, Peter Kivy•ARTICLE•The Philosophical Review•1986

  Añadir item

  The Description for this book, Sound and Semblance: Reflections on Musical Representation, will be forthcoming

• Music and the Emotions

  Peter Kivy, Malcolm Budd•ARTICLE•The Philosophical Quarterly•1986

  Añadir item

  Journal Article Book Reviews Get access Music and the Emotions: The Philosophical Theories. BY Malcolm Budd. (London: Routledge & Kegan Paul, 1985. Pp. xiii + 190. Price £14.50) Peter Kivy Peter Kivy Rutgers University, New Brunswick Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 36, Issue 144, July 1986, Pages 434–438, https://doi.org/10.2307/2220199 Published: 01 July 1986

• Word-Tone Relations in Musical Thought from Antiquity to the Seventeenth Century

  Open Access•Peter Kivy, Don Harran•ARTICLE•Notes•1987•Citada por: 1

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• Sound and Semblance

  Jean-Bernard Condat, Peter Kivy•ARTICLE•Leonardo•1988

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• Fish's Consequences

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•1989

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  Journal Article FISH'S CONSEQUENCES Get access Peter Kivy Peter Kivy Dept of Philosophy, Rutgers UniversityNew Brunswick, New Jersey 08903, USA. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 29, Issue 1, WINTER 1989, Pages 57–64, https://doi.org/10.1093/bjaesthetics/29.1.57 Published: 01 January 1989

• Recent Books in the Philopshy of Music

  Roger Scruton, Peter Kivy et al.•ARTICLE•The Philosophical Quarterly•1994

  Añadir item

• The Fine Art of Repetition

  Steve Sweeney-Turner, Steve Sweeney‐Turner et al.•ARTICLE•The Musical Times•1994

  Añadir item

  Preface Introduction PART I: I. Mattheson as philosopher of art II. Mainwaring's Handel: its relation to English aesthetics III. Charles Burney, music critic IV. Kant and the Affektenlehre: what he said, and what I wish he had said V. Mozart and monotheism: an essay in spurious aesthetics VI. Child Mozart as an aesthetic symbol VII. Something I've always wanted to know about Hanslick VIII. What was Hanslick denying? IX. Charles Darwin on music X.…

• The Fine Art of Repetition

  John Andrew Fisher, Peter Kivy•ARTICLE•Philosophy and Phenomenological…•1996•Citada por: 1

  Añadir item

• Authenticities

  Günter Zöller, Peter Kivy•ARTICLE•The Philosophical Review•1997

  Añadir item

• Feeling the Musical Emotions

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•1999•Citada por: 4

  Añadir item

  Journal Article FEELING THE MUSICAL EMOTIONS Get access Peter Kivy Peter Kivy Department of Philosophy, Rutgers UniversityNew Brunswick, NJ, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 39, Issue 1, January 1999, Pages 1–13, https://doi.org/10.1093/bjaesthetics/39.1.1 Published: 01 January 1999

• Philosophies of Arts

  Jenefer Robinson, Peter Kivy•ARTICLE•The Philosophical Review•2000

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• Philosophies of Arts

  Malcolm Budd, Peter Kivy•ARTICLE•Philosophy and Phenomenological…•2000

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  Preface 1. How We Got Here, and Why 2. Where we are 3. Reading and representation 4. On the unity of form and content 5. The laboratory of fictional truth 6. The quest for musical profundity 7. The liberation of music Epilogue Notes Bibliography

• Intentional Forgeries and Accidental Versions

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2002

  Añadir item

  In my article, ‘How to Forge a Musical Work’, I argue that the best way to view an attempted forgery of a lost autograph that accidentally duplicates the lost original is as a ‘version’, not a ‘forgery’, although I acknowledge the plausibility of Jerrold Levinson's alternate view, that it remains a forgery nevertheless. John Dilworth, in his article, ‘A Representational Theory of Artefacts and Artworks’, defends Levinson's ‘intuition’ against min…

• On the Historically Informed Performance

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2002•Citada por: 2

  Añadir item

  Journal Article On the Historically Informed Performance Get access Peter Kivy Peter Kivy Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 42, Issue 2, April 2002, Pages 128–144, https://doi.org/10.1093/bjaesthetics/42.2.128 Published: 01 April 2002

• Another Go at Musical Profundity

  Peter Kivy•ARTICLE•The British Journal of Aesthetics•2003•Citada por: 4

  Añadir item

  Journal Article Another Go at Musical Profundity: Stephen Davies and the Game of Chess Get access Peter Kivy Peter Kivy Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 43, Issue 4, October 2003, Pages 401–411, https://doi.org/10.1093/bjaesthetics/43.4.401 Published: 01 October 2003

Art (30 obras) · Philosophy (21 obras) · Aesthetics (16 obras) · Philosophy (16 obras) · Art history (12 obras) · Epistemology (12 obras) · Literature (12 obras) · Visual arts (11 obras) · Musicology and Musical Analysis (10 obras) · Psychology (9 obras)