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Robert J Yanal

Datos Biográficos

ID967591
NOMBRERobert J Yanal
NOMBRESRobert J
APELLIDOYanal
FIRMAYANAL R J
AFILIACIONESWayne State University
VERIFICADONo
TOTAL DE OBRAS5
TOTAL DE CITAS7
TOTAL COMO AUTOR5
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1984
AÑO MÁS RECIENTE DE PUBLICACIÓN2006
ÍNDICE H1
  • Hanslick's Third Thesis

    Robert J Yanal•ARTICLE•The British Journal of Aesthetics•2006

    Between Hanslick's negative thesis (music cannot portray specific feelings) and his positive thesis (the beauty of music is just the beauty of its tonal forms) lies what I call his disconnection thesis: ‘Even if it were possible for feelings to be represented by music, the degree of beauty in the music would not correspond to the degree of exactitude with which the music represented them’. In short, the beauty of a piece of music and its expressi…

  • Duchamp And Kant

    Robert J Yanal•ARTICLE•Angelaki•2002•Referencias: 1

    What would have provoked Duchamp to madness or murder ... would be the sight of aesthetes mooning over the gleaming surfaces of the porcelain object he had manhandled into exhibition space: ‘How like Kilamanjaro! How like the white radiance of Eternity! How Arctically sublime!’ (Bitter laughter at the Club des artistes.)” Marcel Duchamp, of course, is one of Arthur Danto’s artworld heroes, primarily because Duchamp, through his readymades, most f…

  • Paradoxes of Emotion and Fiction

    Colin Radford, Robert J Yanal•ARTICLE•The Philosophical Review•2001

  • The Paradox of Suspense

    Robert J Yanal•ARTICLE•The British Journal of Aesthetics•1996•Citada por: 7

    Journal Article THE PARADOX OF SUSPENSE Get access Robert J. Yanal Robert J. Yanal Department of Philosophy, Wayne State UniversityDetroit, Michigan 48202, USA. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 36, Issue 2, April 1996, Pages 146–158, https://doi.org/10.1093/bjaesthetics/36.2.146 Published: 01 April 1996

  • Plato's Poetics

    Robert J Yanal, Morriss Henry Partee•ARTICLE•Noûs•1984

  • The Paradox of Suspense

    Robert J Yanal•ARTICLE•The British Journal of Aesthetics•1996•Citada por: 7

    Journal Article THE PARADOX OF SUSPENSE Get access Robert J. Yanal Robert J. Yanal Department of Philosophy, Wayne State UniversityDetroit, Michigan 48202, USA. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 36, Issue 2, April 1996, Pages 146–158, https://doi.org/10.1093/bjaesthetics/36.2.146 Published: 01 April 1996

  • Plato's Poetics

    Robert J Yanal, Morriss Henry Partee•ARTICLE•Noûs•1984

  • The Paradox of Suspense

    Robert J Yanal•ARTICLE•The British Journal of Aesthetics•1996•Citada por: 7

    Journal Article THE PARADOX OF SUSPENSE Get access Robert J. Yanal Robert J. Yanal Department of Philosophy, Wayne State UniversityDetroit, Michigan 48202, USA. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 36, Issue 2, April 1996, Pages 146–158, https://doi.org/10.1093/bjaesthetics/36.2.146 Published: 01 April 1996

  • Paradoxes of Emotion and Fiction

    Colin Radford, Robert J Yanal•ARTICLE•The Philosophical Review•2001

  • Duchamp And Kant

    Robert J Yanal•ARTICLE•Angelaki•2002•Referencias: 1

    What would have provoked Duchamp to madness or murder ... would be the sight of aesthetes mooning over the gleaming surfaces of the porcelain object he had manhandled into exhibition space: ‘How like Kilamanjaro! How like the white radiance of Eternity! How Arctically sublime!’ (Bitter laughter at the Club des artistes.)” Marcel Duchamp, of course, is one of Arthur Danto’s artworld heroes, primarily because Duchamp, through his readymades, most f…

  • Hanslick's Third Thesis

    Robert J Yanal•ARTICLE•The British Journal of Aesthetics•2006

    Between Hanslick's negative thesis (music cannot portray specific feelings) and his positive thesis (the beauty of music is just the beauty of its tonal forms) lies what I call his disconnection thesis: ‘Even if it were possible for feelings to be represented by music, the degree of beauty in the music would not correspond to the degree of exactitude with which the music represented them’. In short, the beauty of a piece of music and its expressi…

Art (5 obras) · Philosophy (4 obras) · Aesthetics (3 obras) · Epistemology (3 obras) · Philosophy (3 obras) · Beauty (2 obras) · Ethics, Aesthetics, and Art (2 obras) · Literature (2 obras) · Algorithm (1 obras) · Analytic philosophy (1 obras)

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