Saltar al contenido principal

ETHNOS_APP

Inicio • Búsqueda • Revistas • Lista 0

Ian Gregor

Datos Biográficos

ID968960
NOMBREIan Gregor
NOMBRESIan
APELLIDOGregor
FIRMAGREGOR I
VERIFICADONo
TOTAL DE OBRAS8
TOTAL DE CITAS0
TOTAL COMO AUTOR8
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1941
AÑO MÁS RECIENTE DE PUBLICACIÓN1971
ÍNDICE H0
  • Hardy's World

    Ian Gregor•ARTICLE•ELH•1971

    In a famous sentence in the Preface to Jude the Obscure Hardy attempted to characterize the kind of fiction he wrote: Like former productions of this pen [this] is an endeavour to give shape and coherence to a series of seemings, or personal impressions, the question of their consistency or their discordance, of their permanence or their transitoriness, being regarded as not of the first moment. In this remark Hardy comes as close as he ever did …

  • Imagined Worlds

    Sheldon Sacks, Maynard Mack et al.•ARTICLE•Eighteenth-Century Studies•1971

  • The Moral and the Story

    Andrew Wright, Ian Gregor et al.•ARTICLE•The Modern Language Review•1962

  • D. H. Lawrence

    Open Access•Ian Gregor•ARTICLE•Blackfriars•1955

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Greene Baize Door

    Open Access•Ian Gregor•ARTICLE•Blackfriars•1955

    Every creative writer worth our consideration, every writer who can be called, in the wide eighteenth-century use of the term, a poet, is a victim: a man given over to an obsession. . . . The obsession is perhaps most easily detected in the symbols a writer uses.' These words written by Graham Greene in a review of Walter De la Mare's short stories are illuminating in a study of Mr Greene's own work, and in this brief paper I want to use them as …

  • New Bearings in the 'Catholic' Novel

    Open Access•Ian Gregor•ARTICLE•Blackfriars•1954

    This is an important book. For beginning with this ejaculation from the litany of 'blurb' writers I have a reason; it is to underline at the outset the fact that whatever disagreements one may have with Mr O'Donnell, his book marks the first serious and detailed attempt to consider the issues raised by the remarkable group of contemporary novels which have been written by Catholics. One avoids, carefully, labelling the group, although it is clear…

  • The New Romanticism

    Open Access•Ian Gregor•ARTICLE•Blackfriars•1953

    Those critics who felt uneasy about the nature of Mr Graham Greene's achievement in The End of the Affair will not be reassured by his first excursion into drama. The Living Room raises in a particularly forceful way a problem that has always been attendant on his work-that of finding what Mr Eliot has termed a satisfactory objective correlative, or 'a set of objects, a situation, a chain of events which shall be the formula of that particular em…

  • A Sort of Fiction

    Open Access•Ian Gregor, Tan Gregor•ARTICLE•Blackfriars•1941

    What are the motives which make a man wish to write his autobiography? Notoriety, fame, money-these are end products They don't dictate the decision to write, the impulse to construct an artistic form which will be the shape of one's own life. We might, perhaps, start by saying that to write an autobiography is a form of self-discovery through the necessity of having to shape and frame one's life. This affords a measure of control which is also a…

Sin obras prominentes en esta página.

  • A Sort of Fiction

    Open Access•Ian Gregor, Tan Gregor•ARTICLE•Blackfriars•1941

    What are the motives which make a man wish to write his autobiography? Notoriety, fame, money-these are end products They don't dictate the decision to write, the impulse to construct an artistic form which will be the shape of one's own life. We might, perhaps, start by saying that to write an autobiography is a form of self-discovery through the necessity of having to shape and frame one's life. This affords a measure of control which is also a…

  • The New Romanticism

    Open Access•Ian Gregor•ARTICLE•Blackfriars•1953

    Those critics who felt uneasy about the nature of Mr Graham Greene's achievement in The End of the Affair will not be reassured by his first excursion into drama. The Living Room raises in a particularly forceful way a problem that has always been attendant on his work-that of finding what Mr Eliot has termed a satisfactory objective correlative, or 'a set of objects, a situation, a chain of events which shall be the formula of that particular em…

  • New Bearings in the 'Catholic' Novel

    Open Access•Ian Gregor•ARTICLE•Blackfriars•1954

    This is an important book. For beginning with this ejaculation from the litany of 'blurb' writers I have a reason; it is to underline at the outset the fact that whatever disagreements one may have with Mr O'Donnell, his book marks the first serious and detailed attempt to consider the issues raised by the remarkable group of contemporary novels which have been written by Catholics. One avoids, carefully, labelling the group, although it is clear…

  • D. H. Lawrence

    Open Access•Ian Gregor•ARTICLE•Blackfriars•1955

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Greene Baize Door

    Open Access•Ian Gregor•ARTICLE•Blackfriars•1955

    Every creative writer worth our consideration, every writer who can be called, in the wide eighteenth-century use of the term, a poet, is a victim: a man given over to an obsession. . . . The obsession is perhaps most easily detected in the symbols a writer uses.' These words written by Graham Greene in a review of Walter De la Mare's short stories are illuminating in a study of Mr Greene's own work, and in this brief paper I want to use them as …

  • The Moral and the Story

    Andrew Wright, Ian Gregor et al.•ARTICLE•The Modern Language Review•1962

  • Hardy's World

    Ian Gregor•ARTICLE•ELH•1971

    In a famous sentence in the Preface to Jude the Obscure Hardy attempted to characterize the kind of fiction he wrote: Like former productions of this pen [this] is an endeavour to give shape and coherence to a series of seemings, or personal impressions, the question of their consistency or their discordance, of their permanence or their transitoriness, being regarded as not of the first moment. In this remark Hardy comes as close as he ever did …

  • Imagined Worlds

    Sheldon Sacks, Maynard Mack et al.•ARTICLE•Eighteenth-Century Studies•1971

Citation (4 obras) · Computer Science (4 obras) · History (4 obras) · Art (3 obras) · Contemporary Literature and Criticism (3 obras) · Library science (3 obras) · Medieval Literature and History (3 obras) · History (2 obras) · Information retrieval (2 obras) · Literature (2 obras)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae