H Porter Abbott
Datos Biográficos
| ID | 969426 |
|---|---|
| NOMBRE | H Porter Abbott |
| NOMBRES | H Porter |
| APELLIDO | Abbott |
| FIRMA | ABBOTT H P |
| AFILIACIONES | University of California, Santa Barbara |
| VERIFICADO | No |
| TOTAL DE OBRAS | 15 |
| TOTAL DE CITAS | 27 |
| TOTAL COMO AUTOR | 15 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1985 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2016 |
| ÍNDICE H | 3 |
Fiction, Fitness, and Failure
Book Review| December 01 2016 Fiction, Fitness, and Failure Spolsky, Ellen, The Contracts of Fiction: Cognition, Culture, Community. Oxford University Press, 2015. xxxi + 283 pp. H. Porter Abbott H. Porter Abbott Search for other works by this author on: This Site Google Poetics Today (2016) 37 (4): 675–685. https://doi.org/10.1215/03335372-3638196 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation H…
Reading Intended Meaning Where None Is Intended
From a cognitivist perspective, I defend the utility of the implied author for the interpretation of fictional texts that support more than one intentional reading. David Herman (2008) provides a foil in his opposition to the implied author as object-like source and his promotion of the reading of intentionality as it appears in a distributed field of cues. This understanding of intentionality, he argues, is embedded in our "folk psychology" and …
The Cambridge Introduction to Narrative
What is narrative? How does it work and how does it shape our lives and the texts we read? H. Porter Abbott emphasizes that narrative is found not just in literature, film, and theater, but everywhere in the ordinary course of people's lives. This widely used introduction, now thoroughly revised, is informed throughout by recent developments in the field and includes two new chapters. With its lucid exposition of concepts and suggestions for furt…
Narrative and Emergent Behavior
The difficulty of understanding emergent behavior is usually attributed to our need to see in it the operation of some kind of centralized control where there is in fact none (Keller 1985, Resnick 1994). Yet as a species, we seem to have little difficulty with complex narratives in which there is no centralized control and in which chance often plays a major role (tragedies, comedies, most novels and films). I argue that the principal reason for …
The Art of Making It New, Revisited
Research Article| September 01 2008 The Art of Making It New, Revisited: Beckett and Cliché H. Porter Abbott H. Porter Abbott Search for other works by this author on: This Site Google Poetics Today (2008) 29 (3): 595–601. https://doi.org/10.1215/03335372-077 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation H. Porter Abbott; The Art of Making It New, Revisited: Beckett and Cliché. Poetics Today 1 S…
Cognitive Literary Studies
Research Article| December 01 2006 Cognitive Literary Studies: The “Second Generation”; The Work of Fiction: Cognition, Culture, and Complexity H. Porter Abbott H. Porter Abbott Search for other works by this author on: This Site Google Poetics Today (2006) 27 (4): 711–722. https://doi.org/10.1215/03335372-2006-009 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation H. Porter Abbott; Cognitive Literar…
Humanists, Scientists, and the Cultural Surplus
H. Porter Abbott, Humanists, Scientists, and the Cultural Surplus, SubStance, Vol. 30, No. 1/2, Issue 94/95: Special Issue: On the Origin of Fictions: Interdisciplinary Perspectives (2001), pp. 203-219
Extratextual Intelligence
New Literary History - Volume 28, Number 4, Autumn 1997
Character and Modernism
A partir d'extraits de son Journal, dialectique personnage/personnalite et pratique autobiographique dans l'oeuvre de Woolf
Tyranny and Theatricality
Autobiography, Autography, Fiction
ECAUSE IT IS MADE UP, a story ends where it ends. In this way there is a connection between the kind of shape and the kind of truth we expect in fictional narrative. When students come up after class to ask if Lady Brett Ashley or Jake Barnes is going to commit suicide, we ask them to unask the question. Were the deaths of Lady Brett or Jake Barnes at all important, Hemingway would have made them a part of the story. Students of course are free t…
Victorian Autobiography
Toward a Cultural Poetics of Literary Genres
Being in the Text
Story and Situation
Autobiography, Autography, Fiction
ECAUSE IT IS MADE UP, a story ends where it ends. In this way there is a connection between the kind of shape and the kind of truth we expect in fictional narrative. When students come up after class to ask if Lady Brett Ashley or Jake Barnes is going to commit suicide, we ask them to unask the question. Were the deaths of Lady Brett or Jake Barnes at all important, Hemingway would have made them a part of the story. Students of course are free t…
Cognitive Literary Studies
Research Article| December 01 2006 Cognitive Literary Studies: The “Second Generation”; The Work of Fiction: Cognition, Culture, and Complexity H. Porter Abbott H. Porter Abbott Search for other works by this author on: This Site Google Poetics Today (2006) 27 (4): 711–722. https://doi.org/10.1215/03335372-2006-009 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation H. Porter Abbott; Cognitive Literar…
Reading Intended Meaning Where None Is Intended
From a cognitivist perspective, I defend the utility of the implied author for the interpretation of fictional texts that support more than one intentional reading. David Herman (2008) provides a foil in his opposition to the implied author as object-like source and his promotion of the reading of intentionality as it appears in a distributed field of cues. This understanding of intentionality, he argues, is embedded in our "folk psychology" and …
Narrative and Emergent Behavior
The difficulty of understanding emergent behavior is usually attributed to our need to see in it the operation of some kind of centralized control where there is in fact none (Keller 1985, Resnick 1994). Yet as a species, we seem to have little difficulty with complex narratives in which there is no centralized control and in which chance often plays a major role (tragedies, comedies, most novels and films). I argue that the principal reason for …
Humanists, Scientists, and the Cultural Surplus
H. Porter Abbott, Humanists, Scientists, and the Cultural Surplus, SubStance, Vol. 30, No. 1/2, Issue 94/95: Special Issue: On the Origin of Fictions: Interdisciplinary Perspectives (2001), pp. 203-219
Story and Situation
Toward a Cultural Poetics of Literary Genres
Being in the Text
Victorian Autobiography
Tyranny and Theatricality
Autobiography, Autography, Fiction
ECAUSE IT IS MADE UP, a story ends where it ends. In this way there is a connection between the kind of shape and the kind of truth we expect in fictional narrative. When students come up after class to ask if Lady Brett Ashley or Jake Barnes is going to commit suicide, we ask them to unask the question. Were the deaths of Lady Brett or Jake Barnes at all important, Hemingway would have made them a part of the story. Students of course are free t…
Character and Modernism
A partir d'extraits de son Journal, dialectique personnage/personnalite et pratique autobiographique dans l'oeuvre de Woolf
Extratextual Intelligence
New Literary History - Volume 28, Number 4, Autumn 1997
Humanists, Scientists, and the Cultural Surplus
H. Porter Abbott, Humanists, Scientists, and the Cultural Surplus, SubStance, Vol. 30, No. 1/2, Issue 94/95: Special Issue: On the Origin of Fictions: Interdisciplinary Perspectives (2001), pp. 203-219
Cognitive Literary Studies
Research Article| December 01 2006 Cognitive Literary Studies: The “Second Generation”; The Work of Fiction: Cognition, Culture, and Complexity H. Porter Abbott H. Porter Abbott Search for other works by this author on: This Site Google Poetics Today (2006) 27 (4): 711–722. https://doi.org/10.1215/03335372-2006-009 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation H. Porter Abbott; Cognitive Literar…
The Cambridge Introduction to Narrative
What is narrative? How does it work and how does it shape our lives and the texts we read? H. Porter Abbott emphasizes that narrative is found not just in literature, film, and theater, but everywhere in the ordinary course of people's lives. This widely used introduction, now thoroughly revised, is informed throughout by recent developments in the field and includes two new chapters. With its lucid exposition of concepts and suggestions for furt…
Narrative and Emergent Behavior
The difficulty of understanding emergent behavior is usually attributed to our need to see in it the operation of some kind of centralized control where there is in fact none (Keller 1985, Resnick 1994). Yet as a species, we seem to have little difficulty with complex narratives in which there is no centralized control and in which chance often plays a major role (tragedies, comedies, most novels and films). I argue that the principal reason for …
The Art of Making It New, Revisited
Research Article| September 01 2008 The Art of Making It New, Revisited: Beckett and Cliché H. Porter Abbott H. Porter Abbott Search for other works by this author on: This Site Google Poetics Today (2008) 29 (3): 595–601. https://doi.org/10.1215/03335372-077 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation H. Porter Abbott; The Art of Making It New, Revisited: Beckett and Cliché. Poetics Today 1 S…
Reading Intended Meaning Where None Is Intended
From a cognitivist perspective, I defend the utility of the implied author for the interpretation of fictional texts that support more than one intentional reading. David Herman (2008) provides a foil in his opposition to the implied author as object-like source and his promotion of the reading of intentionality as it appears in a distributed field of cues. This understanding of intentionality, he argues, is embedded in our "folk psychology" and …
Fiction, Fitness, and Failure
Book Review| December 01 2016 Fiction, Fitness, and Failure Spolsky, Ellen, The Contracts of Fiction: Cognition, Culture, Community. Oxford University Press, 2015. xxxi + 283 pp. H. Porter Abbott H. Porter Abbott Search for other works by this author on: This Site Google Poetics Today (2016) 37 (4): 675–685. https://doi.org/10.1215/03335372-3638196 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation H…
Art (11 obras) · Literature (11 obras) · Philosophy (7 obras) · Aesthetics (4 obras) · Computer Science (4 obras) · History (4 obras) · Language, Metaphor, and Cognition (4 obras) · Linguistics (4 obras) · Poetics (4 obras) · Poetry (4 obras)