Elzė Sigutė Mikalonytė
Datos Biográficos
| ID | 969471 |
|---|---|
| NOMBRE | Elzė Sigutė Mikalonytė |
| NOMBRES | Elzė Sigutė |
| APELLIDO | Mikalonytė |
| FIRMA | MIKALONYTĖ E S |
| AFILIACIONES | University of Cambridge |
| ORCID | 0000-0002-3047-7729 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAS | 3 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2020 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 1 |
Does the Phineas Gage effect extend to aesthetic value
In the last 20 years, a large number of studies have investigated judgments of the identity of various objects (e.g., persons, material objects, institutions) over time. One influential strand of research has found that identity judgments are shaped by normative considerations. People tend to believe that moral improvement is more compatible with the continuity of identity of a person than moral deterioration, suggesting that persons are taken to…
Personalizing AI art boosts credit, not beauty
The folk concept of art
What is the folk concept of art? Does it track any of the major definitions of art philosophers have proposed? In two preregistered experiments (N = 888) focusing on two types of artworks (paintings and musical works), we manipulate three potential features of artworks: intentional creation, the possession of aesthetic value, and institutional recognition. This allows us to investigate whether the folk concept of art fits an essentialist definiti…
Musical works are mind-independent artifacts
Realism about musical works is often tied to some type of Platonism. Nominalism, which posits that musical works exist and that they are concrete objects, goes with ontological realism much less often than Platonism: there is a long tradition which holds human-created objects (artifacts) to be mind-dependent. Musical Platonism leads to the well-known paradox of the impossibility of creating abstract objects, and so it has been suggested that only…
Can Artificial Intelligence Make Art
In two experiments (total N = 693), we explored whether people are willing to consider paintings made by AI-driven robots as art , and robots as artists . Across the two experiments, we manipulated three factors: (i) agent type (AI-driven robot vs. human agent), (ii) behavior type (intentional creation of a painting vs. accidental creation), and (iii) object type (abstract vs. representational painting). We found that people judge robot paintings…
Intuitions in the Ontology of Musical Works
Intuitions on the Individuation of Musical Works. An Empirical Study
Philosophers often consider better compliance with prevalent pre-theoretical intuitions to be an advantage of a theory of ontology of musical works. However, despite many predictions of what these intuitions on relevant questions might be, so far there is only one experimental philosophy study on the repeatability of musical works by Christopher Bartel. We decided to examine the intuitions concerning the individuation of musical works by creating…
Intuitions on the Individuation of Musical Works. An Empirical Study
Philosophers often consider better compliance with prevalent pre-theoretical intuitions to be an advantage of a theory of ontology of musical works. However, despite many predictions of what these intuitions on relevant questions might be, so far there is only one experimental philosophy study on the repeatability of musical works by Christopher Bartel. We decided to examine the intuitions concerning the individuation of musical works by creating…
Intuitions on the Individuation of Musical Works. An Empirical Study
Philosophers often consider better compliance with prevalent pre-theoretical intuitions to be an advantage of a theory of ontology of musical works. However, despite many predictions of what these intuitions on relevant questions might be, so far there is only one experimental philosophy study on the repeatability of musical works by Christopher Bartel. We decided to examine the intuitions concerning the individuation of musical works by creating…
Can Artificial Intelligence Make Art
In two experiments (total N = 693), we explored whether people are willing to consider paintings made by AI-driven robots as art , and robots as artists . Across the two experiments, we manipulated three factors: (i) agent type (AI-driven robot vs. human agent), (ii) behavior type (intentional creation of a painting vs. accidental creation), and (iii) object type (abstract vs. representational painting). We found that people judge robot paintings…
Intuitions in the Ontology of Musical Works
Musical works are mind-independent artifacts
Realism about musical works is often tied to some type of Platonism. Nominalism, which posits that musical works exist and that they are concrete objects, goes with ontological realism much less often than Platonism: there is a long tradition which holds human-created objects (artifacts) to be mind-dependent. Musical Platonism leads to the well-known paradox of the impossibility of creating abstract objects, and so it has been suggested that only…
The folk concept of art
What is the folk concept of art? Does it track any of the major definitions of art philosophers have proposed? In two preregistered experiments (N = 888) focusing on two types of artworks (paintings and musical works), we manipulate three potential features of artworks: intentional creation, the possession of aesthetic value, and institutional recognition. This allows us to investigate whether the folk concept of art fits an essentialist definiti…
Does the Phineas Gage effect extend to aesthetic value
In the last 20 years, a large number of studies have investigated judgments of the identity of various objects (e.g., persons, material objects, institutions) over time. One influential strand of research has found that identity judgments are shaped by normative considerations. People tend to believe that moral improvement is more compatible with the continuity of identity of a person than moral deterioration, suggesting that persons are taken to…
Personalizing AI art boosts credit, not beauty
Aesthetics (4 obras) · Epistemology (4 obras) · Philosophy (4 obras) · Psychology (4 obras) · Aesthetic Perception and Analysis (3 obras) · Art (3 obras) · Computer Science (3 obras) · Neuroscience and Music Perception (3 obras) · Psychology of Moral and Emotional Judgment (3 obras) · Artificial Intelligence (2 obras)