David Rosand
Datos Biográficos
| ID | 970860 |
|---|---|
| NOMBRE | David Rosand |
| NOMBRES | David |
| APELLIDO | Rosand |
| FIRMA | ROSAND D |
| AFILIACIONES | Columbia University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 18 |
| TOTAL DE CITAS | 2 |
| TOTAL COMO AUTOR | 17 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 1970 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2014 |
| ÍNDICE H | 1 |
Titian and the End of the Venetian Renaissance
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Most musical of mourners, weep again
Mostmusical ofmourners, weepagain!": Titian's Triumph ofMarsyas DAVID ROSAND T Xhe tragic fateof thepresumptuous satyr Marsyas isrecounted briefly inbook6 ofOvid'sMetamorphoses (lines382-400).Thatbookopenswiththeboastof thetalented weaver Arachne, herchallenge toPallasAthena, and - despite theglorious gallery ofherwovenpictures, a pictorial paradeofthelovesofJupiter - thepunishment for suchhubris: themortal girl's transformation intoa spider, a f…
Titian and Tragic Painting
Thomas Puttfarken. Titian and Tragic Painting: Aristotle’s “Poetics” and the Rise of the Modern Artist. New Haven: Yale University Press, 2005. vi + 240 pp. index. illus. bibl. $50. ISBN: 0-300-11000-6. - Volume 59 Issue 2
Myths of Venice
Over the course of several centuries, Venice fashioned and refined a portrait of itself that responded to and exploited historical circumstance. Never conquered and taking its enduring independence as a sign of divine favour, free of civil strife and proud of its internal stability, Venice broadcast the image of itself as the Most Serene Republic, an ideal state whose ruling patriciate were selflessly devoted to the commonweal. All this has come …
The House of Gold
Obituary
Journal of the History of Ideas - Volume 57, Number 3, July 1996
Pittoresco
Philip Sohm. Pittoresco: Marco Boschini, his Critics, and their Critiques of Painterly Brushwork in Seventeenth- and Eighteenth-Century Italy. Cambridge: Cambridge University Press, 1991. 76 pls. + xvi + 276 pp. $125. - Volume 47 Issue 1
Renaissance Portraits
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Giorgione's Tempest
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Veiled Images
Jane C. Nash. Veiled Images: Titian's Mythological Paintings for Philip II. Philadelphia: The Art Alliance Press; London-Toronto: Associated University Presses, 1985. 6 color pls. + 9 ills. + 103 pp. $30. - Volume 39 Issue 4
Exhibition Review
The Genius of Venice 1500-1600, the grand exhibition held at the Royal Academy of Arts from November 25, 1983, to March 11, 1984, transformed the London season, as one brochure announced, into “A Venetian Winter.” Notwithstanding the strong competition of the British Museum's exhibition of Raphael drawings, all London seemed filled with enthusiasm for the Queen of the Adriatic, an enthusiasm that manifested itself on every level of culture consum…
Titian His World and His Legacy
Offers a series of papers that deal with various aspects of Titian, his city, Venice, and his general culture and personal life, as well as his impact on later art
Michelangelo and the Language of Art
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss
Irving Lavin and John Plummer, eds. Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss. New York: New York University Press, 1977. Vol. I: xx+463 pp.; Vol. II: 161 pp. of illustrations. $75. - Volume 33 Issue 3
Art History and Criticism
is, for better or worse, a basic working assumption of most art historians; apparently born with the discipline itself, it has occasionally been challenged but never really upset. Even its critics have had to recognize its usefulness, for by concentrating on the formal, art historians have been able to isolate an aesthetic sine qua non, the essential quality shared by all works of art. The concept of style has allowed us to construct a model that…
The Paintings of Titian, Complete Edition. Volume II, The Portraits
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Ut Pictor Poeta
European literature is an 'intelligible unit,' .. . it has an autonomous structure, which is essentially different from that of the visual arts. Simply because, all else aside, literature is the medium of ideas, art not. But literature also has different forms of movement, of growth, of continuity, from art. It possesses a freedom which is denied to art. For literature, all the past is present, or can become so. -Ernst Robert Curtius 1
Venetian Painted Ceilings of the Renaissance
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Ut Pictor Poeta
European literature is an 'intelligible unit,' .. . it has an autonomous structure, which is essentially different from that of the visual arts. Simply because, all else aside, literature is the medium of ideas, art not. But literature also has different forms of movement, of growth, of continuity, from art. It possesses a freedom which is denied to art. For literature, all the past is present, or can become so. -Ernst Robert Curtius 1
Venetian Painted Ceilings of the Renaissance
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Ut Pictor Poeta
European literature is an 'intelligible unit,' .. . it has an autonomous structure, which is essentially different from that of the visual arts. Simply because, all else aside, literature is the medium of ideas, art not. But literature also has different forms of movement, of growth, of continuity, from art. It possesses a freedom which is denied to art. For literature, all the past is present, or can become so. -Ernst Robert Curtius 1
The Paintings of Titian, Complete Edition. Volume II, The Portraits
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Art History and Criticism
is, for better or worse, a basic working assumption of most art historians; apparently born with the discipline itself, it has occasionally been challenged but never really upset. Even its critics have had to recognize its usefulness, for by concentrating on the formal, art historians have been able to isolate an aesthetic sine qua non, the essential quality shared by all works of art. The concept of style has allowed us to construct a model that…
Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss
Irving Lavin and John Plummer, eds. Studies in Late Medieval and Renaissance Painting in Honor of Millard Meiss. New York: New York University Press, 1977. Vol. I: xx+463 pp.; Vol. II: 161 pp. of illustrations. $75. - Volume 33 Issue 3
Titian His World and His Legacy
Offers a series of papers that deal with various aspects of Titian, his city, Venice, and his general culture and personal life, as well as his impact on later art
Michelangelo and the Language of Art
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Exhibition Review
The Genius of Venice 1500-1600, the grand exhibition held at the Royal Academy of Arts from November 25, 1983, to March 11, 1984, transformed the London season, as one brochure announced, into “A Venetian Winter.” Notwithstanding the strong competition of the British Museum's exhibition of Raphael drawings, all London seemed filled with enthusiasm for the Queen of the Adriatic, an enthusiasm that manifested itself on every level of culture consum…
Veiled Images
Jane C. Nash. Veiled Images: Titian's Mythological Paintings for Philip II. Philadelphia: The Art Alliance Press; London-Toronto: Associated University Presses, 1985. 6 color pls. + 9 ills. + 103 pp. $30. - Volume 39 Issue 4
Giorgione's Tempest
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Pittoresco
Philip Sohm. Pittoresco: Marco Boschini, his Critics, and their Critiques of Painterly Brushwork in Seventeenth- and Eighteenth-Century Italy. Cambridge: Cambridge University Press, 1991. 76 pls. + xvi + 276 pp. $125. - Volume 47 Issue 1
Renaissance Portraits
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The House of Gold
Obituary
Journal of the History of Ideas - Volume 57, Number 3, July 1996
Myths of Venice
Over the course of several centuries, Venice fashioned and refined a portrait of itself that responded to and exploited historical circumstance. Never conquered and taking its enduring independence as a sign of divine favour, free of civil strife and proud of its internal stability, Venice broadcast the image of itself as the Most Serene Republic, an ideal state whose ruling patriciate were selflessly devoted to the commonweal. All this has come …
Titian and Tragic Painting
Thomas Puttfarken. Titian and Tragic Painting: Aristotle’s “Poetics” and the Rise of the Modern Artist. New Haven: Yale University Press, 2005. vi + 240 pp. index. illus. bibl. $50. ISBN: 0-300-11000-6. - Volume 59 Issue 2
Most musical of mourners, weep again
Mostmusical ofmourners, weepagain!": Titian's Triumph ofMarsyas DAVID ROSAND T Xhe tragic fateof thepresumptuous satyr Marsyas isrecounted briefly inbook6 ofOvid'sMetamorphoses (lines382-400).Thatbookopenswiththeboastof thetalented weaver Arachne, herchallenge toPallasAthena, and - despite theglorious gallery ofherwovenpictures, a pictorial paradeofthelovesofJupiter - thepunishment for suchhubris: themortal girl's transformation intoa spider, a f…
Titian and the End of the Venetian Renaissance
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Art (17 obras) · Art history (14 obras) · History (11 obras) · History (9 obras) · Classics (5 obras) · Classics (5 obras) · Historical Art and Culture Studies (5 obras) · Literature (5 obras) · Painting (5 obras) · Computer Science (4 obras)