Małgorzata Mączko
Datos Biográficos
| ID | 9745321 |
|---|---|
| NOMBRE | Małgorzata Mączko |
| NOMBRES | Małgorzata |
| APELLIDO | Mączko |
| FIRMA | MĄCZKO M |
| AFILIACIONES | Jagiellonian University |
| ORCID | 0000-0002-9226-8906 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 2 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2021 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 0 |
The Politics of a Portrait
The article examines the connection between the past and the present, and between the personal and the political, in three recent biographical pictures directed by filmmakers of color: The Birth of a Nation (2016, dir. Nate Parker), Harriet (2018, dir. Kasi Lemmons), and Emancipation (2022, dir. Antoine Fuqua). By addressing the history of American slavery, the films not only come into a dialogue with the preexisting representations of slavery in…
Nie jestem jak ty. Męskość hegemoniczna we współczesnym południowoafrykańskim kinie queer
I'm not Like you. Hegemonic Masculinity in Contemporary South African Queer Cinema This article aims to describe common cultural types of masculinity in the South African society and illustrate their presence in contemporary local queer cinema. The historical and social circumstances that helped shape dominant South African forms of masculinity will be presented. The theory of hegemonic masculinity, first developed in the 1980s, will also be used…
Sin obras prominentes en esta página.
Nie jestem jak ty. Męskość hegemoniczna we współczesnym południowoafrykańskim kinie queer
I'm not Like you. Hegemonic Masculinity in Contemporary South African Queer Cinema This article aims to describe common cultural types of masculinity in the South African society and illustrate their presence in contemporary local queer cinema. The historical and social circumstances that helped shape dominant South African forms of masculinity will be presented. The theory of hegemonic masculinity, first developed in the 1980s, will also be used…
The Politics of a Portrait
The article examines the connection between the past and the present, and between the personal and the political, in three recent biographical pictures directed by filmmakers of color: The Birth of a Nation (2016, dir. Nate Parker), Harriet (2018, dir. Kasi Lemmons), and Emancipation (2022, dir. Antoine Fuqua). By addressing the history of American slavery, the films not only come into a dialogue with the preexisting representations of slavery in…
Gender Studies (2 obras) · Law (2 obras) · Political science (2 obras) · Politics (2 obras) · Sociology (2 obras) · Aesthetics (1 obras) · African Sexualities and LGBTQ+ Issues (1 obras) · Art (1 obras) · Art history (1 obras) · Beauty (1 obras)