Bram Overbeeke
Datos Biográficos
| ID | 9748258 |
|---|---|
| NOMBRE | Bram Overbeeke |
| NOMBRES | Bram |
| APELLIDO | Overbeeke |
| FIRMA | OVERBEEKE B |
| AFILIACIONES | Chinese University of Hong Kong |
| VERIFICADO | No |
| TOTAL DE OBRAS | 1 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 1 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2025 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 0 |
Whose streets? Negotiations over public space through the figure of waste in Limbo and Drifting
Hong Kong’s dense streets feature prominently in global genres such as cyberpunk and neo-noir, which often reproduce the vertical dichotomy of trashy crime-filled city streets versus techno-futurist skyscrapers. In Hong Kong cinema itself, waste is often rendered invisible but also springs up in genres such as crime and social issue films to interrogate questions of excess and class relations in public space. The films Limbo (2021) and Drifting (…
Sin obras prominentes en esta página.
Whose streets? Negotiations over public space through the figure of waste in Limbo and Drifting
Hong Kong’s dense streets feature prominently in global genres such as cyberpunk and neo-noir, which often reproduce the vertical dichotomy of trashy crime-filled city streets versus techno-futurist skyscrapers. In Hong Kong cinema itself, waste is often rendered invisible but also springs up in genres such as crime and social issue films to interrogate questions of excess and class relations in public space. The films Limbo (2021) and Drifting (…
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