Saltar al contenido principal

ETHNOS_APP

Inicio • Búsqueda • Revistas • Lista 0

Milos Velimirovic

Datos Biográficos

ID97886
NOMBREMilos Velimirovic
NOMBRESMilos
APELLIDOVelimirovic
FIRMAVELIMIROVIC M
AFILIACIONESUniversity of Virginia
VERIFICADONo
TOTAL DE OBRAS27
TOTAL DE CITAS1
OBRAS COMO AUTOR27
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1962
AÑO MÁS RECIENTE DE PUBLICACIÓN2001
ÍNDICE H1
  • Heirmologion

    Milos Velimirovic•CHAPTER•The new Grove dictionary of music…•2001

  • Russian and Slavonic church music

    Milos Velimirovic, Irene Lozovaya et al.•CHAPTER•The new Grove dictionary of music…•2001

  • General Aspects of the Canticle

    Milos Velimirovic•CHAPTER•The new Grove dictionary of music…•2001

  • Ēchos

    Milos Velimirovic•CHAPTER•The new Grove dictionary of music…•2001

  • Musicology in Russia

    Milos Velimirovic•CHAPTER•The new Grove dictionary of music…•2001

  • Byzantine Canticle

    Milos Velimirovic•CHAPTER•The new Grove dictionary of music…•2001

  • Canticle

    Milos Velimirovic, Ruth Steiner et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Musicology in East Central Europe

    Milos Velimirovic, Katy Romanou•CHAPTER•The new Grove dictionary of music…•2001

  • Musicology in South East Europe

    Milos Velimirovic•CHAPTER•The new Grove dictionary of music…•2001

  • Musicology, National traditions of

    Jean Gribenski, Carolyn Gianturco et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Christianity and the Arts in Russia

    Stephen K Batalden, William Craft Brumfield et al.•ARTICLE•The Russian Review•1995•Citada por: 1

    Part I. The Art of the Medieval Church: 1. Aural icons of orthodoxy: the sonic typology of Russian bells Edward V. Williams 2. On the links between music and icon painting in medieval Rus Tatiana Vladyshevskaia 3. The role of the devotional image in the religious life of pre-Mongol Rus Natalia Teteriatnikov 4. The Slavic reception of Byzantine chant Kenneth Levy Part II. Christianity and Russian Folk Belief: 5. Piety and pragmatism: Orthodox sain…

  • Sticherarium Ambrosianum

    Milos Velimirovic•ARTICLE•Speculum•1994

  • Die Orgel im byzantinischen Hofzeremoniell des 9. und des 10. Jahrhunderts

    Milos Velimirovic•ARTICLE•Speculum•1994

  • The Late Byzantine and Slavonic Communion Cycle

    Milos Velimirovic•ARTICLE•Speculum•1987

  • Changing Interpretations of Music

    Milos Velimirovic•ARTICLE•New Literary History•1986

    answers. In the light of widespread concerns about the basically negative reception given to contemporary musical compositions only from the general public but often from the experts, perhaps the question raised by Sparshott should be joined with another one asking, How is one to explain the positive acceptance of the works produced for the concerns of the past and rejection of the works which attempt to satisfy the concerns of the present? In sh…

  • Belgrade as Subject of Musical Compositions

    Open Access•Milos Velimirovic•ARTICLE•Musicological Annual•1981

    Belgrade as Subject of Musical Compositions

  • Easter on Mount Athos

    Milos Velimirovic, Rudolf Brandl et al.•ARTICLE•Ethnomusicology•1980

  • Essays on Music in the Byzantine World . Oliver Strunk

    Milos Velimirovic•ARTICLE•Speculum•1978

  • Byzantine Hymns of the Epitaphios and Easter

    Milos Velimirovic•ARTICLE•Ethnomusicology•1978

  • Carpatho-Ruthenian Plain Chant

    Milos Velimirovic•ARTICLE•Ethnomusicology•1978

  • Srpska Muzika Kroz Vekove — La Musique serbe à travers les siècles . (Galerija Srpske Akademije Nauka i Umetnosti, Katalog 22) Belgrade, 1973

    Open Access•Milos Velimirovic•ARTICLE•Yearbook of the International…•1977

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Byzantine Trisagia and Cheroubika of the Fourteenth and Fifteenth Centuries

    Milos Velimirovic•ARTICLE•Speculum•1977

  • The Present Status of Research in Slavic Chant

    Milos Velimirovic•ARTICLE•Acta Musicologica•1972

  • Present Status of Research in Byzantine Music

    Milos Velimirovic•ARTICLE•Acta Musicologica•1971

  • Studies in Eastern Chant. Vol. II

    Michel Huglo, Egon Wellesz et al.•ARTICLE•Revue de musicologie•1971

Siguiente
  • Christianity and the Arts in Russia

    Stephen K Batalden, William Craft Brumfield et al.•ARTICLE•The Russian Review•1995•Citada por: 1

    Part I. The Art of the Medieval Church: 1. Aural icons of orthodoxy: the sonic typology of Russian bells Edward V. Williams 2. On the links between music and icon painting in medieval Rus Tatiana Vladyshevskaia 3. The role of the devotional image in the religious life of pre-Mongol Rus Natalia Teteriatnikov 4. The Slavic reception of Byzantine chant Kenneth Levy Part II. Christianity and Russian Folk Belief: 5. Piety and pragmatism: Orthodox sain…

  • Byzantine Elements in Early Slavic Chant

    Joseph Smits Van Waesberghe, Milos Velimirovic et al.•ARTICLE•Vigiliae Christianae•1962

  • Studies in Eastern Chant

    Michel Huglo, Egon Wellesz et al.•ARTICLE•Revue de musicologie•1966

    A medieval Slavonic theoretical treatise on music, Stefan Lazarov notes on Cyprian the Hymnographer, Mariangela Arata the Akathistos hymn, Antonia Filonov Gove performance of the kanon in Thessaloniki in the 14th century, Christian Hannick Byzantine and modern Greek parahymnography, K. Mitsakis. (Part Contents)

  • Present Status of Research in Byzantine Music

    Milos Velimirovic•ARTICLE•Acta Musicologica•1971

  • Studies in Eastern Chant. Vol. II

    Michel Huglo, Egon Wellesz et al.•ARTICLE•Revue de musicologie•1971

  • The Present Status of Research in Slavic Chant

    Milos Velimirovic•ARTICLE•Acta Musicologica•1972

  • Srpska Muzika Kroz Vekove — La Musique serbe à travers les siècles . (Galerija Srpske Akademije Nauka i Umetnosti, Katalog 22) Belgrade, 1973

    Open Access•Milos Velimirovic•ARTICLE•Yearbook of the International…•1977

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Byzantine Trisagia and Cheroubika of the Fourteenth and Fifteenth Centuries

    Milos Velimirovic•ARTICLE•Speculum•1977

  • Essays on Music in the Byzantine World . Oliver Strunk

    Milos Velimirovic•ARTICLE•Speculum•1978

  • Byzantine Hymns of the Epitaphios and Easter

    Milos Velimirovic•ARTICLE•Ethnomusicology•1978

  • Carpatho-Ruthenian Plain Chant

    Milos Velimirovic•ARTICLE•Ethnomusicology•1978

  • Easter on Mount Athos

    Milos Velimirovic, Rudolf Brandl et al.•ARTICLE•Ethnomusicology•1980

  • Belgrade as Subject of Musical Compositions

    Open Access•Milos Velimirovic•ARTICLE•Musicological Annual•1981

    Belgrade as Subject of Musical Compositions

  • Changing Interpretations of Music

    Milos Velimirovic•ARTICLE•New Literary History•1986

    answers. In the light of widespread concerns about the basically negative reception given to contemporary musical compositions only from the general public but often from the experts, perhaps the question raised by Sparshott should be joined with another one asking, How is one to explain the positive acceptance of the works produced for the concerns of the past and rejection of the works which attempt to satisfy the concerns of the present? In sh…

  • The Late Byzantine and Slavonic Communion Cycle

    Milos Velimirovic•ARTICLE•Speculum•1987

  • Sticherarium Ambrosianum

    Milos Velimirovic•ARTICLE•Speculum•1994

  • Die Orgel im byzantinischen Hofzeremoniell des 9. und des 10. Jahrhunderts

    Milos Velimirovic•ARTICLE•Speculum•1994

  • Christianity and the Arts in Russia

    Stephen K Batalden, William Craft Brumfield et al.•ARTICLE•The Russian Review•1995•Citada por: 1

    Part I. The Art of the Medieval Church: 1. Aural icons of orthodoxy: the sonic typology of Russian bells Edward V. Williams 2. On the links between music and icon painting in medieval Rus Tatiana Vladyshevskaia 3. The role of the devotional image in the religious life of pre-Mongol Rus Natalia Teteriatnikov 4. The Slavic reception of Byzantine chant Kenneth Levy Part II. Christianity and Russian Folk Belief: 5. Piety and pragmatism: Orthodox sain…

  • Heirmologion

    Milos Velimirovic•CHAPTER•The new Grove dictionary of music…•2001

  • Russian and Slavonic church music

    Milos Velimirovic, Irene Lozovaya et al.•CHAPTER•The new Grove dictionary of music…•2001

  • General Aspects of the Canticle

    Milos Velimirovic•CHAPTER•The new Grove dictionary of music…•2001

  • Ēchos

    Milos Velimirovic•CHAPTER•The new Grove dictionary of music…•2001

  • Musicology in Russia

    Milos Velimirovic•CHAPTER•The new Grove dictionary of music…•2001

  • Byzantine Canticle

    Milos Velimirovic•CHAPTER•The new Grove dictionary of music…•2001

  • Canticle

    Milos Velimirovic, Ruth Steiner et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Musicology in East Central Europe

    Milos Velimirovic, Katy Romanou•CHAPTER•The new Grove dictionary of music…•2001

Art (17 obras) · History (11 obras) · Diverse Musicological Studies (8 obras) · Byzantine architecture (7 obras) · Classics (7 obras) · Computer Science (7 obras) · Byzantine Studies and History (6 obras) · Historical and Archaeological Studies (6 obras) · Ancient history (5 obras) · Classics (5 obras)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae