Sofía Muñoz-Valdivieso
Datos Biográficos
| ID | 98751 |
|---|---|
| NOMBRE | Sofía Muñoz-Valdivieso |
| NOMBRES | Sofía |
| APELLIDO | Muñoz-Valdivieso |
| FIRMA | MUÑOZ-VALDIVIESO S |
| AFILIACIONES | Universidad de Málaga |
| VERIFICADO | No |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAS | 3 |
| TOTAL COMO AUTOR | 5 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2012 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2020 |
| ÍNDICE H | 1 |
Slavery fiction in Britain
This article analyses significant examples of slavery fiction published in Britain by writers who have family links to Africa and the Caribbean. As children of immigrants who had come to Britain after World War II, Caryl Phillips, David Dabydeen, Fred D’Aguiar, Andrea Levy and Bernardine Evaristo shared the uncertainties of coming of age in a society that offered no space for their identities as individuals with roots in other continents. This ar…
‘All the World’s a Stage’: William Shakespeare’s Cultural Capital 400 Years after his Death
The article reviews the evolution of Shakespeare studies over the last 50 years and proposes a narrative to trace its development since the commemoration of Shakespeare’s birth in 1964 in three phases: first, the unfolding from the 1970s to the 1990s of what I have called the postmodern paradigm in Shakespeare studies, which I argue breaks with previous humanist universalising readings of his plays; second, the serious consideration of Shakespear…
This tale is of my making: Empowering voices in Andrea Levy'sThe Long Song
Andrea Levy’s The Long Song takes readers to pre- and post-Emancipation Jamaica through the voice of July, an old black woman who in the final years of the 19th century reminisces about her past. July is an intrusive narrator who throughout the narrative flaunts her control over her tale and sometimes calls attention to what is left unsaid, so that the horrors of slavery are mainly conveyed in her silences, while her humorous perspective articula…
Britishness beyond the New Britain: British identities and the identity of Britain in recent black and Asian British Writing
The articles in this collection explore issues of identity in a range of black and Asian British writing of the new millennium: they analyse works of fiction, biography and drama that in recent yea
Shakespearean Intertexts and European Identities in Contemporary Black British Fiction
The article analyses the presence of William Shakespeare as intertext in three recent novels by black British writers which deploy the work of the Bard as they explore British and European identities. Caryl Phillips’s The Nature of Blood recreates an Othello-like figure who in early Modern Venice struggles to come to terms with his identity as an outsider. Zadie Smith’s White Teeth summarises the influence of imperial history in contemporary Engl…
This tale is of my making: Empowering voices in Andrea Levy'sThe Long Song
Andrea Levy’s The Long Song takes readers to pre- and post-Emancipation Jamaica through the voice of July, an old black woman who in the final years of the 19th century reminisces about her past. July is an intrusive narrator who throughout the narrative flaunts her control over her tale and sometimes calls attention to what is left unsaid, so that the horrors of slavery are mainly conveyed in her silences, while her humorous perspective articula…
Shakespearean Intertexts and European Identities in Contemporary Black British Fiction
The article analyses the presence of William Shakespeare as intertext in three recent novels by black British writers which deploy the work of the Bard as they explore British and European identities. Caryl Phillips’s The Nature of Blood recreates an Othello-like figure who in early Modern Venice struggles to come to terms with his identity as an outsider. Zadie Smith’s White Teeth summarises the influence of imperial history in contemporary Engl…
This tale is of my making: Empowering voices in Andrea Levy'sThe Long Song
Andrea Levy’s The Long Song takes readers to pre- and post-Emancipation Jamaica through the voice of July, an old black woman who in the final years of the 19th century reminisces about her past. July is an intrusive narrator who throughout the narrative flaunts her control over her tale and sometimes calls attention to what is left unsaid, so that the horrors of slavery are mainly conveyed in her silences, while her humorous perspective articula…
Britishness beyond the New Britain: British identities and the identity of Britain in recent black and Asian British Writing
The articles in this collection explore issues of identity in a range of black and Asian British writing of the new millennium: they analyse works of fiction, biography and drama that in recent yea
‘All the World’s a Stage’: William Shakespeare’s Cultural Capital 400 Years after his Death
The article reviews the evolution of Shakespeare studies over the last 50 years and proposes a narrative to trace its development since the commemoration of Shakespeare’s birth in 1964 in three phases: first, the unfolding from the 1970s to the 1990s of what I have called the postmodern paradigm in Shakespeare studies, which I argue breaks with previous humanist universalising readings of his plays; second, the serious consideration of Shakespear…
Slavery fiction in Britain
This article analyses significant examples of slavery fiction published in Britain by writers who have family links to Africa and the Caribbean. As children of immigrants who had come to Britain after World War II, Caryl Phillips, David Dabydeen, Fred D’Aguiar, Andrea Levy and Bernardine Evaristo shared the uncertainties of coming of age in a society that offered no space for their identities as individuals with roots in other continents. This ar…
Art (5 obras) · Literature (5 obras) · Sociology (5 obras) · Narrative (4 obras) · Postcolonial and Cultural Literary Studies (4 obras) · Aesthetics (3 obras) · History (3 obras) · Political science (3 obras) · Ancient history (2 obras) · Black British (2 obras)