Thomas Turino
Datos Biográficos
| ID | 98882 |
|---|---|
| NOMBRE | Thomas Turino |
| NOMBRES | Thomas |
| APELLIDO | Turino |
| FIRMA | TURINO T |
| AFILIACIONES | University of Illinois Urbana-Champaign |
| VERIFICADO | No |
| TOTAL DE OBRAS | 36 |
| TOTAL DE CITAS | 304 |
| TOTAL COMO AUTOR | 36 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1983 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2020 |
| ÍNDICE H | 6 |
Sekuru's Stories
In his 1964 publication Theory and Method in Ethnomusicology, Bruno Nettl suggested musical biographies as a way of exploring the articulations of music and social life. His idea was that people would tell their life stories by inserting the performances of songs or pieces that fit within those chronologies or were recalled through the telling—later to be transcribed/described in the written text by the ethnomusicologist. As in any good biography…
Archaeology of instruments
Peircean Thought As Core Theory For A Phenomenological Ethnomusicology
In this article I situate Peircean semiotics within Peirce's larger phenomenological project. Because Peircean theory is directed at the analysis of specific instances of experience it provides a series of powerful conceptual tools for ethnomusicologists and scholars in other ethnographic disciplines. After revisiting the social potentials of Peirce's primary sign types and their utility for ethnomusicological work, I explore the importance of Pe…
Squeeze This! A Cultural History of the Accordion in America
Book Review| September 01 2013 Squeeze This! A Cultural History of the Accordion in America Squeeze This! A Cultural History of the Accordion in America. Marion Jacobson. 2012. Urbana: University of Illinois Press. ix, 256 pp., illustrations, notes, index. Cloth, $29.95. Thomas Turino Thomas Turino Search for other works by this author on: This Site Google Ethnomusicology (2013) 57 (3): 547–551. https://doi.org/10.5406/ethnomusicology.57.3.0547 C…
Music as social life
Music as social life
People around the world and throughout history have used music to express their inner emotions, reach out to the divine, woo lovers, celebrate weddings, inspire political movements, and lull babies to sleep. In Music as Social Life, Thomas Turino explores why it is that music and dance are so often at the center of our most profound personal and social experiences.Turino begins by developing tools to think about the special properties of music an…
Nationalism and Latin American Music
In discussing the criollo-based independence movements in the Americas during the eighteenth and early nineteenth centuries, Benedict Anderson notes that these cases are not easily explained by the usual means of national linguistic and cultural distinction. 1 He writes: "All, including the U.S.A., were creole states formed and led by people who shared a common language and common descent with those against whom they fought" (1991, 47). "Yet," he…
Are we global yet? Globalist discourse, cultural formations and the study of Zimbabwean popular music1
As a cultural category “global” is at once too all‐encompassing and vague, and too deeply, indexically, tied to the contemporary discourse naturalizing increased capitalist expansion and control throughout the world ‐ a discourse referred to here as “globalism”. The article suggests a different framework for thinking about trans‐state cultural processes involving three ideal‐type social formations: immigrant communities, diasporas and cosmopolita…
Peru, Republic of
Charango
Zimbabwe, Republic of
Nationalists, Cosmopolitans, and Popular Music in Zimbabwe
The Garland Encyclopedia of World Music
The Garland Encyclopedia of World Music: Africa. Ruth Stone. ed. New York: Garland, 1998. 852 pp., scores, and CD
Signs of Imagination, Identity, and Experience
gists have come to agree on anything over the last decade it is that music is a key resource for realizing personal and collective identities which, in turn, are crucial for social, political, and economic participation. These observations are integrally related, and they form the basis of the central question for musicology: Why music? Like the habitus, identities are at once individual and social; they are the affective intersection of life exp…
Estrutura, contexto e estratégia na etnografia musical
O artigo discute a questão da dialética entre teoria e prática e suas implicações na representação etnográfica através de duas figuras exponenciais do pensamento contemporâneo: Pierre Bourdieu e Michel de Certeau. O autor ao apontar aos etnógrafos de música alguns dos limites da teoria da prática, apresenta sugestões para superá-los por via de um relato detalhado de uma performance musical ocorrida durante a Fiesta de la Cruz no distrito rural Ay…
Chicha Peruana
Underground Harmonies
Underground Harmonies: Music and Politics In the Subways of New York. SUSIE J. TANENBAUM. Ithaca, NY: Cornell University Press, 1995. xvi + 270 pp., photographs, notes, bibliography, index
Carnival in Q'eros
Moving Away from Silence
Mountain Music of Peru
Moving away from Silence
Musica Tradicional de Lambayeque
Moving away from Silence
Moving away from silence
Chayraq! Carnaval Ayacuchano
Music as social life
People around the world and throughout history have used music to express their inner emotions, reach out to the divine, woo lovers, celebrate weddings, inspire political movements, and lull babies to sleep. In Music as Social Life, Thomas Turino explores why it is that music and dance are so often at the center of our most profound personal and social experiences.Turino begins by developing tools to think about the special properties of music an…
Signs of Imagination, Identity, and Experience
gists have come to agree on anything over the last decade it is that music is a key resource for realizing personal and collective identities which, in turn, are crucial for social, political, and economic participation. These observations are integrally related, and they form the basis of the central question for musicology: Why music? Like the habitus, identities are at once individual and social; they are the affective intersection of life exp…
Nationalism and Latin American Music
In discussing the criollo-based independence movements in the Americas during the eighteenth and early nineteenth centuries, Benedict Anderson notes that these cases are not easily explained by the usual means of national linguistic and cultural distinction. 1 He writes: "All, including the U.S.A., were creole states formed and led by people who shared a common language and common descent with those against whom they fought" (1991, 47). "Yet," he…
Moving away from silence
Peircean Thought As Core Theory For A Phenomenological Ethnomusicology
In this article I situate Peircean semiotics within Peirce's larger phenomenological project. Because Peircean theory is directed at the analysis of specific instances of experience it provides a series of powerful conceptual tools for ethnomusicologists and scholars in other ethnographic disciplines. After revisiting the social potentials of Peirce's primary sign types and their utility for ethnomusicological work, I explore the importance of Pe…
The Coherence of Social Style and Musical Creation among the Aymara in Southern Peru
WThoen I asked Aymara musicians in highland Peru about specific aspects V of their musical culture-Why do you do it that way?-they most commonly replied: It is our custom; That is the way it is; That is the way we do it; That is the way our ancestors did it. The character of these responses to a question that, from their perspective, was inappropriate underlines a radically different way of knowing from my own and a particular mode of linking soc…
Are we global yet? Globalist discourse, cultural formations and the study of Zimbabwean popular music1
As a cultural category “global” is at once too all‐encompassing and vague, and too deeply, indexically, tied to the contemporary discourse naturalizing increased capitalist expansion and control throughout the world ‐ a discourse referred to here as “globalism”. The article suggests a different framework for thinking about trans‐state cultural processes involving three ideal‐type social formations: immigrant communities, diasporas and cosmopolita…
The Music of Andean Migrants in Lima, Peru
This article examines the musical practices of Andean migrants in Lima, Peru, focusing on the interplay between demographics, social power, and musical style. Turino analyzes how migrant communities use music to negotiate their identities and social status within the urban environment. He explores the diverse musical genres performed by migrants, including waynos, huaylas, and chicha, and how these styles are adapted and transformed in the urban …
Structure, Context, and Strategy in Musical Ethnography
La dialectique theorie/pratique (P. Bourdieu, M. de Certeau) dans le champ de l'ethnomusicologie : application a l'etude de la Fiesta de la Cruz (district Aymara de Conima, Andes peruviennes du Sud)
"The Charango and the "Sirena
Moving Away from Silence
The Urban-Mestizo Charango Tradition in Southern Peru
in several distinct Peruvian musical traditions, notably that of Andean peasants, of mestizos, and more recently that of urban folklore revivalists. This paper is an attempt to explain the evolution of the highland urban-mestizo tradition in southern Peru by drawing attention to the causal links between certain socioeconomic forces and this musical style. Thus, the underlying aesthetic and social values that govern: (1) the fact that urban mestiz…
The Garland Encyclopedia of World Music
The Garland Encyclopedia of World Music: Africa. Ruth Stone. ed. New York: Garland, 1998. 852 pp., scores, and CD
Carnival in Q'eros
Musik im Andenhochland/Bolivien (Music in the Andean Highlands/Bolivia)
"The Charango and the "Sirena
The Inca Harp
El siku bipolar altiplanico. Vol. 1
The Urban-Mestizo Charango Tradition in Southern Peru
in several distinct Peruvian musical traditions, notably that of Andean peasants, of mestizos, and more recently that of urban folklore revivalists. This paper is an attempt to explain the evolution of the highland urban-mestizo tradition in southern Peru by drawing attention to the causal links between certain socioeconomic forces and this musical style. Thus, the underlying aesthetic and social values that govern: (1) the fact that urban mestiz…
Mountain Music of Peru
Musica tradicional del Valle del Mantaro
The Music of Andean Migrants in Lima, Peru
This article examines the musical practices of Andean migrants in Lima, Peru, focusing on the interplay between demographics, social power, and musical style. Turino analyzes how migrant communities use music to negotiate their identities and social status within the urban environment. He explores the diverse musical genres performed by migrants, including waynos, huaylas, and chicha, and how these styles are adapted and transformed in the urban …
Music and Poetry in a Colombian Village
The Coherence of Social Style and Musical Creation among the Aymara in Southern Peru
WThoen I asked Aymara musicians in highland Peru about specific aspects V of their musical culture-Why do you do it that way?-they most commonly replied: It is our custom; That is the way it is; That is the way we do it; That is the way our ancestors did it. The character of these responses to a question that, from their perspective, was inappropriate underlines a radically different way of knowing from my own and a particular mode of linking soc…
Structure, Context, and Strategy in Musical Ethnography
La dialectique theorie/pratique (P. Bourdieu, M. de Certeau) dans le champ de l'ethnomusicologie : application a l'etude de la Fiesta de la Cruz (district Aymara de Conima, Andes peruviennes du Sud)
Chayraq! Carnaval Ayacuchano
Moving away from silence
Musica Tradicional de Lambayeque
Moving away from Silence
Moving Away from Silence
Mountain Music of Peru
Moving away from Silence
Carnival in Q'eros
Underground Harmonies
Underground Harmonies: Music and Politics In the Subways of New York. SUSIE J. TANENBAUM. Ithaca, NY: Cornell University Press, 1995. xvi + 270 pp., photographs, notes, bibliography, index
Chicha Peruana
Signs of Imagination, Identity, and Experience
gists have come to agree on anything over the last decade it is that music is a key resource for realizing personal and collective identities which, in turn, are crucial for social, political, and economic participation. These observations are integrally related, and they form the basis of the central question for musicology: Why music? Like the habitus, identities are at once individual and social; they are the affective intersection of life exp…
Estrutura, contexto e estratégia na etnografia musical
O artigo discute a questão da dialética entre teoria e prática e suas implicações na representação etnográfica através de duas figuras exponenciais do pensamento contemporâneo: Pierre Bourdieu e Michel de Certeau. O autor ao apontar aos etnógrafos de música alguns dos limites da teoria da prática, apresenta sugestões para superá-los por via de um relato detalhado de uma performance musical ocorrida durante a Fiesta de la Cruz no distrito rural Ay…
Nationalists, Cosmopolitans, and Popular Music in Zimbabwe
The Garland Encyclopedia of World Music
The Garland Encyclopedia of World Music: Africa. Ruth Stone. ed. New York: Garland, 1998. 852 pp., scores, and CD
Art (24 obras) · History (16 obras) · Sociology (11 obras) · Geography (10 obras) · Music History and Culture (9 obras) · Diverse Musicological Studies (7 obras) · Anthropology (6 obras) · Archaeology (6 obras) · Latin American history and culture (6 obras) · Aesthetics (5 obras)