Annemette Kirkegaard
Datos Biográficos
| ID | 995339 |
|---|---|
| NOMBRE | Annemette Kirkegaard |
| NOMBRES | Annemette |
| APELLIDO | Kirkegaard |
| FIRMA | KIRKEGAARD A |
| AFILIACIONES | University of Copenhagen |
| ORCID | 0000-0002-4895-1097 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAS | 42 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2003 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2017 |
| ÍNDICE H | 2 |
Introduction
The present volume brings together six articles which all address issues of censorship in music. While restrictions on free speech in popular music are often ascribed to the semantic content of lyrics or images, the authors in this special issue take their point of departure from the perception that the musical sound in its complexity rather plays a major role in silencing musicians and artists. Drawing on diverse cases of restrictions in various…
Music and Transcendence
The article discusses transcendence in music in relation to popular Sufi performances in East Africa, drawing on specific cases from Zanzibar. Based on fieldwork, it examines ways in which music and movement in a structured event or performance can affect the consciousness. This phenomenon is discussed in close connection to its increasing presence in popular music festivals. The article also addresses the latent conflict between the performative…
Playing with Identities in Contemporary Music in Africa
The musics of Africa play a particularly important role in expressing and forming identities. This book brings together African and Nordic scholars from both musicology and other disciplines in an attempt to analyse various aspects of the complex playing with volatile identities in music in Africa today. Taken together the papers put new light on the assumed or real dichotomies between countryside and city, collective and individual, tradition an…
Playing with Identities in Contemporary Music in Africa
PM 1. Bishoff 1994.2. The origins of jazz-though thoroughly disputed, is but one of the many examples of how the transatlanic exchange has made its mark on Western music.3. Kirschenblatt-Gimblett 1995. 4. Examples are for instance the early ethnographic work done by anthropologist Clyde Mitchell, who later produced the book "The Kalela Dance" in 1954.5
Playing with Identities in Contemporary Music in Africa
The musics of Africa play a particularly important role in expressing and forming identities. This book brings together African and Nordic scholars from both musicology and other disciplines in an attempt to analyse various aspects of the complex playing with volatile identities in music in Africa today. Taken together the papers put new light on the assumed or real dichotomies between countryside and city, collective and individual, tradition an…
Playing with Identities in Contemporary Music in Africa
PM 1. Bishoff 1994.2. The origins of jazz-though thoroughly disputed, is but one of the many examples of how the transatlanic exchange has made its mark on Western music.3. Kirschenblatt-Gimblett 1995. 4. Examples are for instance the early ethnographic work done by anthropologist Clyde Mitchell, who later produced the book "The Kalela Dance" in 1954.5
Introduction
The present volume brings together six articles which all address issues of censorship in music. While restrictions on free speech in popular music are often ascribed to the semantic content of lyrics or images, the authors in this special issue take their point of departure from the perception that the musical sound in its complexity rather plays a major role in silencing musicians and artists. Drawing on diverse cases of restrictions in various…
Playing with Identities in Contemporary Music in Africa
The musics of Africa play a particularly important role in expressing and forming identities. This book brings together African and Nordic scholars from both musicology and other disciplines in an attempt to analyse various aspects of the complex playing with volatile identities in music in Africa today. Taken together the papers put new light on the assumed or real dichotomies between countryside and city, collective and individual, tradition an…
Playing with Identities in Contemporary Music in Africa
PM 1. Bishoff 1994.2. The origins of jazz-though thoroughly disputed, is but one of the many examples of how the transatlanic exchange has made its mark on Western music.3. Kirschenblatt-Gimblett 1995. 4. Examples are for instance the early ethnographic work done by anthropologist Clyde Mitchell, who later produced the book "The Kalela Dance" in 1954.5
Music and Transcendence
The article discusses transcendence in music in relation to popular Sufi performances in East Africa, drawing on specific cases from Zanzibar. Based on fieldwork, it examines ways in which music and movement in a structured event or performance can affect the consciousness. This phenomenon is discussed in close connection to its increasing presence in popular music festivals. The article also addresses the latent conflict between the performative…
Introduction
The present volume brings together six articles which all address issues of censorship in music. While restrictions on free speech in popular music are often ascribed to the semantic content of lyrics or images, the authors in this special issue take their point of departure from the perception that the musical sound in its complexity rather plays a major role in silencing musicians and artists. Drawing on diverse cases of restrictions in various…
Aesthetics (3 obras) · Art (3 obras) · Gender Studies (3 obras) · Sociology (3 obras) · Gender Studies (2 obras) · History (2 obras) · Literature (2 obras) · Music History and Culture (2 obras) · Popular music (2 obras) · Visual arts (2 obras)