Harryette Romell Mullen
Datos Biográficos
| ID | 995666 |
|---|---|
| NOMBRE | Harryette Romell Mullen |
| NOMBRES | Harryette Romell |
| APELLIDO | Mullen |
| FIRMA | MULLEN H R |
| VERIFICADO | No |
| TOTAL DE OBRAS | 14 |
| TOTAL DE CITAS | 10 |
| TOTAL COMO AUTOR | 14 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1996 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2012 |
| ÍNDICE H | 1 |
The Cracks Between What We Are and What We Are Supposed to Be
"The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen's own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language, women's voices, and the future of poetry"
Everything We Can Imagine
Everything We Can Imagine:An Interview with Harryette Mullen Kyle G. Dargan and Harryette Romell Mullen (bio) This interview was conducted via e-mail in July, 2007. KYLE G. DARGAN: Growing up on, as you say, "the edge of Southern black culture," has Callaloo's evolution from a journal of black Southern literature to the broader Black Diaspora surprised you in any way? HARRYETTE MULLEN: I'm definitely a southerner. I was born in Alabama and grew u…
Artistic Expression was Flowing Everywhere
Claiming their place as a significant force in U.S. literature in the 1970s, African-American women writers faced difficult choices involving contradictory values within a shifting terrain of political, cultural, and aesthetic movements. A critical examination of two unconventional novels of this decade underscores the complex interaction of conflicting affiliations in the life and work of two African-American women writers: one prolific and well…
Cinema of the Oppressed
Cinema of the Oppressed:An Interview with Francisco Newman Harryette Mullen (bio) and Francisco Newman (bio) Abstract Independent filmmaker Francisco Newman began his career as a journalist at KQED Public Television in San Francisco. His films include Staggerlee: A Conversation with Bobby Seale, Leader of the Black Panther Party (1970); Ain't Nobody Slick (1972) featuring Angela Davis; and Virgin Again (2000), a retelling of New Testament gospel …
Reader, I Married Him
Reader, I Married Him:An Interview with Alison Mills Harryette Mullen (bio) and Alison Mills (bio) Abstract Alison Mills is the author of Francisco (1974), an autobiographical novel about a young black woman's disillusionment with her early success as an actress in Hollywood, her emerging interest in the 1970s Black Arts Movement, and her love affair with an independent black filmmaker. The novel is based on Mills' own experience as a performer i…
Drinking Mojitos in Cuba Libre
"My mojito in La Bodeguita. My daiquiri in El Floridita." A postcard of fidelity shaking hands with earnest money. Lost in the streets of Havana, gasping for breath como un pez sin agua. As hot as it is, as black as can be, as dark as this combustible star. Sí, hace calor, pero only turistas wear big brims or ultraviolet lenses. You hot? You thirsty? You buy us mojitos? You bring your yanqui dolor. We show our splendid squalor. Milk for baby, you…
El Malecon
Harryette Mullen is the author of six books, most recently Blues Baby (Bucknell, 2002) and Sleeping with the Dictionary (University of California, 2002), which was a National Book Award finalist. She lives in Los Angeles and teaches African American literature, American poetry, and creative writing at UCLA
Interview with Harryette Mullen
Postmodern Culture - Volume 9, Number 2, January 1999
A Collective Force of Burning Ink
“A Collective Force of Burning Ink”: Will Alexander’s Asia & Haiti Harryette Mullen* (bio) Will Alexander, Poet and Essayist: A Special Section A homegrown if not “organic” intellectual, Will Alexander is an African-American writer from South Central Los Angeles, whose surrealist poetry is global, even cosmic, in scope, encyclopedic in its display of esoteric knowledge and arcane vocabularies, visionary in its apocalyptic intensity. The author of…
Hauling Up Gold From the Abyss
Callaloo - Volume 22, Number 2, Spring 1999
She Swam On from Sea to Shine
Callaloo - Volume 19, Number 3, Summer 1996
Muse & Drudge
Muse & Drudge Selections Harryette Mullen (bio) Sapphire’s lyre styles plucked eyebrows bow lips and legs whose lives are lonely too my last nerve’s lucid music sure chewed up the juicy fruit you must don’t like my peaches there’s some left on the tree you’ve had my thrills a reefer a tub of gin don’t mess with me I’m evil I’m in your sin clipped bird eclipsed moon soon no memory of you no drive or desire survives you flutter invisible still [End…
The Solo Mysterioso Blues
Callaloo - Volume 19, Number 3, Summer 1996
African Signs and Spirit Writing
Callaloo - Volume 19, Number 3, Summer 1996
African Signs and Spirit Writing
Callaloo - Volume 19, Number 3, Summer 1996
Reader, I Married Him
Reader, I Married Him:An Interview with Alison Mills Harryette Mullen (bio) and Alison Mills (bio) Abstract Alison Mills is the author of Francisco (1974), an autobiographical novel about a young black woman's disillusionment with her early success as an actress in Hollywood, her emerging interest in the 1970s Black Arts Movement, and her love affair with an independent black filmmaker. The novel is based on Mills' own experience as a performer i…
A Collective Force of Burning Ink
“A Collective Force of Burning Ink”: Will Alexander’s Asia & Haiti Harryette Mullen* (bio) Will Alexander, Poet and Essayist: A Special Section A homegrown if not “organic” intellectual, Will Alexander is an African-American writer from South Central Los Angeles, whose surrealist poetry is global, even cosmic, in scope, encyclopedic in its display of esoteric knowledge and arcane vocabularies, visionary in its apocalyptic intensity. The author of…
The Solo Mysterioso Blues
Callaloo - Volume 19, Number 3, Summer 1996
She Swam On from Sea to Shine
Callaloo - Volume 19, Number 3, Summer 1996
Muse & Drudge
Muse & Drudge Selections Harryette Mullen (bio) Sapphire’s lyre styles plucked eyebrows bow lips and legs whose lives are lonely too my last nerve’s lucid music sure chewed up the juicy fruit you must don’t like my peaches there’s some left on the tree you’ve had my thrills a reefer a tub of gin don’t mess with me I’m evil I’m in your sin clipped bird eclipsed moon soon no memory of you no drive or desire survives you flutter invisible still [End…
The Solo Mysterioso Blues
Callaloo - Volume 19, Number 3, Summer 1996
African Signs and Spirit Writing
Callaloo - Volume 19, Number 3, Summer 1996
Interview with Harryette Mullen
Postmodern Culture - Volume 9, Number 2, January 1999
A Collective Force of Burning Ink
“A Collective Force of Burning Ink”: Will Alexander’s Asia & Haiti Harryette Mullen* (bio) Will Alexander, Poet and Essayist: A Special Section A homegrown if not “organic” intellectual, Will Alexander is an African-American writer from South Central Los Angeles, whose surrealist poetry is global, even cosmic, in scope, encyclopedic in its display of esoteric knowledge and arcane vocabularies, visionary in its apocalyptic intensity. The author of…
Hauling Up Gold From the Abyss
Callaloo - Volume 22, Number 2, Spring 1999
Drinking Mojitos in Cuba Libre
"My mojito in La Bodeguita. My daiquiri in El Floridita." A postcard of fidelity shaking hands with earnest money. Lost in the streets of Havana, gasping for breath como un pez sin agua. As hot as it is, as black as can be, as dark as this combustible star. Sí, hace calor, pero only turistas wear big brims or ultraviolet lenses. You hot? You thirsty? You buy us mojitos? You bring your yanqui dolor. We show our splendid squalor. Milk for baby, you…
El Malecon
Harryette Mullen is the author of six books, most recently Blues Baby (Bucknell, 2002) and Sleeping with the Dictionary (University of California, 2002), which was a National Book Award finalist. She lives in Los Angeles and teaches African American literature, American poetry, and creative writing at UCLA
Artistic Expression was Flowing Everywhere
Claiming their place as a significant force in U.S. literature in the 1970s, African-American women writers faced difficult choices involving contradictory values within a shifting terrain of political, cultural, and aesthetic movements. A critical examination of two unconventional novels of this decade underscores the complex interaction of conflicting affiliations in the life and work of two African-American women writers: one prolific and well…
Cinema of the Oppressed
Cinema of the Oppressed:An Interview with Francisco Newman Harryette Mullen (bio) and Francisco Newman (bio) Abstract Independent filmmaker Francisco Newman began his career as a journalist at KQED Public Television in San Francisco. His films include Staggerlee: A Conversation with Bobby Seale, Leader of the Black Panther Party (1970); Ain't Nobody Slick (1972) featuring Angela Davis; and Virgin Again (2000), a retelling of New Testament gospel …
Reader, I Married Him
Reader, I Married Him:An Interview with Alison Mills Harryette Mullen (bio) and Alison Mills (bio) Abstract Alison Mills is the author of Francisco (1974), an autobiographical novel about a young black woman's disillusionment with her early success as an actress in Hollywood, her emerging interest in the 1970s Black Arts Movement, and her love affair with an independent black filmmaker. The novel is based on Mills' own experience as a performer i…
Everything We Can Imagine
Everything We Can Imagine:An Interview with Harryette Mullen Kyle G. Dargan and Harryette Romell Mullen (bio) This interview was conducted via e-mail in July, 2007. KYLE G. DARGAN: Growing up on, as you say, "the edge of Southern black culture," has Callaloo's evolution from a journal of black Southern literature to the broader Black Diaspora surprised you in any way? HARRYETTE MULLEN: I'm definitely a southerner. I was born in Alabama and grew u…
The Cracks Between What We Are and What We Are Supposed to Be
"The Cracks Between What We Are and What We Are Supposed to Be forms an extended consideration not only of Harryette Mullen's own work, methods, and interests as a poet, but also of issues of central importance to African American poetry and language, women's voices, and the future of poetry"
Art (13 obras) · Art history (12 obras) · History (12 obras) · Literature (8 obras) · Sociology (7 obras) · Visual arts (7 obras) · Law (6 obras) · American and British Literature Analysis (4 obras) · Blues (4 obras) · Poetry (4 obras)